SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "British Spanish and French Fleets"/1) | (@(roleclean,performerclean) "British Spanish and French Fleets")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1299 matches on Performance Title, 694 matches on Event Comments, 432 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At Shuter's Great Theatrical Tiled Booth on the Bowling Green. Scenes and Habits entirely new. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at twelve o'clock. An excellent band of music is provided, consisting of Violins, Hautboys, Trumpets, Kettle Drums, &c

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: advertised as "with the tragic adventures of the Knight of the Woeful Countenance, and the Comic humours of his merry Squire Sancho Panca. An Entertainment intirely adapted to the taste of all Ladies, Gentlemen, Bucks, Bloods, and Choice Spirits; but more expecially those who are fond of Liberpy and Roast Beef. In which will be introduced a group of odd, but diverting characters, being the work of a great master in the Creative Faculty. To render the dish more agreeable to every palate, it will be garnished with singing and dancing-; particularly a song on the late Victories obtained by our Fleets and Armies, and a Welcome to Southwark Fair. With a Hornpipe-a British Genius; whose valour was conducive to the reduction of Quebec. The whole to conclude with the View of a magnificent Monument erected to the Memory of the late General Wolfe. And a Monody- to be spoken on the death of that brave and much lamented Hero.".

Performances

Mainpiece Title: King Henry The Fourth: With The Humours Of Sir John Falstaff

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Salle; Nymphs-Mrs Bullock, Miss LaTour, Mrs Ogden, Miss Hill; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Laguerre; Slumber-Salway; Harequin-Lun; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Peasants-Newhouse, Delagarde Jr, Pelling; Women Peasants-Mrs Benson, Mrs Kilby, Mrs Rice; Venus-Mrs Seedo; Silenus-Leveridge; Bacchus-Salway; Pan-Laguerre; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; French-Poitier; Spanish Woman-Miss LaTour; Polonese Woman-Mrs Ogden; French Woman-Mrs Hill; Flora-Mrs Laguerre.
Cast
Role: French Actor: Poitier
Role: Spanish Woman Actor: Miss LaTour
Role: French Woman Actor: Mrs Hill
Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.
Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Benefit Dr Clancy. "The Day returns, but not to me returns," Milton. This Gentleman being deprived of the Advantages of following his profession; and as the writing he had produced for the stage could not be brought out this season, the Master of the Playhouse has been so kind as to favour him with a Benefit Night: It is therefore hoped, that as this will be the first instance of any person laboring under so heavy a deprivation, performing on the stage, the Novelty, as well as the Unhappyness of his case, will engage the favour and protection of a British Audience. Note: Tickets to be had at the Temple-Exchange Coffee House in Fleet Street; Tom's Coffee House in Cornhill; St. James Coffee House, St. James's Street; Child's Coffee House, St. Paul's Churchyard and the Chapter Coffee House in Paternoster Row. Places for Boxes to be Taken at the Stage Door of the Theatre. [General Advertiser, 4 April, publish'd a fifty-six Prologue (licensed) Intended for Oedipus, acted for the Benefit of the Very Ingenious Dr Clancy, written by Mr Lockman.

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Tiresias the Prophet-Dr Clancy who is Blind; Oedipus-Delane; Creon-Bridges; Adrastus-Mills; Haemon-Havard; Phorbas-Berry; Aegeon-W. Giffard; Manto-Miss Budgell; Citizens-Yates, Taswell, Neale, Morgan, Arthur, Dunstall, Collins; Ghost of Laius-Woodburn; Diocles-Winstone; Pyracmon-Turbutt; Alcander-Blakes; Dymas-Green; Jocasta-Mrs Roberts; Euridice-Mrs Mills.
Cast
Role: Alcander Actor: Blakes

Afterpiece Title: The School Boy

Event Comment: Benefit for Incledon. 2nd piece [1st time; M. INT 1]: Scene, A View of the British Fleet. Morning Chronicle, 14 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #467 12s. 6d. (191.7.0; 3.19.0; tickets: 272.6.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop (1st time)-Bowden; Medley-Townsend; Bob (1st time)-Haymes; Filbert-Cross; Ralph-Linton; Welford-Incledon; Dolly-Mrs Martyr; Miss Di Clacket (1st time)-Mrs Davenport; Polly-Miss Standen; Emily (with an additional song; for that night only)-Miss Poole.
Cast
Role: Polly Actor: Miss Standen

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Performance Comment: in which: O why to be happy (composed by Shield)-Incledon, Bowden, Linton; Blow high blow low (composed by Dibdin)-Bowden; The Little Sailor Boy-Fawcett; Our Laws Constitiution and King (composed by Shield)-Bowden, Incledon; The Land of Potatoes-Johnstone; The Death of Admiral Benbow-Incledon; Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton; To conclude with Rule Britannia-.

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

Event Comment: Benefit for Harley. 2nd piece: Scene, A View of the British Fleet. Morning Chronicle, 25 May: Tickets to be had of Harley, No. 1, Castle-street, Bloomsbury. Receipts: #287 3s. (94.6.6; 15.15.0; tickets: 177.1.6)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Holman; Raleigh-Macready; Burleigh-Richardson; Southampton (1st time)-Harley; Rutland-Miss Morris; Nottingham-Mrs Fawcett; Queen Elizabeth-Mrs Pope.
Cast
Role: Rutland Actor: Miss Morris

Afterpiece Title: True Blue; or, The Parting Lovers

Afterpiece Title: Netley Abbey

Cast
Role: Captain Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Miss Hopkins

Dance: As17950428

Song: In 2nd piece: the following additional songs: Wives and Sweethearts-Townsend; The Wand'ring Sailor-Incledon (1st time); When gen'rous wine-Bowden; The days we now possess-Munden; The Storm-Incledon; Ye Gentlemen of England, as17950428; Rule Britannia-Incledon

Entertainment: Monologue In evening: The Young Widow a fable-Harley

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17500324 but Lucetta-Mrs Green; Valet-_; Simon-_; Buckle-_; Tester-_; Landlady-_; Milliner-_. [Cast precisely as of 18 Nov. 1749.]Cast precisely as of 18 Nov. 1749.]
Cast
Role: Landlady Actor: Mrs Yates
Role: Strictland Actor: Berry
Role: Mrs Strictland Actor: Mrs Elmy

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Wilson, Edwin, Whitfield, Egan, Mrs Wilson, Mrs White, Mrs Morton. Cast from text (G. Kearsly, 1780) and London Chronicle, 3 May 1780: Beauclerc-Mattocks; Major Bromfield-Reinhold; Ben Hassan-Quick; Serjeant Trumbull-Wilson; Woolwich-Edwin; Muley-Whitfield; Serjeant O'Bradley-Egan; Lieutenant-Wordsworth; Officers-Booth, Fearon, Robson; Sailor-W. Bates; Soldiers-L'Estrange, Thompson, Wewitzer; Mob-Jones, Ledger, Brunsdon, Bates, Stevens; Jenny-Mrs Wilson; Moll Trumpet-Mrs White; Zayde-Mrs Morton.
Event Comment: By Authority of the Lord Chamberlain. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. Benefit for the Unfortunate Sufferers in the Glorious Action between Sir John Jervis, and the Spanish Fleet, off Cape St. Vincent [on 14 Feb. 1797]

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad; or, Safe Moor'd at Last

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-

Event Comment: Receipts: #122 12s. 6d. Probable attendance: boxes, 16W176 paid and 29 orders; stage, 3 paid; pit, 259 paid and 16 orders; slip, 24 paid and 4 orders; first gallery, 248 paid and o orders; second gallery, 101 paid

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Salle; 1st Nymph-Mrs Bullock; 2d-Mrs Pelling; 3d-Mrs Ogden; 4th-Mrs Anderson; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Legare; Slumber-Salway; Burgomaster-Nivelon; Boor Servant-Spiller; Scaramouch-Newhouse; Colombine-Mrs Younger; Harlequin-Lun; Peasants-Newhouse, Pelling, Lanyon; Women Peasants-Mrs Vincent, Mrs Ogden, Mrs Rice; Venus-Mrs Seedo; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Legare; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; Frenchman-Poitier; Spanish Woman-Mrs Bullock; Polonese Woman-Mrs Pelling; French Woman-Mrs Anderson; Flora-Mrs Laguerre.
Cast
Role: 4th Actor: Mrs Anderson
Role: Frenchman Actor: Poitier
Role: Spanish Woman Actor: Mrs Bullock
Role: French Woman Actor: Mrs Anderson

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: Apollo and Daphne

Performance Comment: As17300925, but Daphne, Flora-Mlle Salle; Spanish Woman-Mrs Bullock; French Woman-Miss LaTour.
Cast
Role: Spanish Woman Actor: Mrs Bullock
Role: French Woman Actor: Miss LaTour.
Role: French Actor: Poitier

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Salle; Nymphs-Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Laguerre; Slumber-Salway; Harlequin-Lun; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Peasants-Newhouse, Delagarde Jr, DuPre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Rice; Venus-Mrs Seedo; Silenus-Leveridge; Bacchus-Salway; Pan-Laguerre; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; Frenchman-Poitier; Spanish Woman-Mrs Bullock; Polonese Woman-Mrs Ogden; French Woman-Miss LaTour; Flora-Mrs Laguerre.
Cast
Role: Frenchman Actor: Poitier
Role: Spanish Woman Actor: Mrs Bullock
Role: French Woman Actor: Miss LaTour

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Apollo and Daphne

Performance Comment: Apollo-Poitier; Nymphs-Mrs Ogden, Miss LaTour; Daphne-Mrs Pelling; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, Delagarde Jr, DuPre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; With The Triumphs of Love: Venus-Mrs Sanderson; Silenus-Leveridge; Pan-Laguerre; Bacchus-Salway; Zephyrus-Poitier; Frenchman-Glover; Spaniard-Dupre; Polonese-Pelling; French Woman-Mrs Younger; Spanish Woman-Miss LaTour; Polonese Woman-Mrs Ogden; Flora-Mrs Pelling.
Cast
Role: Venus Actor: Mrs Sanderson
Role: Frenchman Actor: Glover
Role: French Woman Actor: Mrs Younger
Role: Spanish Woman Actor: Miss LaTour
Event Comment: At the Desire of several Persons of Quality. Afterpiece: With new Cloaths, Scenes, and other Decorations. 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Poirier; Nymphs-Mrs Ogden, Mrs Pelling, Miss Baston, Miss Rogers; Daphne-Mrs Laguerre; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, De la Garde Jr, Du Pre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; With The Triumphs of Love: Venus-Mrs Wright; Diana-Miss Norsa; Silenus-Leveridge; Bacchus-Salway; Zephyrus-Poitier; Frenchman-Glover; Spaniard-Du Pre; Polonese-Pelling; French Woman-Miss Rogers; Spanish Woman-Mrs Pelling; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre .
Cast
Role: Frenchman Actor: Glover
Role: French Woman Actor: Miss Rogers
Role: Spanish Woman Actor: Mrs Pelling

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Delane; Clodio-Cibber; Lewis-Hippisley; Duart-Ryan; Elvira-Mrs Stevens; Antonio-Mullart; Charino-Arthur; Manuel-Hale; Governor-Rosco; Sancho-James; Monsieur-Salway; Jaquez-Anderson; Louisa-Mrs Horton; Honoria-Miss Horsington; Angelina-Mrs Hale, the first time of her appearance on this stage.
Cast
Role: Jaquez Actor: Anderson

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo-Glover; Nymphs-Miss Oates, Miss Rogers, Mrs LeBrun, Mlle Ozanne; Daphne-Mlle Anne Roland; Huntsmen-Leveridge, Villeneuve, Desse, Richardson, Delegard, L'Estrade; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Kilby; Scaramouch-Bencraft; Harlequin-Phillips; Peasants-Bencraft, Delegard, Dupre, Mrs Horsington, Miss Dancey, Mrs Villeneuve; Bacchus-Salway; Venus-Mrs Wright; Diana-Mrs Chambers; Silenus-Leveridge; Pan-Roberts; Zephyrus-Glover; Spaniard-Richardson; Polonese-Delegarde; Frenchman-Desse; Spanish Woman-Miss Rogers; Polonese Woman-Mrs LeBrun; French Woman-Miss Oates; Flora-Mlle Anne Roland.
Cast
Role: Daphne Actor: Mlle Anne Roland
Role: Frenchman Actor: Desse
Role: Spanish Woman Actor: Miss Rogers
Role: French Woman Actor: Miss Oates
Role: Flora Actor: Mlle Anne Roland.

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Jacyntha Actor: Mrs Bland
Role: Strickland Actor: Bridgwater
Role: Buckle Actor: Anderson
Role: Mrs Strickland Actor: Mrs Hale

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo-Villeneuve; Daphne-Miss Vandersluys; Followers of Daphne-Mrs Gondou, Mrs Villeneuve, Mrs Dumont, Mrs LaFont; Morpheus-Leveridge; Mystery-Beard; Slumber-Vincent; Harlequin-Phillips; Burgomaster-Bencraft; Colombine-Mrs Dunstall; Boor Servant-LaLauze; Scaramouche-Vandersluys; Huntsmen-Beard, Desse, Delagarde, Froment, Vandersluys, Oates, Dupre; Venus-Mrs Storer; Silenus-Leveridge; Pan-Vincent; Bacchus-Beard; Diana-Miss Faulkner; Frenchman-Villeneuve; Spaniard-Desse; Polonese-Delagarde; French Woman-Mrs Delagarde; Spanish Woman-Mrs Gondou; Polonese-Mrs Villeneuve; Zephyrus-Froment; Flora, representing an Inconstant-Miss Vandersluys.

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Player Actor: Anderson

Afterpiece Title: Apollo and Daphne

Performance Comment: As17501129, but full cast listed. Apollo-Villeneuve; Daphne-Mlle Cointrie; Followers of Daphne-Mrs Delagarde, Mrs Gondou, Mrs Villeneuve, Miss Barchelor; Morpheus-Leveridge; Mystery-Baker; Slumber-Vincent; Harlequin-Philips; Burgomaster-Bencraft; Boor servant-Lalauze; Colombine-Miss Haughton; Scaramouche-Atkins; Venus-Miss Young; Silenus-Leveridge; Bacchus-Baker; Pan-Vincent; Diana-Miss Falkner; Frenchman-Villeneuve; Spaniard-Desse; Polodese-Gardiner; French Woman-Mrs Delagarde; Spanish Woman-Mrs Gondou; Polonese Woman-Mrs Villeneuve; Zephyrus-Jardin; Flora (representing an Inconstant)-Mlle Cointrie.
Cast
Role: Frenchman Actor: Villeneuve
Role: French Woman Actor: Mrs Delagarde
Role: Spanish Woman Actor: Mrs Gondou
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Afterpiece [1st time; P 2, author unknown]: The Pantomime partly new and partly compiled. The principal parts of the Compilation from The Choice of Harlequin, The Magic Cavern, The Enchanted Castle, The Sylphs, and The Sorcerer. The Music compiled from, and composed by, Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery, and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan, Blackmore, and assistants. The Dances composed by Byrn. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #274 14s. 6d. (254.13.0; 20.1.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequin's Treasure 0; or, Jewels New Set

Performance Comment: Pantomimic Characters Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Miser-Powel; Pantomimic Sailor-Blurton; Jew-Crowe; Quaker-Davenport; Punch-Rayner; Smuggler-King; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Rees; Surveyor-Claremont; Servant-Abbot; Waiters-Findlay, Lee; Persians and Arabs-Cranfield, Platt, Bayzand, T. Cranfield, Goosetree; Columbine-Mlle St.Amand; Vocal Characters Farmer-Bowden; Vocal Sailor-Haymes; Gambler-Townsend; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Spofforth, Williamson, Holland.

Afterpiece Title: Harlequin's Treasure 1

Performance Comment: Part I. A View of the Desarts of Arabia , with the passing of the Caravan.; The Banditti- (from The Magic Cavern) painted by Richards, the music by Shield.; A Garden-; song-Mrs Clendining composed by Shield.; The Hotel-; (from The Choice of Harlequin) with the Views of the Temple of Virtue and Pleasure painted by Richards, Dall, and Smirk; the music by Michael Arne; The Hazard Club (from The Choice of Harlequin)-; Come pass the Box composed by M. Arne,-Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland; The Building Scene and Falling Scaffold- (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-; Harlequin from the Tea Urn-, invented by Messink and Martinelli.; The Dog Kennel and Pigeon House- invented by Rich.; Outside of Bagnio- (from The Choice of Harlequin); -The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-; with a Hornpipe in Fetters-Byrn.

Afterpiece Title: Harlequin's Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.
Event Comment: Afterpiece: The principal parts of the Compilation from The Choice of Harlequin. The Magic Cavern, The Enchanted Castle, The Sylphs, The Sorcerer. The Music compiled from, and composed by Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan. Blackmore, and assistants. Receipts: #210 14s. 6d. (209.16.6; 0.18.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Cast
Role: Persian Merchant and Lover Actor: Farley
Role: Landlord Actor: Thompson
Role: Columbine Actor: Mlle St.Amand
Role: Glees and Chorusses Actor: Linton, Street, Gray
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Mandarine Actor: the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Inside Actor: the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Magic Candles Actor: Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Event Comment: Newdigate newsletters, 2 Sept. 1693: On Thursday a person acting ye Jack pudding on a stage in Bartholomew fair Bantering upon ye Straits Expedition & return of the ffleet was taken into Custody (Folger Shakespeare Library, transcribed by Professor John Harold Wilson). Luttrell, A Brief Relation, III, 176, 2 Sept. 1693: A merry andrew in Bartholomew fair is committed for telling the mobb news that our fleet was come into Torbay, being forced in by some French privateers, and other words reflecting on the conduct of great ministers of state. Newdigate newsletters, 12 Sept. 1693: On Sunday [10 Sept.] Mr Percivall who kept a Booth during St Barthollomew fair was siezed near Charing cross upon ye acct of clipping being discovered by a young man (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). [See also Luttrell, A Brief Relation, III, 183, 205, 207, 212.

Performances

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Bridges; Ferdinand-King; Trincalo-Yates; Hippolito-Mrs Willoughby; Caliban-Blakes; Stephano-Shuter; Mustachio-James; Ventoso-Ray; Sycorax-Taswell; Miranda-Miss Cole; Dorinda-Mrs Green; Ariel-Mrs Clive (with Proper Songs); With Decorations-; particularly: A Dance of Aerial Spirits-Mlle Mariet, Miss Baker, Mrs Shawford, Mrs L'Font; A Dance of Winds-Macneale, Shawford, Pelling, Master Shawford; A Grand Dance of Fantastic Spirits- in the shapes of four Demons, four Monsters, and four Pigmies; Infernals-Reinhold, Bennet; The whole to conclude with the Masque of Neptune and Amphitrite-; Neptune-Beard; Amphitrite-Miss Norris.

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs James will be taken. For ye Benefit of Mrs James, tho' her name was not put up, who is going to leave the Stage, and retire as said to a Nunnery. Mr Macklin's Oratory open'd at his house in ye Piazza (Cross). Public Advertiser 22 Nov.: At Macklin's Great Room in Hart St. Covent Garden this day...will be opened The British Inquisition. This Inquisition is upon the plan of the ancient Greek, Roman and modern French, Italian Societies@of@liberal@investigation...&c. First lecture to be on Hamlet. [See Mackliniana (2 Vols. Folger Shakespeare Library) MS notes by Isaac Reed, from the Public Advertiser, 22 Nov. Macklin's lecture series was repeated on 23, 28 Nov., 2, 5, 7, 9, 11, 13, 16, 18, 20, 23, 26, 28 Dec.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chaplet