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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2472 results for: Keyword - C. and G. Kearsley
We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.

2426
20 October 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Master Standen

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Performance Comment: As17971018, but in Scene I: Hearts of Oak-Townsend; in Scene IV: We've bade the restless Seas adieu-Townsend, _Incledon; in Scene V: +Rule Britannia-Townsend, Gray; from Scene IV: With pride we steer'd for England's Coast-_.
Cast
Role: With pride we steer'd for England's Coast Actor: Incledon

Dance: As17971018

2427
02 November 1797 @ Covent Garden

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin and Oberon

Cast
Role: Principal Pantomime Characters Actor: Simpson, Follett, Abbot, Hawtin, Simmons, Findlay, Wilde, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton.

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

2428
20 December 1797 @ Covent Garden

Event Comment: By Command of Their Majesties. Doors, &c. as 6 Dec. Receipts: #437 5s. 6d. (434.19.6; 2.6.0)

Performances

Mainpiece Title: The Heir At Law

Cast
Role: Henry Morland Actor: Toms

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

2429
28 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

2430
02 January 1798 @ King's Theatre

Event Comment: [The playbill announces Nina, but "Last night the grand tragic opera of Semiramide was revived, in which Mme Banti and Viganoni received all their usual applause. [In the new dance] there is a charming pas de deux by Didelot and Rose" (Morning Chronicle, 3 Jan.).

Performances

Mainpiece Title: Semiramide

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End I: Divertisement Ballet, composed by Gallet, La Chasse d' Amour- [see below]; End Opera: Ariadne et Bacchus, as17971216

2431
11 January 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

2432
15 January 1798 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.
Cast
Role: Principal Vocal Performers Actor: Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.

Music: In course: solo on the violin, of his own composition-Barthelemon

2433
08 February 1798 @ Covent Garden

Event Comment: By Command of Their Majesties. Doors, &c. as 6 Dec. 1797. Receipts: #367 8s. 6d. (359.9.6; 7.19.0)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Murray
Role: Mrs Sealand Actor: Mrs Davenport

Afterpiece Title: Hartford Bridge

Song: As17971118

2434
22 February 1798 @ Covent Garden

Event Comment: By Command of Their Majesties. Doors, &c. as 6 Dec. 1797. Receipts: #472 2s. 6d. (463.14.0; 8.8.6)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Lock and Key

Cast
Role: Servants and Sailors Actor: Gray, Lee, Street

2435
08 March 1798 @ Covent Garden

Event Comment: By Command of Their Majesties. Doors, &c. as 6 Dec. 1797. Receipts: #335 14s. (327.3; 8.11)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Peeping Tom

2436
22 March 1798 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Oscar and Malvina

2437
24 March 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: Annette Actor: Mrs Bland
Related Works
Related Work: The Stranger Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

2438
10 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: Il Consiglio Imprudente

Dance: As17980331

2439
27 April 1798 @ Covent Garden

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Mrs Mattocks

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Performance Comment: Lord Duke-Lewis; Lovel-Munden; Sir Harry (with the Mock Minuet)-Betterton; Freeman-Clarke; Phillip-Davenport; Tom-Rees; Robert-Thompson; Coachman-Powel; Lady Charlotte-Mrs Follett; Lady Bab-Mrs Gilbert; Cloe-Mrs Masters; Cook-Mrs Norton; Mrs Kitty (with the Song, and Mock Minuet)-Mrs Abington.

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-

2440
30 April 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. 1st printed as above. Authors of Prologue and Epilogue unknown]. Receipts: #159 17s. (151.10; 8.7)

Performances

Mainpiece Title: The Eccentric Lover

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Fawcett, Murray, Knight, Whitfield, Waddy, Simmons, Rees, Curties, Miss Betterton, Mrs Pope, Mrs Gilbert, Mrs Mattocks. [Cast from Times, 1 May: Sir Francis Delroy-Lewis; Peter Crowfoot-Quick; Fenton-Holman; Admiral Delroy-Munden; Doctor Crisis-Fawcett; Gangrene-Murray; Gabriel-Knight; Sir Henry Netterville-Whitfield; Ostrich-Waddy; Tom Transit-Simmons; John Seagrave-Rees; Admiral's Servant-Curties; Eleanor de Ferrars-Miss Betterton; Constantia-Mrs Pope; Widow Blandy-Mrs Gilbert; Fidelia-Mrs Mattocks; [Times does not spell all the parts as they are listed in the text, in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, which assigns no parts, but in which they are spelled as above. Times erroneously assigns Doctor Crisis to Farley, and lists Mrs Mattocks' part as Mrs Crowfoot; it does not assign Gabriel or the Servant.] Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Widow Blandy Actor: Mrs Gilbert
Related Works
Related Work: The Eccentric Lover Author(s): Richard Cumberland

Afterpiece Title: Raymond and Agnes

Cast
Role: Principal Characters Actor: Farley, Follett, Dyke, Simmons, Simpson, Mlle DeLaCroix, Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain.
Role: Spectre of the Bleeding Nun Actor: Mlle St.Amand

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

Performance Comment: Amand.

2441
19 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: She's Eloped

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Mary Actor: Mrs Bland
Role: Miss Lucy Actor: Mrs Bland.

2442
30 May 1798 @ Covent Garden

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Performance Comment: The Sailor's Carousal; or, Saturday Night at Sea As17980528, but added: The Medley of Lovers-Munden; Jack at the Windlass-_; Farewell to Old England dear Mary adieu-_.
Cast
Role: Ye Gentlemen of England Actor: Incledon, Townsend, Linton, Gray
Role: Farewell to Old England dear Mary adieu Actor: Incledon
Role: Landscape and Water Actor: Mill
Role: Colombine Actor: Mlle St.Amand
Role: Philidel Actor: Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus

Afterpiece Title: The Highland Reel

Cast
Role: Sandy Actor: Incledon
Role: With pride we steer'd for England's Coast Actor: Townsend.

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

2443
29 June 1798 @ Haymarket Theatre

Event Comment: Mainpiece: Overture, Chorusses, and new Musick by Dr Arnold. Scenery by Rooker, Marinari, &c

Performances

Mainpiece Title: Zorinski

Performance Comment: Zorinski-Barrymore; Casimir-Aickin; Radsano-Palmer Jun.; Rodomsko-Caulfield; Naclo-Trueman; Witzki-Fawcett; Amalekite-Suett; O'Curragh-Johnstone; Zarno-Munden; Winifred-Mrs Bland; Rachel-Miss DeCamp; Rosolia-Miss Heard.
Cast
Role: Winifred Actor: Mrs Bland

Afterpiece Title: The Village Lawyer

2444
28 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Johnstone. [Mrs Brown is sister to Miss Biggs of Drury Lane, and...has played frequently in her father's company in the country [i.e. Barnstaple, &c.]" (Monthly Mirror, Sept. 1798, p. 179). Morning Herald, 22 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Wowski Actor: Mrs Bland

Afterpiece Title: The Irishman in London

Performance Comment: As17980720 but added to Murtock Delany: The Irish Lad and Nun (The Musick by Shield)-Johnstone.
Cast
Role: The Irish Lad and Nun Actor: Johnstone.

Song: End: Patents all the Rage-Munden; A Mock Italian Song-Fawcett; The Group of Lovers ; or, Beauty at her Levee-Munden; a new song, The British Volunteers-Johnstone; with Chorus-Trueman, D'Arcy, Linton, Waldron Jun., Abbot, Lyons

2445
15 September 1798 @ Drury Lane Theatre

Event Comment: Benefit for Palmer's Orphan Family [see dl, 18 June 1798]. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Tickets may be had at Lloyd's Coffee House [for this night only]; and of Fosbrook, at the Box Office, Little Russel Street, where, only, Places for the Boxes can be taken. The Public are respectfully informed that Mr Aickin is appointed Manager. Printed by C. Lowndes next the Stage-Door. Receipts: #571 15s. (519.8.6; 45.17.6; 1.16.0; tickets: none listed; Sundry Sums left at Door: 4.13.0) (charge: free)

Performances

Mainpiece Title: The Stranger

Performance Comment: The Stranger-Kemble; Count Wintersen-Holland; Baron Steinfort-Barrymore; Mr Solomon-Wewitzer; Peter-Suett; Francis-R. Palmer; Tobias-Aickin; Mrs Haller-Mrs Siddons; Countess Wintersen-Miss Biggs; Charlotte-Miss Stuart.
Cast
Role: Count Wintersen Actor: Holland
Related Works
Related Work: The Stranger Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Citizen

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

2446
15 October 1798 @ Covent Garden

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-anden, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.
Cast
Role: Vocal Characters Actor: Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray
Role: Seamen Actor: Clarke, William, Drunken Negro-Simmons, Servants, Negro Boy-Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.
Role: Drunken Negro Actor: Simmons, Servants, Negro Boy-Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.
Role: Negro Boy Actor: Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.
Role: Stand to your guns our cannons thunder Actor: Townsend, Hill
Role: When sunny Beams Actor: Master Standen
Role: Inside of Black Actor: Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons
Role: with Black Actor: Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray
Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): James Sanderson

Dance: In afterpiece: Dance of Negroes-

2447
05 December 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Performances

Mainpiece Title: A Word For Nature

Performance Comment: Characters-Aickin, Suett, Barrymore, Bannister Jun., R. Palmer, Dowton, Hollingsworth, Evans, Webb, Fisher, Ryder, Miss Pope, Mis Biggs, Mrs Walcot. Cast from Morning Visitor, Dec. 1798, p. 392: Lord Glenandry-Aickin; Sir Toby Truckle-Suett; Clifton-Barrymore; Leonard-Bannister Jun.; Starling-R. Palmer; Runic-Dowton; Patrick Malooney-Hollingsworth; Lady Truckle-Miss Pope; Matilda-Miss Biggs; Mrs Lofty-Mrs Walcot; unassigned-Evans, Webb, Fisher, Ryder; Prologue-Barrymore; Epilogue-Bannister Jun.
Cast
Role: Characters Actor: Aickin, Suett, Barrymore, Bannister Jun., R. Palmer, Dowton, Hollingsworth, Evans, Webb, Fisher, Ryder, Miss Pope, Mis Biggs, Mrs Walcot. Cast from Morning Visitor, Dec. 1798, p. 392: Lord Glenandry-Aickin
Role: Lord Glenandry Actor: Aickin
Related Works
Related Work: A Word for Nature Author(s): Richard Cumberland

Afterpiece Title: The Captive of Spilburg

Cast
Role: Moola Actor: Mrs Bland

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

2448
05 December 1798 @ Covent Garden

Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. Receipts: #470 5s. 6d. (466.11.6; 3.14.0)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Jew and the Doctor

2449
08 December 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Performance Comment: Principal Characters by Lewis, Holman, Munden, Fawcett, Miss Gilbert, Townsend, Whitfield, Thompson, Simmons, Wilde, Abbot, Curties, Platt, Mrs Pope, Mrs Gibbs, Miss Mansel, Mrs Mattocks. [Cast from text (T. N. Longman and O. Rees, 1799), and playbill of 16 Sept. 1799: Gossamer-Lewis; Mortimer-Holman; Bonus-Munden; Sambo-Fawcett; Charles Mortimer-Miss Gilbert; Costly-Townsend; Delville-Whitfield; Farmer Blackbrook-Thompson; Waiter-Simmons; Bailiff-Wilde; Gregory-Abbot; Mrs Mortimer-Mrs Pope; Dorothy-Mrs Gibbs; Emily-Miss Mansel; Miss Gloomly-Mrs Mattocks; unassigned-Curties, Platt; Prologue-Holman; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]

Afterpiece Title: The Spoil'd Child

2450
16 January 1799 @ Covent Garden

Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. 1798. Receipts: #530 12s. 6d. (524 19s. 6d.; 5.13.0)

Performances

Mainpiece Title: The Votary Of Wealth

Cast
Role: Cleveland Actor: Murray
Role: Julia Cleveland Actor: Mrs Pope
Role: Mrs Cleveland Actor: Miss Chapman

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Ferdinand Actor: Clarke