Event Comment: Mainpiece: Not acted these 16 Years. [See 27 Dec. 1746.] Benefit for Shuter. Receipts: #173 16s. 6d. Tickets #150 13s. (boxes 272; pit 551). Charges: #63 (Account Book), [#325 9s. 6d. marks the largest house in money value this season. Shuter advertised his benefit early, then on 28 March inserted this puff in the Public Advertiser: [Mrs Centlivre's Comedies have a vein of pleasantry in them that will always be relish'd. She knew the Genius of this nation, and she wrote up to the spirit of it; her Bold Stroke for a Wife, was a masterpiece that much increased her reputation: it establish'd that of Kit Bullock, a smart sprightly actor. His performance of Col. Feignwell was greatly applauded. Shuter has judiciously chosen to play to at his own benefit, and everyone that knows his powers, knows he will play it at least with drollery and justice equal to him."

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Event Comment: Benefit Mrs Campion. At the Desire of several Persons of Quality. At 8 p.m

Event Comment: Pepys, Diary: I hearing what play it was that is to be acted before the King tonight, I would not stay

Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Event Comment: The Duke's Company. Pepys, Diary: After dinner I put the women into a coach, and they to the Duke's house, to a play which was acted, "The [....]." It was indifferently done, but was not pleased with the song, Gosnell not singing, but a new wench, that sings naughtily

Event Comment: Pepys, Diary: I to Bartholomew fayre, to walk up and down; and there, among other things, find my Lady Castlemayne at a puppet-play, Patient Grizill, and the street full of people expecting her coming out. I confess I did wonder at her courage to come abroad, thinking the people would abuse her; but they, silly people! do not know her work she makes, and therefore suffered her with great respect to take coach, and she away, without any trouble at all, which I wondered at, I confess. I only walked up and down

Event Comment: Benefit of a Gentleman who has been reduced by the Fall of Stocks [apparently the actor who plays Castalio]. At the Great Green Gates in Cross-street, Hatton-Garden. At 6 p.m

Event Comment: Never Acted before. [By John Hoadley. Apparently not published. For a discussion of this play, see Daily Journal, 30 April,] Receipts: #82 11s. 6d

Event Comment: With new Habits, and other Decorations proper to the Play

Event Comment: With new Scenes, Habits, and other Decorations, proper to the Play

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Event Comment: Benefit for Lee. With the Original Act Tunes as adapted to the play by David Rizzio. No Building on Stage. Tickets deliver'd by Mathews and Miss Capitani will be taken. Tickets sold at the doors will not be admitted

Event Comment: Benefit for Moody and Griffith, acted only once these three years. Tickets deliver'd for the Committee, Romeo and Juliet, and A Play will be admitted

Event Comment: [Prologue to the Perplexities and Epilogue publish'd in the Public Advertiser.] Saw the Comedy of the Perplexities. Beard spoke the Prologue....Mrs Mattocks spoke the Epilogue. We had a Dance and the new Masque of the Fairy Favour, which is perform'd by children only. The boy who does Puck played on the violin and danced a hornpipe, with great spirit. The scene which represents Kensington Gardens, the canal, &c. by moonlight is very pretty, the moon and stars are very natural (Neville MS Diary). Receipts: #192 5s. 6d. (Account Book)

Event Comment: House (Hopkins Diary). Mainpiece: By Particular desire. House Doors open by 5 o'clock. Play to begin promptly at 6. Receipts: #212 8s. (Treasurer's Book)