SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Dibdin Jun"/1) | (@(roleclean,performerclean) "C Dibdin Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2329 matches on Performance Comments, 1571 matches on Event Comments, 1376 matches on Author, 229 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. Marquis of Worcester to the Marchioness, 8 June 1675: I sate up last night at the play in Court--which was to entertaine the Prince of Newbough--till one of the clock in the morning (HMC, 12th Report, Appendix, Beaufort MSS., IX, 65)

Performances

Mainpiece Title: The Island Princess

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: Doctor Faustus

Performances

Mainpiece Title: The Alchymist

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: The Committee

Performances

Mainpiece Title: Aureng-zebe

Performances

Mainpiece Title: Aureng-zebe

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: The Country Wit

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Volpone; Or, The Fox

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performances

Mainpiece Title: The Man Of Mode

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr