SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Capt Gullivers Company of Lilliputians"/1) | (@(roleclean,performerclean) "Capt Gullivers Company of Lilliputians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1887 matches on Event Comments, 671 matches on Performance Comments, 89 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Flitch Of Bacon

Performance Comment: Major Benbow-Suett; Justice Benbow-Usher; Capt. Greville-Johnstone; Capt. Wilson-Bannister; Tipple-Fawcett; Kilderkin-Ledger; Ned-Abbot; Putty-Waldron Jun.; Eliza-Miss Leak.

Afterpiece Title: The Recruiting Officer

Afterpiece Title: New Hay at the Old Market

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Hartford Bridge

Performance Comment: Sir Gregory Forrester-Quick; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Townsend; Cartridge-Fawcett; Capt. Forrester-Macready; Waiter-Farley; Susan-Mrs Martyr; Bar@Maid-Miss Stuart; Clara-Mrs Clendining.

Dance: In afterpiece: The Lucky Escape-Byrn, Holland, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Mr Scale-Cooke; Mr Scruple-Maddocks; Mr Worthy-Caulfield; Capt. Plume-Wroughton; Capt. Brazen-Dodd; Kite-Palmer; Bullock-Moody; Costar Pear@main-Hollingsworth; ThomasApple@tree-Suett; Constable-Phillimore; Welch Collier-Wewitzer; Steward-Webb; Servants-Evans, Fisher; Melinda-Miss Heard; Sylvia-Mrs Jordan; Lucy-Miss Mellon; Rose-Miss Pope; Tall@man's wife-Mrs Booth; Collier's Wife-Mrs Maddocks.

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Flitch Of Bacon

Performance Comment: Major Benbow-Suett; Justice Benbow-Usher; Capt. Greville-Johnstone; Capt. Wilson-Bannister; Tipple-Fawcett; Kilderkin-Ledger; Ned-Abbot; Putty-Waldron Jun.; Eliza-Miss Leak.

Afterpiece Title: The Magick Banner; or, Two Wives in a House

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Flitch of Bacon

Performance Comment: Major Benbow-Suett; Justice Benbow-Usher; Capt. Greville-Johnstone; Capt. Wilson-Bannister; Tipple-Munden; Kilderkin-Ledger; Ned-Abbot; Putty-Waldron Jun.; Eliza (1st time)-Miss Andrews.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Hartford Bridge

Performance Comment: Sir Gregory Forrester-Quick; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Townsend; Cartridge-Simmons; Capt. Forrester-Claremont; Waiter-Abbot; Susan-Mrs Martyr; Bar@maid-Mrs Norton; Clara-Mrs Clendining.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Britain's Brave Tars

Performance Comment: !; or, All for St. Paul's. Principal Characters-Incledon, Munden, Johnstone, Knight, Townsend, Claremont, Simmons, Wilde, Abbot, Curties, Miss Wheatley, Mrs Watts, Mrs Davenport. [Larpent MS lists the parts: Nutmeg, Capt. Ogle, Lieutenant Tafferel, Junk, Weatherbang, Pat Plunket, Dick, Waiters, Painter, Lady Piony, Miss Nancy.]Larpent MS lists the parts: Nutmeg, Capt. Ogle, Lieutenant Tafferel, Junk, Weatherbang, Pat Plunket, Dick, Waiters, Painter, Lady Piony, Miss Nancy.]

Song: As17971102

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Hartford Bridge

Performance Comment: Sir Gregory Forrester-Emery; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Townsend; Cartridge-Farley; Capt. Forrester-Claremont; Susan-Mrs Martyr; Clara-Mrs Chapman.

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: Hartford Bridge

Performance Comment: Sir Gregory Forrester-Emery; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Townsend; Cartridge-Farley; Capt. Forrester-Claremont; Waiter-Simmons; Susan-Mrs Martyr; Clara-Mrs Chapman.
Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Pepys, Diary: To the Theatre, and there sat in the pit among the company of fine ladys, &c.; and the house was exceeding full, to see Argalus and Parthenia, the first time that it hath been acted: and indeed it is good, though wronged by my over great expectations, as all things else are

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: The King's Company. An edition appearing in 1661 lists no cast, no prologue, no epilogue. Pepys, Diary: To the Theatre, where I saw The Virgin Martyr, a good but too sober a play for the company

Performances

Mainpiece Title: Virgin Martyr

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Event Comment: It is uncertain at which theatre this play was performed, but it has been assigned to the King's Company because Pepys saw that company act it on the following day, 27 Nov. Evelyn, Diary: I saw Hamlet Pr. of Denmark played: but now the old playe began to disgust this refined age; since his Majestie being so long abroad

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: Boswell, (Restoration Court Stage, p. 280) lists this as by the King's Company, which had given it on 23 July 1662. Pepys, Diary: Hearing that there was a play at the Cockpit (and my Lord Sandwich, who came to town last night, at it), I do go thither, and by very great fortune did follow four or five gentlemen who were carried to a little private door in a wall, and so crept through a narrow place and come into one of the boxes next the King's, but so as I could not see the King or Queene, but many of the fine ladies, who yet are really not so handsome generally as I used to take them to be, but that they are finely dressed. Here we saw The Cardinall, a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said

Performances

Mainpiece Title: The Cardinal

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there was the house full of company. but whether it was in over-expecting or what, I know not, but I was never less pleased with a play in my life. Though there was good singing and dancing, yet no fancy in the play, but something that made it less contenting was my conscience that I ought not to have gone by my vow, and, besides, my business commanded me elsewhere

Performances

Mainpiece Title: The Villain

Event Comment: See Boswell (Restoration Court Stage, p. 280), who identifies the company as the King's Company. Evelyn, Diary: Saw the Young Admiral acted coram Rege &c

Performances

Mainpiece Title: The Young Admiral

Event Comment: The Duke's Company. Pepys, Diary: After dinner with my wife to the Duke's Theatre, and saw the second part of Rhodes, done with the new Roxalana; which do it rather better in all respects for person, voice, and judgment, than the first Roxalana [Mrs Davenport]. Home with great content with my wife, not so well pleased with the company at the house to-day, which was full of citizens, there hardly being a gentleman or woman in the house; a couple of pretty ladies by us that made sport in it, being jostled and crowded by prentices

Performances

Mainpiece Title: The Villain

Event Comment: The King's Company. Pepys, Diary: To the King's Playhouse, where we saw but part of Witt without mony, which I do not like much, but coming late put me out of tune, and it costing me four half-crowns for myself and company

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant