SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare"/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10820 matches on Event Comments, 6058 matches on Author, 5498 matches on Performance Comments, 2490 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Smith; Gonzalez-Packer; Garcia-Farren; Heli-R. Palmer; Selim-Fawcett; Alonzo-Wrighten; Perez-Norris; The King-Aickin; Almcria (1st time)-Miss Kemble; Leonora-Miss Tidswell; Zara-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: Gonzalez Actor: Packer

Afterpiece Title: All the Worlds a Stage

Event Comment: "We have been frequently displeased at [Palmer's] noisy extravagance of acting in many of his tragic parts, but in none more than in the character of Dionysius in that patched-up pantomimic drama entitled The Grecian Daughter" (Candid Strictures, pp. 6-7). Receipts: #279 16s. (249/8/0; 28/0/6; 1/12/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Bensley; Philotas-Brereton; Melanthon-Packer; Phocion-Barry more; Areas-Wrighten; Callippus-Chaplin; Herald-R. Palmer; Greek Officer-Phillimore; Dionysius-Palmer; Euphrasia-Mrs Siddons .
Cast
Role: Melanthon Actor: Packer

Afterpiece Title: The Padlock

Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Performance Comment: Osman (1st time [in London])-Kemble; Nerestan-Barrymorc; Chatilion-Aickin; Orasmin-Packer; Melidor-Phillimore; Lusignan-Bensley; Selima-Mrs Ward; Zara (1st time)-Miss Kemble .
Cast
Role: Orasmin Actor: Packer

Afterpiece Title: Hurly Burly or The Fairy of the Well

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-King; Belmont-Barrymore; Blandford-Packer; Sir William Belmont-Staunton; Robert-Waldron; Brush-Burton; Footman-Spencer; Servant-Alfred; Beverley (for this night)-Kemble; Lady Restless-Mrs Siddons (1st appearance in that character [in London]); Clarissa-Miss Collins; Tattle-Mrs Wilson; Tippet-Miss Barnes; Marmalet-Miss Tidswell; Belinda-Miss Farren.
Cast
Role: Blandford Actor: Packer

Afterpiece Title: The Romp

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Kemble; Priuli-Aickin; Renault-Packer; Bedamor-R. Palmer; Duke-Chaplin; Elliot-Fawcett; Spinosa-Benson; Officer-Phillimore; Pierre-Bensley; Belvidera-Mrs Siddons.
Cast
Role: Renault Actor: Packer

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Bannister Jun.; Classic-Packer; Subtle-Waldron; Sir John Buck-Staunton; Marquis-Lamash; Kitteau-Bates; Gamut-Fawcett; Robert-Chaplin; Mrs Subtle-Mrs Love; Lucinda (with a song)-Miss Stageldoir.
Cast
Role: Classic Actor: Packer

Dance: In afterpiece: The Minuet de la Cour-Hamoir, Miss Stageldoir

Performances

Mainpiece Title: The Law Of Lombardy

Performance Comment: Paladore-Kemble; The King-Aickin; Rinaldo-Packer; Lucio-Whitfield; Arcanio-Williames; Shepherd-Chaplin; Senator-Phillimore; Knight-Banks; Officer-Lyons; Foresters-Fawcett, Benson; Bireno-Wroughton; Alinda-Mrs Farmer; The Princess-Mrs Siddons; the original Epilogue-Mrs Siddons.
Cast
Role: Rinaldo Actor: Packer

Afterpiece Title: Lethe or AEsop in the Shades

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Bygrove-Aickin; Capt Bygrove-Barrymore; Sir John Millamour-Packer; Charles-R. Palmer; Malvil-Whitfield; Sir Harry Lovewit-Lamash; Dashwould-Bannister Jun.; Mrs Bromley-Mrs Hopkins; Miss Neville-Mrs Kemble; Lady Jane-Mrs Farmer; Madame La Rouge-Mrs Heard; Lady Bell-Mrs Jordan.
Cast
Role: Sir John Millamour Actor: Packer

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Kemble; Lewson-Bensley; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Mrs Beverly-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard.
Cast
Role: Bates Actor: Packer

Afterpiece Title: The Deuce is in Him

Event Comment: [The playbill assigns the Dauphin to Barrymore but, "Benson performed the Dauphin instead of Barrymore" (Thespian Magazine, Nov. 1792, p. 125). It is not stated who acted Duke of Gloster; doubling these two parts is not likely.] Account-Book: Paid The Prince of Wales's Porter for Performances in Cymon [on 31 Dec. 1791, et seq.] #13 10s. Receipts: #169 9s. 6d. (118.6.6; 46.8.0; 4.15.0)

Performances

Mainpiece Title: At Kings King Henry The Fifth Or The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson?; Duke of Bedford-Dignum; Duke of Exeter-Aickin; E. of Westmoreland-Sedgwick; Archbp. of Canterbury-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Cooke; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Fluellen-Baddeley; Bardolph-Alfred; Boy-Master Gregson; Pistol-Suett; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Benson; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: King of France Actor: Packer

Afterpiece Title: The Liar

Event Comment: [In afterpiece the playbill assigns Euphrosyne to Mrs Crouch, but "illness prevented, and Mrs Bland...undertook the part" (Thespian Magazine, Nov. 1792, p. 125). Mrs Crouch is also listed as one of the Bacchants.] Receipts: #225 8s. 6d. (167.5.6; 57.7.0; 0.16.0)

Performances

Mainpiece Title: At Kings The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir J. Melvil-Whitfield; Sterling-Aickin; Lovewell-Barrymore; Canton-Baddeley; Brush-R. Palmer; Serjeant Flower-Packer; Mrs Heidelberg-Mrs Hopkins; Miss Sterling-Miss Pope; Fanny-Mrs Kemble; Betty-Miss Tidswell; Chambermaid-Miss Heard; Trusty-Mrs Booth.
Cast
Role: Serjeant Flower Actor: Packer

Afterpiece Title: Comus

Event Comment: [In afterpiece the playbill retains Sedgwick, but he "being ill, his part in the Farce was given to Caulfield" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #162 1s. (107.11; 52.16; 1.14)

Performances

Mainpiece Title: At Kings The Wonder

Performance Comment: Don Lopez-Baddeley; Don Felix-Kemble; Frederick-Packer; Don Pedro-Waldron; Colonel Briton-Wroughton; Gibby-Moody; Lissardo-King; Alguazile-Jones; Vasquez-Phillimore; Soldier-Maddocks; Donna Violante-Miss Farren; Donna Isabella-Mrs Ward; Inis-Miss Collins; Flora-Miss Pope.
Cast
Role: Frederick Actor: Packer

Afterpiece Title: The Prisoner

Event Comment: [In mainpiece the playbill retains King, but he "being suddenly indisposed with the gout, his part was, after an apology, undertaken by Dowton, who performed it with considerable effect" (Morning Herald, 25 Apr.).] Receipts: #283 17s. (213.16.6; 67.1.0; 2.19.6)

Performances

Mainpiece Title: The Will

Cast
Role: Old Copsley Actor: Packer

Afterpiece Title: Katharine and Petruchio

Performance Comment: Petruchio-Palmer; Baptista-Packer; Hortensio-Trueman; Grumio-Suett; Musick@master-Banks; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Hollingsworth; Peter-Evans; Katharine-Mrs Goodall; Bianca-Miss Tidswell; Curtis-Mrs Booth.
Cast
Role: Baptista Actor: Packer

Ballet: The Scotch Ghost. As17961221

Event Comment: [In mainpiece the playbill assigns Agnes to Mrs Bland, but she "being prevented by sudden indisposition from playing Agnes, the part was undertaken, at a short notice, by Miss Wentworth, who acquitted herself to general satisfaction" (Dramatic Censor, II, 260).] Receipts: #136 (82.1.6; 51.12.6; 2.6.0)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Raymond (1st appearance in that character); Virolet-C. Kemble; Kilmallock-Caulfield; Roque (1st time)-Archer; Muleteers-Sedgwick, Dignum, Trueman; Lope Tocho-Suett; Goatherds-Packer, Maddocks, Chippendale; Bulcazin Muley (1st time)-Cory; Ganem-Surmont; Pacha-Wewitzer; Ali Beg-Sparks; Sadi-Bannister Jun.; Zorayda-Miss Heard; Floranthe-Miss DeCamp; Agnes-Miss Wentworth.

Afterpiece Title: The Citizen

Event Comment: The United Company. Lord Ashburnham's Diary: I went to the Play (the Rehearsal) where there was a great deal of company (Ashburnham MS 932; see 14 Dec. 1686). The play was reprinted in 1687. Cibber, Apology (ed. Lowe, I, 167): People were so fond of seeing her [Mrs Mountfort] a Man, that when the Part of Bays in the Rehearsal had for some time lain dormant, she was desired to take it up, which I have seen her act with all the true coxcombly Spirit and Humour that the Sufficiency of the Character required

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Mrs Mountfort may have played Bayes early as 1687.
Event Comment: [M$Macklin apparently gave this lecture four times and advertised a fifth as follows]: @W 1 March 1749, at the Black Bull, Pudding Lane, 7 p.m., 1s.@F 3 March, Globe Tavern, Fleet St. (The Subsequent Lectures will conclude with a Rehearsal of some favourite Scenes taken from the Plays therein treated of.)@M 6 March, James St. at twelve o'clock.@W 8 March, Queens Arms, Spittlefields, at seven o'clock.@M 13 March, James St. Prices: 2s. 6d., 1s. 6d., 1s. "it is no Joke" at half past twelve.

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.

Performances

Mainpiece Title: Hurlothrumbo Or News From Terra Australis Incognita With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Apprentice

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Performance Comment: As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks.

Performances

Mainpiece Title: The Married Beau Or The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Event Comment: Never Acted before. Alter'd from Milton's Masque perform'd (upwards of a Hundred Years since) at Ludlow-Castle, and now adapted to the Stage. [By John Dalton.

Performances

Mainpiece Title: Comus

Performance Comment: Quin, Milward, Cibber, Mills, Hill, Mrs Cibber, with Vocal Parts-Beard, Mrs Clive, Mrs Arne, dances-Denoyer, Muilment, Mrs Walter, Mrs Thompson; but edition of 1738 lists: Comus-Quin; Lady-Mrs Cibber; Brothers-Milward, Cibber; Spirits-Mills, Hill; Euphrosyne-Mrs Clive; Sabrina-Mrs Arne; Attendant Spirits-Beard, Mrs Clive, Mrs Arne.
Event Comment: Never acted there before. With all new Habits. Adapted to the stage, as alter'd from Milton's Masque at Ludlow Castle

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Quin; Elder Brother-Ryan; Young Brother-Cashell; 1st Spirit-Hale; 2nd Spirit-Ridout; Lady-Mrs Pritchard; Vocal Parts:-Euphrosyne-Mrs Clive; Bacchanal-Beard; Sabrina-Mrs Lampe; Followers of Comus-Leveridge, Reinhold, Messing, Roberts, Thompson, Mrs Wright, Miss Young; Dancesproper to the masque-Cooke, Picq, Mlle Bonneval, Mlle Domitilla, Mrs Delagarde, Villeneuve, Delagarde, Destrade, Dupre, Mlle Fabres, Mrs LeBrun, Mrs Villeneuve, Mrs LeFont.
Event Comment: [Possibly not performed, see 1 April, hay.] Benefit the two Misses Scot. 5s. 6:30 p.m. Having been discharged from Drury Lane Playhouse by the Manager, without being told, or even permitted to ask why he did so; and not being conscious of any offence we ever gave the public, we humbly hope Ladies and Gentlemen will encourage us in this endeavour to entertain them and support ourselves (Daily Advertiser). Tickets at Miss Scott's Lodgings, the Golden Cannister, Katherine St., Strand; Castle Tavern, Paternoster Row; Tilt Yard Coffee House, Whitehall

Performances

Mainpiece Title: A Concert

Performance Comment: Vocal Parts-the Misses Scott; violin-Brown; violincello-Caporali; German Flute-Tude.
Cast
Role: Vocal Parts Actor: the Misses Scott
Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Camilla Actor: Lady Castlemaine
Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.