SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charity School at Clerkenwell"/1) | (@(roleclean,performerclean) "Charity School at Clerkenwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 649 matches on Performance Title, 207 matches on Event Comments, 66 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Eunuchus

Performance Comment: King's Scholars of Westminster School.

Performances

Mainpiece Title: L'enfant Prodigue

Afterpiece Title: Squire Lubberly

Performance Comment: The young Gentlemen of the Reverend Mr L'Herondell's French Boarding School.
Event Comment: By particular Desire. The Play of Othello is deferr'd till Tomorrow. The Beggar's Opera being desir'd by several Persons of Quality. [Othello and The School Boy had been announced on 6 Dec. for today.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: [See 27 May.] Benefit of a Grammar School Master. Terence's Andria in the original Language, with a New Latin Prologue, and an Occasional English Epilogue. After which will be spoken in English an allegorical Eulogy called Mimus. It is hoped the late disappointment (as it was in all its circumstances unaviodable) will be no detriment to the performance

Performances

Mainpiece Title: Andria

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: By Particular Desire. The Play of the Revenge, mentioned in one of yesterday's papers to have been rehearsed on Saturday last in St Paul's School, was got up by some of the scholars during the late holiday, without the consent or knowledge of the Master, but will not be performed on Saturday (General Advertiser). Receipts: #120 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: Tamerlane

Performance Comment: A sett of Gentlemen who never appear'd on any publick Stage; Occasional Prologue-a young Gentleman , late of Westminster School, to be spoken by himself.

Afterpiece Title: Lethe

Song: Vocals-an Italian Gentleman

Event Comment: We Play'd at Covent Garden the Beggars Opera & ye School Boy for Mr Morgan's Benefit, several of our Company play'd, with leave from ye Managers (Cross)

Performances

Mainpiece Title: None

Performances

Mainpiece Title: A Medley Concert

Performance Comment: See17571017, but The Guittard, a song by Mr Arne,-Mrs Hooper; a new dance, Le Matelotte-Joly; Italian Peasants-_; School of Anacreon-Kear; Chaste Diana-Mrs Hooper; Phoebus sinketh in the West-Kear.
Cast
Role: School of Anacreon Actor: Kear

Afterpiece Title: Harlequin's Frolic

Event Comment: TThe Accomplish'd Maid oblig'd to be deferr'd on account of the Indisposition of Mrs Pinto (playbill). Paid for a License for The School for Guardians #2 2s. (Account Book). Receipts: #165 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17661120

Event Comment: TThe School for Guardians oblig'd to be deferr'd on account of indisposition of Miss Elliot. Paid Wilford 45 nights for the Renters #450 (Account Book). Receipts: #149 7s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Dr Faustus

Event Comment: [Y$Younger's Proposals for a History of the Stage publish'd (Winston MS 10). Prologue and Epilogue to the School for Rakes published in the Public Advertiser.

Performances

Mainpiece Title: None

Event Comment: TThe School for Rakes oblig'd to be deferr'd, on account of Holland's indisposition

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Padlock

Dance: III: New Comic Dance, as17681210

Event Comment: TThe School for Rakes deferr'd. Mrs Baddeley ill. Play to begin at 6 o'clock. [190th and last night.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Padlock

Dance: III: The Wake, as17690518

Event Comment: Afterpiece: By Desire, Tomorrow The School for Rakes. With a New Entertainment of Singing, Dancing, and Dialogue call'd The Jubilee, with the Pageant as it was intended for Stratford-Upon-Avon

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: Comic Dance, as17690926

Event Comment: Benefit for Bransby and Burton ["Died Miss Weller, aged 19, pupil of Dr Arne, appeared at dl as Polly, and Carissa, in School for Fathers" (Winston MS 10, from Dr Burney's Newspapers)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Peep behind the Curtain

Dance: II: As17700428 I of the Farce: A Double Hornpipe-Walker, Miss Ward

Entertainment: V: Bucks Have At Ye All-Mas Cape

Event Comment: Paid 6 days salary at #82 16s. 5d. per diem--#496 18s. 6d.; Mrs Abington on cloaths account #2; Mr French on acct #2. Mr D. Garrick's Night. Charges #84 (Treasurer's Book). Profit to D. G. for sixth night of Inst of Garter #115 7s. 6d. Mainpiece: Not acted in 4 years. [See 2 Dec. 1767.] Garrick recovered from his illness (Winston MS 10). [Of the mainpiece: "How the managers could think of shoving Mr Cautherly into the part of Captain Plume, is, to us, a matter of surprize....The part requires elegance, vivacity and the easy deportment of an accomplish'd gentleman. We never remember to have seen this character more completely performed, than by Mr Smith at Covent Garden Theatre (who is everything that criticism can wish) nor much worse, than by Mr Cautherly, who does not possess one requisite for the character, and is the effeminate and insipid School-boy throughout the whole. To this we may add, that he was not perfect, and made a great mistake, by coming in where he should not which oblig'd him to retire again. This was an unpardonable fault, though it was the first time of his appearing in this character."--Theatrical Review, 2 Nov. Of the afterpiece: "We were not a little pleased to observe this evening, that Mr King, in the character of Sir Dingle, omitted the parody on the lines with which the third act of Otway's Orphan concludes. But we think the introducing a chine of roast beef, decorated with a flag, to be carried off in triumph by the rabble, accompanied, from the orchestra with music of the old song of that title is a pitiful addition to the performance, and intended only as a sacrifice to the caprice of the riotous inhabitants of the upper gallery. Had this Entertainment been exhibited at a French theatre it would have had some claim to merit. This seems to be a piece of stage policy, arising from a consciousness, that the whole performance is too contemptible to meet with countenance from any but the sons of riot, for which reason they are brib'd to support it, by this notable trick."--Theatrical Review, 2 Nov.] Receipts: #199 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921

Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Event Comment: Mainpiece: By Desire. [Winston MS 10 lists Merope & Pigmy Revels, but notes that the bills indicate Way to Keep him.] School for Fathers deferr'd. Mrs Wrighten hoarse. Epistle to David Garrick published by Lloyd 2s. (Winston MS 10). Paid Mr Dimon upon Acct #5 5s. Receipts: #171 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Pigmy Revels

Event Comment: The New Comedy, The School for Wives, (which was to have been performed this evening) oblig'd to be deferred till tomorrow. Reddish hoarse. Paid tallow chandler's 3rd bill #44 19s. 11d.; Mr Smeltzer for men's cloaths #5; J. Stevens on note #3 3s. (Treasurer's Book). [In the bill for the first planned performance of Twelfth Night this season (namely for 4 Dec.) Antonio was to be done by Fawcett; Sir Toby by Love; and the Clown by Davies.] Receipts: #122 6s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Genii

Event Comment: The Bills were posted for the School for Wives but Mr King sent word about Eleven o'clock that he was so ill he could not play & fresh bills were put up for Zara. Mrs Barry being out of Town Miss Younge play'd Zara & was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Chorus 2 nights (this incl.) #4 1s. Receipts: #195 10s. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Deserter

Event Comment: King not being sufficiently recover'd the School for Wives deferr'd. Paid half year's rent to the Duke of Bedford to Mich. last #165 2d.; Insurance of theatre and New Building to Christmas 1774 from this day #51 10s. 6d.; Mr G. Garrick on acct #100. Receipts: #183 (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: High Life below Stairs

Event Comment: Author's 1st Night. [For profits to Garrick see payments of 21 Jan. 1774.] Paid Mr Hopkins for Licences of Albumazar. Prologue & Epilogue, Deserter, Fair Quaker, School for Wives, & Xmas Tale #9 9s. Receipts: #223 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: The Citizen

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Anatomist