SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Jones"/1) | (@(roleclean,performerclean) "Charles Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2525 matches on Author, 2006 matches on Performance Comments, 444 matches on Event Comments, 300 matches on Performance Title, and 8 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: Benefit Jones, Mrs Bland, Mrs Gondou, Miss Ferguson, Miss Morrison (General Advertiser). Benefit Charles Jones, son of the late Jere Jones who formerly kept the Selectation Tavern at Billingsgate (Daily Advertiser)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: Cooke, Sga Campioni; also Scotch Dance, as17441012

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Performance Comment: Characters-Jackson, Dowson, Davis, Evans, Alfred, Russell, Williams, Jones, Miss Essex, Miss Walton, [Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Benefit for Tindal and Charles Sarjant (book and housekeeper). Not acted this season

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Ross; Macduff-Tindall; King-Gibson; Malcolm-Davis; Donalbaine-Murden; Seyton-Gardner; Banquo-Sparks; Lenox-Hull; Hecate-Wignell; 1st Murderer-Buck; 2nd Murderer-Holtom; Witches-Dunstall, Costollo, Lewis; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Ward; With Original Music. Vocal parts-Mattocks, Legg, Baker, Waylin, Dibdin, Mrs Lampe, Mrs Jones; Dances-and Decorations incident to the play.

Afterpiece Title: The Apprentice

Dance: IV: A Tambourine, as17641015; End: (by Particular Desire) A New Hornpipe, as17650510

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.

Afterpiece Title: Thomasand Sally

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift; or, A ChristmasGambol

Performance Comment: Principal Characters-Quick, Whitfield, Dunstall, Wewitzer, Brunsdon, Booth, Robson, Fearon, Jones, Cushing, Mrs Willems, Mrs White, Mrs Morton; Larpent MS 463 lists the parts: Sir Clement Courtly, Young Courtly, Save Charges, Plunder, Hazard, Bumper, Bondage, Bobbin, Trusty, Bottlerack, Marrowbone, Trip, Servants, Miss Worthy, Dorothy, Margery. New Prologue-Lee Lewes.
Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Performance Comment: Jupiter (in the character of Harlequin)-[W.] Bates; Chasseur Royal (with The Early Horn)-Brett; Mercury-Darley; Doctor-Thompson; Punch-Jackson; Hercules-Dumay; Apollo-Byrne; Scaramouch-Ratchford; Mars-Cranfield; Anatomist-Jones; Pierrot-Stevens; Highland Lad and Lassie (with a new Character Duet)-Mahon and Miss Satchell; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .
Cast
Role: Anatomist Actor: Jones

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Event Comment: Tickets deliver'd by Mrs Lampe, Mrs Jones, Mrs Morris, Miss Cranfield and Mr Hollingsworth will be admitted. Doors opened at half past 5. To begin at half past 6

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Lewis, first time; Aimwell-Whitefield, first time; Scrub-Quick; Gibbet-Booth; Bonniface-Dunstall; Sir Charles Freeman-DuBellamy; Sullen-Thompson; Foigard-Fox; Dorinda-Mrs Mattocks; Cherry-Miss Brown; Lady Bountiful-Mrs Pitt; Mrs Sullen-Mrs Lessingham.

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Cranfield; II: The Pilgrim, as17750503

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Performance Comment: Marplot-Mills; Sir George Airy-Davis; Sir Francis Gripe-Blanchard; Sir Jealous Traffic-Bates; Whisper-Dugdale; Servant-Master Woodward; Charles-Miller (1st appearance); Isabinda-Miss Dudley; Patch-Mrs Barnard; Scentwell-Miss Mitchell; Miranda-Miss Brangin (1st appearance); Prologue-Haynes; Epilogue-.
Cast
Role: Charles Actor: Miller

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

Event Comment: Tickets delivered for this Evening [Account-Book: by Alfred, Appleby, Benson, Banks, Cooke, Jones, Maddocks, Stokes, Whitmell, Gregson, Pilsbury, Mrs Edwin, Mrs Bramwell, Miss Redhead, Miss Menage] will be admitted. Receipts: #466 18s. (82.15.6; 16.18.0; 4.11.6; tickets: 362.13.0)

Performances

Mainpiece Title: At King's The Haunted Tower

Performance Comment: As17920918, but Charles-Cooke.
Cast
Role: Charles Actor: Cooke.

Afterpiece Title: The Deaf Lover

Performance Comment: As17921204, but Capt. Meadows (1st time)-Benson; Canteen-Maddocks; Sternhold-Jones; William-Banks; Bob-Webb; Betsey Blossom 's song-_.
Cast
Role: Sternhold Actor: Jones

Dance: End: Le Pas Russe-Master and Miss Menage; End I afterpiece: Dance-Whitmell

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe concerto-; Awful pleasing being-Miss Tennant (Joshua); Gentle airs-Incledon; accompanied on the violoncello-Charles Ashley (Athalia); Jehovah crowned-Miss Crosby; He comes-Chorus (Esther); Lord remember David-Mrs Dussek (Redemption); God save the King-Chorus (Coronation Anthems).

Music: End II: concerto on the grand piano@forte-Master Neate

Event Comment: Benefit Mr Charles Jones

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: TTambourine, as17400115; Miller and His Wife, as17400115; End Afterpiece: Comic Ballet-Villeneuve, Miss Oates

Event Comment: Benefit Topham, Gardiner, Miss Jones. Afterpiece: Which was originally acted at the Haymarket. With Alterations, Additions, and Amendments. Written by Mr Carey

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Young Mirabel-a Gentleman of the Temple; Old Mirabel-Topham; Duretete-Jones; Dugard-Blastock; Petit-Boothby; Bissare-Miss Jones; Oriana-Miss Jones Jr; Lamorce-Miss Atherton .
Cast
Role: Duretete Actor: Jones
Role: Bissare Actor: Miss Jones
Role: Oriana Actor: Miss Jones Jr

Afterpiece Title: The Honest Yorkshireman

Dance: Pierrot by Baudvin

Event Comment: Benefit Jones and Harris. Afterpiece: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Author's Farce

Cast
Role: Dr Orator Actor: Jones
Role: Bookweight Actor: Jones
Role: Bookweight Actor: Jones
Role: Dr Orator Actor: Jones

Afterpiece Title: The Cheats of Scapin

Performance Comment: Octavian-a Gentleman; Scapin-Jones; Leander-Harris; With a New Prologue, Epilogue-Miss Jones.
Cast
Role: Scapin Actor: Jones
Role: Epilogue Actor: Miss Jones.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Lethe

Dance: Jones, two Masters and Miss Granier; particularly a Hornpipe-Jones, who plays on the Violin as he Dances

Related Works
Related Work: The Earl of Essex Author(s): Henry Jones
Related Work: The Heroine of the Cave Author(s): Henry Jones
Related Work: The Cave of Idra Author(s): Henry Jones
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones
Related Work: The Miser; or, Wagner and Abericock Author(s): Richard Jones
Related Work: Hymen's Triumph; or, Trick Upon Trick Author(s): Richard Jones
Event Comment: Benefit for Jones, Walker, Mrs Simson and Mrs Cross. Paid tallow chandler's 9th Bill #34 12s. 9d. (Treasurer's Book). [The pantomime charges of #10 10s. were deducted by order of the managers according to a marginal note in the Treasurer's Book, so actual charges were only #64 4s.] Receipts: #175 14s. 6d. Charges: #74 14s. Profits to Jones, Walker, Mrs Simson and Mrs Cross: #100 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Performance Comment: As17730126, but Maw@Worm-Jones, first time.
Cast
Role: Maw@Worm Actor: Jones, first time.

Afterpiece Title: The Elopement

Ballet: II: The Drunken Peasant. As17730517, but Drunken Peasant-Phillips

Event Comment: Benefit for Jones. Tickets to be had of Jones at the White Horse, Parson's Green; at the King's Arms, Fulham; Ship, Fulham; and the George, Walham Green. Afterpiece: It is hoped that the greatest Attention will be paid, as it is impossible for the Company to cogitate throughtout the Cogibundity of Cogitations, unless the most profound Profundity of Thought is observed. Pit 2s. Gallery 1s. Good Fires in the Pit

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Blandford; Sir Christopher Curry-Tunstall; Medium-Jones; Campley-Frimbley; Mate-Banks; Planters-Randall, Harris; Trudge-Brooke; Wowski-Miss Brooke; Narcissa-Mrs Banks; Patty-Mrs Taylor; Yarico-Mrs Tunstall.
Cast
Role: Medium Actor: Jones

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos-Tunstall; Bombardinian-Blandford; Aldiborontiphoscophornio-Jones; Rigdumfunnidos-Frimbley; Captain of the Guards-Randall; Cupid-Brooke; Herald-Banks; Cook-Harris; Doctor-Hatton; King of the Antipodes-Wilson; Amoamassedicianstotowramulantic, King of the Fidlers-George; Fadladinida, Queen of Queerumania-Mrs Tunstall; Lady-Mrs Banks; Venus-Mrs Taylor; Tatlanthe-Miss Brooke.

Entertainment: Monologue. End: the tale of Edwin and Emma-Jones

Performance Comment: End: the tale of Edwin and Emma-Jones.
Event Comment: [In mainpiece the playbill retains Jones as 3rd Goatherd, but "Jones continuing Ill Evans play'd his Goatherd"; in afterpiece "Benson Ill, Caulfield doubled Casimir [omitted from playbill] with Adolphus" (Powell).] Powell: New Ballet rehearsed at 12. Receipts: #290 (227.15.6; 59.5.6; 2.19.0)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17941110, but Goatherds-_Jones, Evans; Pacha-R. Palmer.
Cast
Role: Goatherds Actor: _Jones, Evans

Afterpiece Title: Lodoiska

Event Comment: [Miss Arne, who is identified by MS annotation on Kemble playbill, had previously appeared as a chorus singer; see 27 Oct. 1794. In mainpiece the playbill assigns Mrs Peachum to Mrs Hopkins, Suky Tawdry to Mrs Maddocks, Mrs Coaxer to Miss Stageldoir, but "Mrs Hopkins being ill, Mrs Maddocks play'd Mrs Peachum; Mrs Hedges Suky Tawdry for Mrs Maddocks; Miss Stageldoir Ill, Mrs Jones play'd Mrs Coaxer. [In afterpiece] Jones Ill, Lyons Snuffle; Evans 4th Mob for Lyons [both these characters omitted from playbill]" (Powell).] Powell: Mayor of Garratt rehearsed at 12; New Ballet at 12. Receipts: #174 10s. (121.14; 51.2; 1.14)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Mr Peachum-Moody; Lockit-Hollingsworth; Capt. Macheath-Kelly; Filch-Suett; Crookfinger'd Jack-Lyons; Wat Dreary-Evans; Robin of Bagshot-Cooke; Nimming Ned-Welsh; Harry Paddington-Phillimore; Mat o' the Mint-Trueman; Ben Budge-Burton; Beggar-Waldron; Player-Benson; Drawer-Banks; Turnkey-Webb; Mrs Peachum-Mrs Maddocks; Polly Peachum-A Young Lady (1st appearance on any stage [Miss Arne]); Lucy Lockit (1st time)-Miss DeCamp; Diana Trapes-Mrs Booth; Mrs Coaxer-Mrs Jones; Dolly Trull-Miss Chatterley; Mrs Vixen-Mrs Iliff; Betty Doxy-Miss Redhead; Jenny Diver-Mrs Bramwell; Mrs Slammekin-Miss Tidswell; Suky Tawdry-Mrs Hedges; Molly Brazen-Mrs Butler.
Cast
Role: Mrs Coaxer Actor: Mrs Jones

Afterpiece Title: The Mayor of Garratt

Dance: In III: Hornpipe-G. D'Egville

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Performance Comment: Phillis (Country Girl)-Miss Raftor; Tom (Footman)-Berry; Toby (Innkeeper)-Jones; Harry-Ridout; Lucy-Mrs Shireburn; Dorcas-Mrs Herle; Phillis (Chambermaid)-Mrs Mullart; but edition of 1733 lists as the cast: Tom-Berry; Toby-Harper; Harry-Ridout; James-E. Roberts; Dorcas-Mrs Sireburn; 1st Phillis-Mrs Pritchard; 2d-Miss Oates; Lucy-Miss Mann (possibly the cast for a later revival); Epilgoue-Miss Norris, Granddaughter of the late Mr Norris, commonly called Jubilee Dicky.
Cast
Role: Toby Actor: Jones

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Event Comment: Benefit Turbutt, Jones. At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Tickets delivered out by Mr Mechlin cannot be admitted this Night. [Tickets for Cross and Mrs Elmy taken this night.]

Performances

Mainpiece Title: Love For Love

Performance Comment: As17350320 but Sir Sampson-Turbutt; Jeremy-Jones; Mrs Foresight-Mrs Elmy .
Cast
Role: Jeremy Actor: Jones

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: II: English Maggot by Villeneuve and Mrs Walter. IV: Dutchman and his Frow by Le Brun and Miss Brett. V: Amorous Swain, as17350327

Song: I: A Mock Italian Air by Roberts. III: Leveridge's Roast Beef Song by Salway

Event Comment: Mainpiece: Not acted this season. Paid Jones, coal merchant, a bill #104 15s. (Account Book). Receipts: #85 1s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Ross; Capulet-Gibson; Friar Lawrence-Hull; Apothecary-Holtom; Peter-Weller; Mercutio-Woodward; Benvolio-Baker; Tibalt-Bennet; Balthazar-R. Smith; Paris-Perry; Escalus-Anderson; Montague-Redman; Lady Capulet-Mrs Barrington; Nurse-Mrs Pitt; Juliet-Miss Macklin; Minuet-Fishar, Miss Macklin; Masquerade Dance- proper to the play; An Additional Scene will be introduced, representing the Funeral Procession of Juliet, accompanied with a Solemn Dirge ,the Vocal Parts-Beard, Mattocks, Squibb, Miss Poitier, Mrs Halford, Mrs Baker, Legg, Baker, Dibdin, Ryley, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Upholsterer

Dance: III: The Village Romps, as17661008

Event Comment: Benefit for Jones, Walker, Mrs Simson and Mrs Cross. Tickets deliver'd by Mas. Blanchard, Stevens, Miss Berkley will be taken. Paid Mr Loutherbourg on acct #41 13s. 4d. (Treasurer's Book). Receipts: #187 19s. Charges: #65 2s. Profits to beneficiaries: #22 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Performance Comment: As17740419 but Careless-Jefferson; Abel-Jones; Second Committeeman-Castle; Arabella-Miss Jarratt.
Cast
Role: Abel Actor: Jones
Role: Bookseller Actor: Jones

Afterpiece Title: The Ladies Frolick

Dance: III: Hornpipe-Walker; End: The Mountaineers, as17730930

Event Comment: Mainpicce: Not acted these 5 years [acted 19 May 1792). Afterpiece: Not acted these 3 years [acted 24 Apr. 1792). "When next [Miss Jones, who had acted previously at Birmingham, and who is identified in Thespian Magazine, Dec. 1793, p. 359) plays the part she should endeavour to hold her person erect. The crouching attitudes that she adopted in the breeches scenes, took from the captivating impression that her figure might otherwise have produced" (Public Advertiser, 19 Nov.). [Author of Occasional Address unknown.] Receipts: #291 11s. 6d. (287/11/6; 4/0/0)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Holman; Cymbeline-Powel; Cloten-Bernard; Bellario-Farren; Arviragus (with a song)-Townsend; Guiderius-Macready; Pisanio-Harley; Caius Lucius-Davies; Lords-Campbell, Evatt; Frenchman-Claremont; Phillario-Rock; Iachimo-Pope//Helen-Mrs Watts; Imogen-A Young Lady (1st appearance [Miss Jones]) .Miss Jones]) .

Afterpiece Title: MARIAN

Song: In Act II of mainpiece Hark! the Lark at Heaven's Gate sings by Gray, Linton, Miss Barnett, Mrs Mountain; In afterpiece a new Hunting Song, composed by Shield, by Incledon [this song not listed on playbill, but see World, 19 Nov.]

Monologue: 1793 11 18 Before the mainpiece an Occasional Address by Middleton

Event Comment: Powell: [In mainpiece] Jones the Doctor, Packer [retained in playbill] ill. The Jew rehearsed at 10 (for Bannister Jun.; Mrs Hopkins ill); Siege of Belgrade at 12 . Receipts: #461 15s. 6d. (390/0/0; 69/18/6; 1/5/0; tickets not come in: 0/12/0)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17940428, but Physician-Jones. Prologue, Epilogue as17940421.

Afterpiece Title: NO SONG NO SUPPER

Song: As17940428