SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Betterton"/1) | (@(roleclean,performerclean) "Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 537 matches on Roles/Actors, 298 matches on Performance Comments, 291 matches on Author, 179 matches on Event Comments, and 2 matches on Performance Title.
Event Comment: Post Man, 4-6 April 1699: On Easter Monday, at the New Theatre in Little Lincolns Inn Fields, will be an entertainment of Dancing, performed by Monsieur Balon newly arrived from Paris. [Betterton's Company. See also 8 April 1699.

Performances

Mainpiece Title: Play Not Known

Event Comment: John Dryden to Mrs Steward, 26 Nov. 1699: If you come up next Week, you will be entertaind with a New Tragedy; which the Author of it, one Mr Dennis, cryes up at an Excessive rate, & Colonel Codrington, who has seen it, prepares the world to give it loud Applauses. Tis calld Iphigenia, & Imitated from Eurypides, an old Greek poet. This is to be Acted at Betterton's House, & another play of the same name, is very shortly to come on the stage in Drury Lane (The Letters of John Dryden, p. 129)

Performances

Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

Event Comment: John Dryden to Mrs Steward, 11 April 1700: Within this Moneth there will be played for my Profit, an old play of Fletcher s, called the Pilgrim, corrected by my good friend Mr Vanbrook; to which I have added A New Masque, & am to write a New Prologue & Epilogue. Southern s tragedy, called the Revolt of Capoua, will be played At Bettertons House within this fortnight. I am out with that Company, & therefore if I can help it, will not read it before tis Acted; though the Authour much disires I shou'd (The Letters of John Dryden, p. 136)

Performances

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: Benefit Betterton. [Genest, II, 309, lists this for 16 May.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: Vocal and Instrumental Music , to be expressed in the large Bills-

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: As17050109Mlle delaVal, Mrs Elford

Event Comment: Benefit Betterton. Admission: 5s., 3s., 2s

Performances

Mainpiece Title: A King And No King

Afterpiece Title: Acis and Galatea

Event Comment: Benefit the Widow of the late famous Tragedian Mr Betterton. At the particular Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Event Comment: [Not Acted these Sixteen Years. Written by Shakespear, and revis'd by the late Mr Betterton

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth; With The Humours Of Sir John Falstaffe Henry Iv, Part Ii

Event Comment: Written by Shakespear, and revis'd by the late Mr Betterton

Performances

Mainpiece Title: Henry Iv, Part Ii

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Event Comment: Benefit Boman. Written by Shakespear. And Revis'd by the late Mr Betterton

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Ivth: With The Humours Of Sir John Falstaff

Dance: Shaw, Desnoye, Thurmond Jr, Mrs Booth, Mrs Younger, Miss Tenoe

Event Comment: Not Acted these Five Years. Alter'd from Shakespear by the late Mr Betterton

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff And Justice Shallow

Event Comment: Alter'd from Shakespear by the late Mr Betterton

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Event Comment: At the particular Desire of several Persons of Quality. Alter'd from Shakespear by the late Mr Betterton. [In Daily Post, 8 Sept., The Spanish Fryar had been announced for this day.

Performances

Mainpiece Title: The Second Part Of King Henry Iv: With The Humours Of Sir John Falstaffe And Justice Shallow

Event Comment: Mainpiece: Alter'd from Shakespear, by the late Mr Betterton. Afterpiece: Composed by Mons Roger

Performances

Mainpiece Title: King Henry The Ivth, Part Ii; With The Humours Of Sir John Falstaff And Justice Shallow

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Event Comment: Benefit Mrs Shireburn and Miss Brett. Mainpiece: Alter'd from Shakespear by Mr Betterton

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Afterpiece Title: The Strolers

Dance: Miss Brett; Gondolier and Courtezan-Master Lally, Miss Brett

Event Comment: Mainpiece: Alter'd from Shakespear by Mr Betterton

Performances

Mainpiece Title: King Henry The Fourth, Part Ii: With The Humours Of Sir John Falstaff And Justice Shallow

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Afterpiece Title: The Beggar's Wedding

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Alter'd from Shakespear, by Mr Betterton

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: For the Entertainment of the Grand Master of the Antient and Hon. Society of Free and Accepted Masons. Alter'd from Shakespear by Mr Betterton

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Event Comment: [Mainpiece: Alter'd from Shakespear by the late Mr Betterton

Performances

Mainpiece Title: The Second Part Of King Henry Iv, Part Ii: With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: [The Strollers

Event Comment: Benefit Wright. For the Entertainment [as 24 April]. Mainpiece: Alter'd from Shakespear by the late Mr Betterton

Performances

Mainpiece Title: Henry Iv, Part Ii

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Afterpiece Title: The Jovial Crew

Music: Concerto by Sig Visconti-Charke, others

Song: II: As17310427

Dance: IV: English Maggot-Rainton, Mrs Walter; V: Gondolier and Courtezan-Young Lally, Miss Brett; End afterpiece: French Gardener and his Mistress-Rainton, Mrs Walter

Event Comment: [Written by Shakespear. With new Scenes and Cloaths. At the Desire of several Persons of Distinction the Pit and Boxes will be put together at 3s. Boxes on the Stage 4s. Gallery 1s. [The Prologue is in The Comedian, No. VII, October 1732, with a long essay on the major theatres of the present season.] Daily Advertiser, 4 Oct.: A very splendid and crowded Audience...testify'd their Approbation both of the Decorations and Performance. The principal Embellishments are as follows: On a large Oval over the Pit is represented the Figure of His Majesty, attended by Peace, Liberty, and Justice, trampling Tyranny and Oppression under his Feet; round it are the Heads of Shakespear, Dryden, Congreve, and Betterton. On the Coving on the Left Hand is painted the Scene of Cato pointing at the dead Body of his Son Marcus; in the Middle, that of Julius Caesar stabb'd in the Senate-House; and on the Right, that of Marc Anthony and Octavia, where the Children are introduc'd in All for Love. On the Sounding-Board over the Stage is an handsome Piece of Painting of Apollo and the Nine Muses. [See also Daily Post, 4 Oct. and Gentleman's Magazine, II (October 1732), 1028.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Event Comment: [Mainpiece: Alter'd from Shakespear by Mr Betterton. At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: [The Devil of a Duke

Dance: [LLes Bergeries-Essex, Houghton, Miss Robinson, Lally Jr, Tench, Davenport, Mrs Walter, Miss Williams, Miss Mears[; but see17320923

Event Comment: Benefit Mrs Charke. Mainpiece: Alter'd from Shakespear by Mrs Betterton. Afterpiece: a new Pastoral of two Acts. [Apparently not printed. Nicoll, Early Eighteenth Century Drama, p. 369, states that it was ascribed to T. Cibber.

Performances

Mainpiece Title: Henry Iv, Part Ii

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Afterpiece Title: Damon and Daphne

Dance: In I of Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

Ballet: In II: A Comic Rural Ballad called The Country Revels. Colin-Essex; Phoebe-Mrs Booth; Yeomen-Lally, Haughton; Yeomen's Wives-Miss Mears, Mrs Walter; Peasants-Lally Jr, F. Tench, Davenport; Peasant Women-Mrs Delorme, Miss Mann, Miss Price

Music: Concerto on the Violin-Charke; Music for two Vox Humanes, a new Invented Instrument-