SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bowers"/1) | (@(roleclean,performerclean) "Bowers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 83 matches on Roles/Actors, 20 matches on Event Comments, 16 matches on Performance Title, 8 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: British Fortitude and Hibernian Friendship

Afterpiece Title: The Follies of a Day

Song: In 2nd piece: As17960405, but Fa la la-_; Our Simple Tale thus Ended-Incledon, Johnstone, Linton, Street, the rest of the characters; End III 1st piece: Old Towler-Incledon

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Maid of the Oaks

Dance: In 2nd piece: a New Dance-Holland, Platt, Mrs Watts

Song: In 2nd piece: As in 3rd piece, 12 Apr., but The Sea Storm-_; Old Towler-_; New Song-_

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Irish Mimick

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

Performances

Mainpiece Title: The Old Maid

Afterpiece Title: Every One has His Fault

Afterpiece Title: Cymon

Dance: Conclude 3rd piece: Dance-

Song: End: Black@Ey'd Susan-Incledon; End 2nd piece: The Group of Lovers-Munden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Rosina

Dance: End 2nd piece: Highland Festivity, as17951125

Song: In 2nd piece: songs as in 3rd piece, 12 Apr. We've bade the restless seas adieu-; O why to be happy, as17960314+With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: Bach's Bach's favourite concertante for flute oboe violin and violoncello-Monzani, W. Parke, G. and C. Ashley

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Comedy of Errors

Afterpiece Title: Harlequin's Return

Song: In III 2nd piece: song in character-Mrs Clendining

Performances

Mainpiece Title: The Raft

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Harlequin's Return

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Lie of the Day; or, A Party at Hampton Court

Afterpiece Title: Harlequin's Return

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: The Raft

Afterpiece Title: Harlequin's Return

Performances

Mainpiece Title: The Raft

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude: as17980430

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Raft

Afterpiece Title: Reformed in Time

Event Comment: Benefit for Bowers, Cridland, Piercy. Tickets delivered by Hodges will be taken. Paid Mr J. French on acct #5 5s. (Treasurer's Book). Receipts: #259 8s. 6d. Charges: #84. Profits to Bowers, Cridland, and Piercy: #175 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17720919

Event Comment: Benefit for Widow Bowers, Percy, Wood and Robinson. Tickets delivered for The Orphan and by Mr Hodges will be taken. Paid Mr Davies on Note #30; Mr Clinch for 5 days at beginning of season not on list #2 1s. 8d.; Mr Cooke's 4 boys 11th inst. #1 10s. (Treasurer's Book). Receipts: #256 12s. 6d. Charges: #84. Profits to Widow Bowers and beneficiaries: #172 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: Benefit for Raftor, Roger, Shawford & Bowers. No Building on the Stage. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Intriguing Chambermaid

Dance: -MMaster Roger, Miss Simson, the Children

Entertainment: After the Opera: By Desire, The New Magic Scene, as17580428

Event Comment: Benefit for Palmer, Bowers; We borrow'd Smith from Cov. Garden to do Osmyn Mr Mossop's Father being dead (Cross). [Genest suggests that this was Mossop's last appearance at dl.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: HHornpipe-Walker

Event Comment: Benefit for Bowers (boxkeeper) and Palmer (Pit doorkeeper). Tickets delivered by Humphrys will be taken

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Apprentice

Dance: HHornpipe-Master Wallace1st appearance, a student of Walker

Event Comment: Benefit for Doorkeepers Veal and Bowers

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Polly Honeycombe

Song: III: A Cantata-Miss Young

Dance: HHornpipe-a Sailor from the Royal Sovereign as17610525

Event Comment: Benefit for Bowers and Veal. Tickets deliver'd by Mr Broad will be taken. [Palmer played only for benefits (Genest, IV, 645).

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Englishman in Paris

Dance: II: Hearts of Oak, as17620421 End: Dancing-Baltazar, Miss Dawson

Event Comment: Benefit for Lobby Door Keepers, Bowers and Veal. Tickets deliver'd by Broad and Berrisford will be taken

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Bowers, Veal, and Broad. Mr Lee read Lord Trinket (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Musical Lady

Dance: End: Double Hornpipe, as17640514

Event Comment: Benefit for Bowers (box-keeper) and Veal (first gallery door-keeper). Tickets deliver'd for the benefit of Broad and Hodges will be taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Deuce Is in Him

Dance: II: A New Comic Dance, as17650516; End: Double Hornpipe-Walker, Miss Tetley

Event Comment: Benefit for Bowers and Veal (door-keepers). Tickets deliver'd by Broad and Hodges will be admitted

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: DDouble Hornpipe-Walker, Miss Tetley; End: Comic Dance, as17660207