Event Comment: Benefit for Palmer, Morris, W. Vaughan. Receipts: #180 (Cross)

Event Comment: Benefit Stitchbury, Phillips, Morris, and Levi and other doorkeepers

Event Comment: Benefit for Morris, Gray, Dunbar, Smith. Receipts: #150 (Cross)

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell and Morris will be taken. Tickets of Mrs Mills at her lodgings at Gardyner's a Printer, in Russel St., and at the Stage Door. Receipts: #130 (Cross)

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Wilder, Morris, and Mrs Addison will be taken. Tickets to be had of Mrs Mills at Mr Gardyner's, Printer, in Russel St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Event Comment: Benefit for Raftor, Morris, LeBrun, and Goodwin. No Building on Stage. Tickets deliver'd by Lewis will be taken. Receipts: #140 (Cross)

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Event Comment: Paid Duke of Bedford 1 Yrs. Rent #343 5s. 1d. Afterpiece [1st time; F 2, by Edward Morris. Author of Prologue unknown]: With new Dresses and Decorations. Public Advertiser, 8 Apr. 1790: This Morning is published The Adventurers (1s.). Receipts: #260 8s. (226.5.0; 31.16.0; 2.4.6; ticket not come in: 0.2.6)

Event Comment: [On this night Edwin, Miss Morris and Mrs Bannister appeared both at CG and the HAY.]

Event Comment: Benefit for Miller, Shuter, Robson, Colley & Stephenson. Tickets delivered by Robinson, Brereton, William Ansell, Miller (constable), Smallwood and Halliburton will be taken this Night. Tickets delivered by Morris will likewise be received. Receipts: #210 18s. 6d. (32.8.0; 0.13.6; tickets: 177.17.0) (charge: none listed)

Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Event Comment: Benefit for Miss Morris. The Continuance of Miss Morris's illness rendering it impossible for her to appear at present on the Stage, she takes this Opportunity of returning her most grateful Thanks to those Ladies and Gentlemen who have honoured her with Commands at her Benefit, for which Mrs Bellamy has kindly undertaken to perform the part of Juliet. Charges #69 19s. Balance to Miss Morris #56 19s. 6d. plus #94 15s. from tickets (Box 379). Received from Mrs Vincent her deficiency the 13th inst.--#4 2s. 6d. Receipts: #126 18s. 6d. (Account Book)

Event Comment: Benefit for Morris and Lewes. Tickets for Zara will be taken. Charges #68 2s. 6d. Deficit to actors #26 18s. covered by income from tickets: Morris #81 10s. (Box 49; Pit 275; Gallery 200); Lewes #87 16s. (Box 70; Pit 326; Gallery 214) (Account Book). Receipts; #41 4s. (Account Book)

Event Comment: Benefit for Lewes and Morris. [Shuter played Richard By Particular Desire.] Charges #69 12s. Balance due actors #4 2s. 6d. apiece, plus income from tickets: LeLewes #96 6s. (Box 119; Pit 293; Gallery 226); Morris #99 19s. (Box 105; Pit 270; Gallery 332) Account Book. Receipts: #77 17s

Event Comment: Benefit for Perry and Morris. Charges #64 5s. Deficit to each beneficiary #7 6s. 6d., cover'd by income from tickets: Perry #68 4s. (Box 33; Pit 231; Gallery 253); Morris #61 5s. (Box 39; Pit 158; Gallery 278) (Account Book). Receipts: #49 12s

Event Comment: Benefit for Mrs P. Green, Hussey and Morris. Last time of performing till the holidays. Charges #64 10s. Deficit to each #8 18s. 8d., cover'd by income from tickets: Mrs Green #44 2s. (Box 53; Pit 137; Gallery 103); Hussey, #59 18s. (Box 162; Pit 92; Gallery 56); Morris, #46 19s. (Box 39; Pit 114; Gallery 201). [The Account Book indicates that The Padlock was substituted as the afterpiece at the last minute.] Receipts: #37 14s. (Account Book)

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Event Comment: This Play is alter'd by Capt. Thompson and a New Sea Character introduc'd which was well perform'd by Mr Weston. the Play Concludes very properly with a Representation of the Grand Naval Review the same as was introduc'd in Alfred--the whole was receiv'd with very great Applause (Hopkins Diary). Paid Housekeeper's Bill #3 10s. (Treasurer's Book). Mainpiece a Reviv'd Comedy, with Alterations and Additions, and a New Medley Overture of Favourite Sea Tunes (playbill). Receipts: #245 6s. (Treasurer's Book)

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Event Comment: Benefit for Morris, Gray, West, Mortimer, and Cape. Tickets deliver'd out by Mr Page and Mr Roberts will be taken. Receipts: #180 (Cross)

Event Comment: Benefit for Morris, Anderson, Stede

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art