SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Booth"/1) | (@(roleclean,performerclean) "Booth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6531 matches on Roles/Actors, 1930 matches on Performance Comments, 612 matches on Event Comments, 294 matches on Performance Title, and 147 matches on Author.
Event Comment: [At Lee, Yeates and Warner's Great Tiled Booth, Bowling Green, Southwark Fair. [Time, entertainments, prices and description as 23 Aug., bf.] The Proprietors have been at a great Expense in having their Booth repair'd and surveyed, in order to accommodate the Gentry and others in an agreeable Manner, and to prevent any Accident that might happen through the Carelessness of the Workmen

Performances

Mainpiece Title: The True And Ancient History Of Whittington

Performances

Mainpiece Title: Proclamation: Southwark

Performance Comment: Whereas the Fair, called Lady Fair, in this Borough, is by charter appointed to be held the seventh, eighth, and ninth days of September O.S. yearly, w ll this year begin, and holden this day the 16th day of September, N.S. occasioned by the alteration of the Stile, and continued the two following days, to wit the 19th and 20th and no longer. And whereas the said Fair hath for several years past been continued against Law, for a longer time than the said three days, contrary to the institution thereof, whereby divers Riots, and other Disorders have been committed in breach of His Majesty's peace; for preventing of which misdemeanors and abuses it is thought fit and needful to give this Publick notice that if any persons do presume to keep open any Booth, Shed, or other Building, or permit and further any Stall, or Stand to be and remain before their Door longer than the said 18th, 19th, and 20th days of September NS, with intent to prolong said Fair, and put to sale there goods and wares, or shall act and exhibit any Droll or Show, or foster to be acted and exhibited in any Booth or Dwelling house any Droll, or Show, or other Entertainment of the Stage, or shall play at, or encourage any sort of gaming contrary to the Laws and Statutes of his realm; such person or persons so offending will be prosecuted and punished according to the Law (General Advertiser, 16, 18, 19, 20, Sept. 1752).
Event Comment: During the short time of the Fair, at Bence's Booth, Bowling Green, Southwark. Boxes 2s. Pit 1s. Gallery 6d. To begin at Twelve and end at Ten at night. [N.B. at a Booth next to Yeates's ran Parsloe's Grand Medley, including The Town Miss; or, The Miser Outwitted,' by operational moving figures (puppets) followed by dancing, jiggs, disjointments, concluding with a piece of German Clockwork, for the diversion of the Curious.

Performances

Mainpiece Title: He Intriguing Chambermaid; Or, The Wanton Wife

Afterpiece Title: Harlequin Triumphant

Dance: I: A new Grand Comic Dance-Sg and Sga Codgerino; End: A new Irish Dance-

Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Performances

Mainpiece Title: The Royal Slave; Or, A Wife For Ye All

Afterpiece Title: The Witch of Endor

Event Comment: A concert, etc. at Phillips's Great Theatrical Booth, facing the Tiled Booth, Bowling Green. To begin at 7:00 p.m. Benefit for a Gentlewoman in Distress. Boxes 2s. 6d. Pit 1s. 6d. First gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Old Witch of Endor; or, Harlequin Turn'd Beau

Event Comment: [MMrs Midnight will entertain the Town with her Grand Carnival Concert. After the Concert, gratis, will be given...at Bence's Booth, upper end of Bowling Green. The Afterpiece: a Pantomime Burletta by the Company of Lilliputians. To begin at 12 Noon each day. To prevent mistaking the Booth, Mrs Midnight has thought proper to hoist English Colours. [Bill repeated each day.

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: [The Birth of Harlequin; or, The Old Woman's Whim

Dance: To conclude with A Dance in the Ancient British Taste-Choice Spirits from Comus's Court

Music: [NNew Concerto for the Tambour de Basque-

Event Comment: Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Scenes, Cloaths, Music, Paintings and all other Acommodations are entirely New. The passage will be illuminated, for the better accommodation of the gentry. To begin each day at twelve o'clock. The Booth is made theatrical and commodious for the reception of Gentlemen and Ladies, and a good band of music provided, consisting of Violins, Bassoons, Hautboys, &c. [This note repeated on each subsequent bill.] At the Great Theatrical Booth, George Inn Yard, West Smithfield

Performances

Mainpiece Title: The Humourous Physician; Or, A Cure For All Ills

Afterpiece Title: The Restoration and Adventures of Harlequin

Song:

Dance:

Event Comment: At Warner's Booth, Bowling Green. By a Company of Comedians from the Theatres. To begin each day at twelve o'clock and end at ten p.m. during the time of Southwark Fair. The Booth is made very Theatrical and Commodious for the reception of Gentlemen and Ladies, and a good band of music provided consisting of violins, Bassoons, Hautboys, &c. Mainpiece: a diverting droll. [This note repeated on subsequent bills.

Performances

Mainpiece Title: The Intriguing Lover; Or, A Tit-bit For A Nice Palate

Afterpiece Title: Harlequin's Vagaries

Dance:

Event Comment: At Dunstall@Vaughan@Warner Booth, George Inn Yard, Smithfield. An excellent band of music is provided. Care will be taken to keep the passages to the booth clean and clear, and they will be well lighted. Twelve noon to 10 p.m

Performances

Mainpiece Title: The Old Widow Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Joyous Return of the Brave British Tars from the Conquest of Cape Breton

Event Comment: At Shuter's Booth. [From a puff in the Public Advertiser today, it appears that performances were given at both booths on the 18th. "several heats were ran."

Performances

Mainpiece Title: Don Quixote In England

Event Comment: At Yeates' Theatrical Booth, Greyhound Inn, during the time of Bartholomew Fair. The whole to be decorated with decency, and propriety, together with a grand Band of Music, consisting of French Horns, Violins, Trumpets, Hautboys, &c. N.B. There is a convenient Way to the theatre in Cow Lane for coaches, where Ladies and Gentlemen may have admittance without interruption. Boxes 2s. 6d. Pit 2s. First Gallery 1s. Upper 6d. [Several persons had provided booths in the Inns at Smithfield to perform Drolls and Interludes, as had been customary for many years, and were preparing to exhibit accordingly; but the City Marshall and other officers, by order of the Lord Mayor oblig'd them to take down their Shew Cloths and decamp (Morley, Memoirs of Bartholemew Fair).

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Event Comment: Mrs Booth has lately erected a Monument to B. Booth, is now upwards of 90, was the famous Miss Santlowe so much admir'd as Actress and Dancer (Winston MS 10). Advanc'd Mr Barry (b:office keeper) #15; Ditto to Mr Watson (b:office keeper) #10 (Treasurer's Book). [Operating cash returned to treasury on 5 June 1773, but with a deficit of #6 5s. Barry seems not to have been hired thereafter, Archeveque taking his place the following season.] Receipts: #173 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance, as17720922

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid

Event Comment: Benefit for Mrs Bradshaw, Mrs Love, Mrs Booth & Miss Field. Mainpiece: With the Grand Triumphal Entryv. Afterpiece: View of the Grand Campv as 6 Nov. 1779. Tickets delivered by Collins will be taken. Public Advertiser, 4 May: Tickets to be had of Mrs Bradshaw at Nichole's, baker, Bridges Street; of Mrs Love at Mrs Baker's, Gerrard-street; of Mrs Booth and Miss Field, No. 10, corner of Martlet Court, Bow-street, Covent Garden. Receipts: #201 6s. (41.13.0; 15.8.6; 3.0.6; tickets: 141.4.0) (charge: #93 7s. 10d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Lamash; Francisco-Norris; Ferdinand-Farren; Miranda (1st time)-Miss Phillips; Ariel-Miss Field. Chorus of Spirits-Chaplin, Holcroft, Fawcett, Phillimore; Miss Collett, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c . Miss Collett, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c .

Afterpiece Title: The Divorce

Dance: In Act I of mainpiece a Dance of Spirits by Miss Armstrong, &c.; In Act III a Dance of Fantastic Spirits [performers not listed. These were danced, as here assigned, in both subsequent performances]. In Act IV a Dance by Henry, Miss Armstrong, &c

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Wright; Francisco-Wilson; Ferdinand-Barrymore; Miranda-Miss Phillips; Ariel-Miss Field. Chorus of Spirits-Chaplin, Fawcett, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Stageldoir, Miss Barnes, Miss Burnett, Mrs Smith, &c . Mrs Love, Mrs Booth, Miss Stageldoir, Miss Barnes, Miss Burnett, Mrs Smith, &c .

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Brereton; Merlin-Aickin; Conon-Packer; Osmond-Phillimore; Aurelius-R. Palmer; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Miss Field; Venus-Miss Phillips. The rest of the Vocal Parts by Williames, Fawcett, Wilson, Chaplin, Alfred, Newbold; Miss Stageldoir, Miss Burnett, Miss Cranford, Mrs Love, Mrs Burnett, Mrs Booth, Miss George . Miss Stageldoir, Miss Burnett, Miss Cranford, Mrs Love, Mrs Burnett, Mrs Booth, Miss George .

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Wright; Francisco-Wilson; Ferdinand-Barrymore; Ariel-Miss Field; Miranda-Mrs Crouch. Chorus of Spirits-Fawcett, Chaplin, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Barnes, Miss Burnett, Miss Cranford, Mrs Burnett, &c . Mrs Love, Mrs Booth, Miss Barnes, Miss Burnett, Miss Cranford, Mrs Burnett, &c .

Afterpiece Title: All the World's a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Barrymore; Merlin-Aickin; Conon-Packer; Osmond-Staunton; Aurelius-R.Palmer; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Miss Field; Venus-Mrs Crouch. The rest of the Vocal Parts by Williames, Danby, Fawcett, Wilson, Chaplin, Alfred, Newbold; Miss Cranford, Miss Burnett, Mrs Love, Mrs Burnett, Mrs Booth . Miss Cranford, Miss Burnett, Mrs Love, Mrs Burnett, Mrs Booth .

Dance: End of mainpiece The Market, as17851024

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Performance Comment: Harlequin Clack-Bannister Jun.; Magician-Staunton; Doctor-Fawcett; Harlequin Lack-Wright; Clodpate-Grimaldi. The other Characters by Moody, Wrighten, Burton, Chapman, Waldron, Phillimore, Chaplin, Wilson, Jones, Spencer, Alfred, &c.; Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi. Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi.

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Booth. Public Advertiser, 28 May: Tickets to be had of Booth, No. 18, Broad-court, Bow-street. Receipts: #176 17s. 6d. (52.19.6; 6.18.0; tickets: 117.0.0)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Poor Vulcan

Afterpiece Title: The Midnight Hour

Event Comment: [Mainpiece in place of The Cherokee, advertised on playbill of 24 Feb. In it the playbill retains Mrs Booth as Mrs Over-done, but "Mrs Over-done Mrs Maddocks, Mrs Booth ill" (Powell).] Powell, 25 Feb.: New Comedy, viz. The Wheel of Fortune, rehearsed at 11; Alexander the Great (by order of Mr Sheridan) at 1; 26 Feb.: Wheel of Fortune rehearsed at 12. Receipts: #406 19s. (337.10.6; 63.18.0; 5.10.6)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Alexander the Great

Event Comment: Pepys, Diary: I turned back and to Southwarke-Fair, very dirty, and there saw the puppet-show of Whittington, which was pretty to see; and how that idle thing do work upon people that see it, and even myself too! And thence to Jacob Hall's dancing on the ropes, where I saw such action as I never saw before, and mightily worth seeing; and here took acquaintance with a fellow that carried me to a tavern, whither come the musick of this booth, and by and by Jacob Hall himself, with whom I had a mind to speak, to hear whether he had ever any mischief by falls in his time. He tells me, "Yes, many; but never to the breaking of a limb:" he seems a mighty strong man

Performances

Mainpiece Title: Whittington [a Puppet Show]

Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man