SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Betty Hall"/1) | (@(roleclean,performerclean) "Betty Hall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1121 matches on Performance Comments, 198 matches on Event Comments, 36 matches on Performance Title, 33 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Haberdashers Hall, Maiden Lane. For the Benefit of the City of London Lying-in Hospital, in Aldersgate St. Tickets Half a Guinea. To begin at 6 p.m. [Postponed from 2 Dec. because of indisposition of Signora Frasi.

Performances

Mainpiece Title: Sampson, An Oratorio

Event Comment: This day at noon, Mr Yates of Drury Lane and Mr Shuter of Covent Garden Theatres at the new erected Great Concert Hall, the Greyhound Inn, Smithfield, intend to divert the Town during the short time of Bartholomew Fair with variety of Entertainments

Performances

Mainpiece Title: Concert

Event Comment: PPrince of Wales & 4 (Cross). By Command of Prince of Wales. This day is publish'd Belisarius: A Tragedy, written by Mr Philips, to which is prefixed some account of the life of Belasarius. Printed for J. Staples, opposite Stationer's Hall. Neatly printed. Price 1s. (Public Advertiser). Receipts: #200. (Cross)

Performances

Mainpiece Title: Zara

Ballet: TThe Prussian Camp. As17571223

Event Comment: At Yates@Shuter Booth. Great care will be taken to provide a proper Guard, to keep the Passages to and from the hall clear, that the Nobility and Gentry may pass without interruption. Noon to 10 p.m

Performances

Mainpiece Title: The Woman Turn'd Bully; Or, The Lover's Triumph: With The Comical Humours Of squire Noodle And His Man doodle

Afterpiece Title: A Grand Representation of the Taking of Louisburg and Cape Breton by Admiral Boscawen and General Amherst

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry 8th-Moody; Surrey-Davies; Suffolk-Blakes; Wolsey-Havard; Cranmer-Burton; Anne Bullen-Mrs Bennet; Buckingham-Austin; Norfolk; Palmer; Queen Katharine-Mrs Pritchard; Patience-Miss Young (with proper song); Lord Chamberlain-Bransby; Sands-Philips; Cromwell-Mozeen; Gardiner-Clough; With an exact representation of the Coronation-; and the Ceremony of the Champion in Westminster Hall-.

Afterpiece Title: Harlequin Ranger

Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Entertainment: of singing and dancing.of singing and dancing

Event Comment: YYates's great Theatrical Concert Hall, Greyhound Inn

Performances

Mainpiece Title: The Fair Bride

Event Comment: At Yates's Great Theatrical Concert Hall, Greyhound Inn

Performances

Mainpiece Title: The Fair Bride

Event Comment: At Yates's Great Theatrical Concert Hall, Greyhound Inn

Performances

Mainpiece Title: The Fair Bride

Event Comment: At Yates's Great Theatrical Concert Hall. Greyhound Inn

Performances

Mainpiece Title: The Fair Bride

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Performance Comment: The Ceremony of the Championin Westminster Hall-.

Performances

Mainpiece Title: King Henry Iv, Part Ii; With Humours Of Sir John Falstaff

Performance Comment: King Henry-Sparks; Prince of Wales-Ross; Prince John-Davis; Mowbray-Tindal; Hastings-Anderson; Achbp York-Clarke; Lord Bardolph-Wignel; Gloster-Perry; Westmorland-Hull; Warwick-Gardiner; Falstaff-Shuter; Lord Chief Justice-Gibson; Poins-White; Bardolph-Lewis; Pistol-Dyer; Shallow-Collins; Silence-Costollo; Mouldy-Buck; Feeble-Holtom; Bullcalf-Dunstall; Hostess-Mrs Pitt; Dol Tearsheet-Mrs Stephens.
Cast
Role: Shallow Actor: Collins

Afterpiece Title: theCtheCoronation

Performance Comment: The Procession from the Abbey at the Coronation-; with a representation of Westminster Hall-; and the Ceremony of the Champion-.
Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Performance Comment: To which will be added the Procession from the Abbey-; at the Coronation with the representation of Westminster Hall-; the Ceremony of the Champion-.
Event Comment: Benefit for the City of London Lying@In Hospital. Tickets at half a guinea. At Haberdashers Hall, Maiden Lane in Wood Street

Performances

Mainpiece Title: The Messiah

Performance Comment: Parts-Signora Frasi, Mrs Scott, Battishall, Champnes.

Music: Instrumental parts-Hay, the most capital performers; with a solo on the violin-Hay

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lottery

Performance Comment: Lord Lace-King; Lovemore-Bannister; Whisk-Ackman; Irishman-Moody; Commissioners-Fawcett, Messink; Countrymen-Hartry, J. Burton; Coachman-Clough; First Buyer-Strange; Mr Stocks-Parsons; Mrs Stocks-Mrs Bradshaw; Jenny-Mrs Millidge; Mrs Sugarman-Simson; Lady Lace-Mrs Abington; in Act II will be introduced the scene of the Drawing of the Lottery at the Guild Hall-.
Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Musical Lady

Event Comment: This Comedy was written by Mr Cumberland was very well receiv'd & great Applause but it will not be so Successful as the West Indian was (Hopkins Diary). New Scenes and Dresses for the Mainpiece. [See Theatrical Review, 20 Jan. See also account in Town and Country Magazine (Theatre No. XXXIII). Larpent MS 329 again includes scene description by the author: "Hall in Lord Abberville's Housev with a staircase seen through an arch in the Flat."] Receipts: #248 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Lyar

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: By authority [of the Lord Chamberlain]. At the Desire of the most noble Order of Bucks. Benefit for West and Johnson. Tickets to be had of West at the Black Lion, Russel-street; of Johnson at the Golden-cross, Charing-cross. Tickets delivered by Comerford will be receiv'd. Doors to be opened at 5:00. To be begin exactly at 6:30. [Mrs West was from the China Hall, Rotherhithe. Author of Prologue unknown.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: The Deuce is in Him

Entertainment: End: Imitations-Gentleman [unidentified]

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Benefit for Lewis. 1st piece: With a Representation of the Trial at Westminster Hall. Public Advertiser, 22 Mar.: Tickets to be had of Lewis, Broad-court, Bow-street, Covent-Garden. Receipts: #205 19s. (183.13; tickets: 22.6) (charge: #105)

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Afterpiece Title: The Lawyer Nonsuited

Performance Comment: Principal Characters by The Author, Lyon, Hall, Johnson; Miss Turner, Miss Peters. Cast not known .

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Event Comment: Benefit for Marks, T. Ansell, Pilford & Furkins. Tickets delivered by Claridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Rye, Abbott, Akery, Rolles, Hall will be admitted this Evening. Receipts: #224 10s. 6d. (15/18/0; 0/6/6; tickets: 228/6/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece Statute Dance, as17840428

Event Comment: Benefit for Brereton, Beeston, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Small wood, Partridge, Shirley, Shuter, Pilbrow, Turtle, W. Ansell, Hall will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Whitsun Eve, on which night the theatre was customarily closed.] Receipts: #242 17s. (29/17/6; 3/9/6; tickets: 209/10/0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: RosiNA