SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Benj Read"/1) | (@(roleclean,performerclean) "Benj Read")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 174 matches on Event Comments, 78 matches on Performance Comments, 8 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by the famous Benj. Johnson

Performances

Mainpiece Title: The Silent Woman

Event Comment: Written by Benj. Johnson

Performances

Mainpiece Title: The Alchymist

Event Comment: By Desire. Mainpiece: Written by Ben. Johnson. Egmont, Diary, I, 474: I went ... to see the Fox represented, a noted play of Benj. Johnson's

Performances

Mainpiece Title: The Fox [volpone]

Afterpiece Title: The Festival

Performances

Mainpiece Title: Concert

Music: Vocal by Miss Cecilia Young and Miss Isabella Young. Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums

Performance Comment: Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums .

Performances

Mainpiece Title: The Inconstant

Music: Overture to Ariadne. Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns

Performance Comment: Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns .

Dance: I: Le Depit Amoureux by Desse and Mlle Delorme. II: Comic Dance by Nivelon and Mlle De L'Isle. IV: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Norman, Mrs Kilby

Song: I: Chancon a Boire, as17360504. II: The Confession sung by Roberts and Miss Hillyard. III: The opinion of the Ancients, as17360412

Event Comment: Benefit Benj. Field, now under Misfortune

Performances

Mainpiece Title: Concert

Event Comment: Yesterday died Mr Benj. May many years principal Director of Entertainments at king's Theatre (Winston MS 8). Receipts: #150 (Cross); #148 (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Brothers

Performance Comment: Ironsides (with the Original Epilogue)-Wilkinson (of the Theatre-Royal, York); Elder Belfield-Booth; Paterson-Whitfield; Goodwin-L'Estrange; Philip-Robson; Francis-Thompson; Young Belfield-Wroughton; Jonathan-Fearon; Skiff-Wewitzer; Sir Benj. Dove-Quick; Sophia-Mrs Mattocks; Violetta-Mrs Bulkley; Fanny-Miss Dayes; Lucy Waters-Mrs Poussin; Kitty-Miss Valois; Lady Dove-Mrs Green.

Afterpiece Title: The Mayor of Garratt

Dance: As17771222

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Joseph Surface-Marriot; Sir Peter Teazle-Simpson; Sir Oliver Surface-Sidney; Sir Benj. Backbite-Russel; Crabtree-Young; Careless (with a song)-Wilson; Charles-Sterne; Mrs Candour-Mrs Marriot; Lady Sneerwell-Mrs Fowler; Maria-Mrs Simpson; Lady Teazle-Mrs Sterne.

Afterpiece Title: The Citizen

Song: End: The Wedding Day-Wilson

Entertainment: Monologue. Afterpiece to conclude: with an Occasional Address of Thanks-Sidney

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Event Comment: Sir Samuel Tuke's The Adventures of Five Hours was probably intended to have its first performance on this day. The edition of 1663 reads: The Prologue Enters with a Play-Bill in his hands, and Reads, This day being the 15th of December, shall be Acted a New Play, never Plai'd before, call'd The Adventures of Five Hours. [On the other hand, Evelyn, on 23 Dec. 1662, saw a rehearsal of the comedy, and Pepys, 8 Jan.1662@3, refers to a performance on that day as the first one.

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Set to Musick by Mr Arne. [See Daily Post, 13 Nov., and London Evening Post, 13 Nov., for the trial of Harper. Daily Post, 13 Nov.: It was design'd also to prevent the Company acting last Night, by taking away so principal a Performer in the Play, which was advertis'd, he being conrin'd, &c. and his Hearing by Counsel deferr'd till between Five and Six o'Clock; but the Audience being duly acquainted with this Prosecution very kindly accepted Mr Cibber's reading the Part.]

Performances

Mainpiece Title: Henry Iv, Part I

Performance Comment: As17331010, but Hotspur-read by T. Cibber; Northumberland, Douglas, Blunt, Westmoreland, Bardolph, Poins omitted . Northumberland, Douglas, Blunt, Westmoreland, Bardolph, Poins omitted .
Cast
Role: Hotspur Actor: read by T. Cibber

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Performances

Mainpiece Title: The London Merchant

Performance Comment: George Barnwell-Bennald; Thorowgood-Wolf; Barnwell Sr-Morton; Trueman-Pain; Blunt-Carpenter; Maria-Mrs Morton; Lucy-Mrs Read; Millwood-Mrs Phebe .
Cast
Role: Lucy Actor: Mrs Read

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Walker; Lady Loverule-Mrs Morton; Jobson-Bennald; Nell-Mrs Phebe; Butler-Mellish; Lucy-Mrs Read .
Cast
Role: Lucy Actor: Mrs Read
Event Comment: Benefit the Author of the Farce. Afterpiece: a Farce. [Author not known.] Preface to edition of 1737: The Misrepresentation of this little Piece upon the Stage, and the proper Indifference with which it was received by the Audience, made it necessary, for my Reputation sake, to publish it with all convenient Expedition. My Friends, who had read the Thing, did not know it again, it was in so disastrous a Plight; and they that had not read it (from a Prepossession in my Favour) imputed its Aukwardness to the Mismanagement, or Incapacity of the Players

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Author's Triumph; or, The Manager Manag'd

Dance: End Afterpiece: Pierrots-Vallois, Delagarde

Song: II: Dialogue by Purcell-the Masters Hamilton; III: Miss Jones; IV: Singing in Italian-Mrs Chambers

Event Comment: EEgerton 2320: Receipts: #80. Mr Cibber ill at Kingston, Tom read by Mr Machlin hiss'd when he first came on; but was applauded at last having read it tolerably well

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Beard; Phillida-Mrs Clive; Arcas-Winstone; Corydon-Turbutt; Cymon-Ray; Mopsus-Read.
Cast
Role: Mopsus Actor: Read.

Dance: Muilment

Performances

Mainpiece Title: Aesop

Performance Comment: As17381108, but Roger-Read.
Cast
Role: Roger Actor: Read.

Afterpiece Title: The Harlot's Progress

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17390310 but Clodio-Woodward; Antonio-Turbutt; Sancho-Read.
Cast
Role: Sancho Actor: Read.

Afterpiece Title: Harlequin Shipwreck'd

Performances

Mainpiece Title: Cato

Afterpiece Title: Harlequin Shipwreck'd

Performance Comment: As17390310 but Egg Woman-Read.
Cast
Role: Egg Woman Actor: Read.

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17381212, but Citizens-Johnson, Griffin, Macklin, Woodward, Read.

Afterpiece Title: Harlequin Shipwreck'd

Event Comment: AA Compleat List (1747), pp. 182-83: [After some resentment at Quin's refusing a part in Fatal Retirement, 12 Nov.]. When coming on one Night to play the Part of Pierre...and he was treated in the same Manner, he came forward, and speaking to the Audience said, 'That he had met with Insults of that kind for several Nights past, and that he judged they came from the Friends of the Author of a Play lately acted at that House, called Fatal Retirement; that the Author of it desired him to read it before it was acted, which he did, at his Requests, and likewise, at his Request, gave him his sincere Opinion of it, which was, that it was the very worst Play he had read in his Life; and therefore he had refused to act a Part in it, &c.' After his Speech was ended, he found a thundering Applause from the Audience, and went thro' the whole Play without any farther Disturbance. But we ought not entirely to form out Judgment of its being the very worst Play, from what this Gentleman was pleased to say of it, in the Heat of his Resentment for being ill-treated; nor wonder that an Audience should applaud a Sentence which condemned an Author, at a Time when it was the Fashion to condemn them all, right or wrong, without being heard; and when Parties were made to go to new Plays to make Uproars, which they called by the odious Name of The Funn of the first Night. For the Afterpiece, A Compleat List, p. 183: And on the very Night I am speaking of it, at the End of the Play, was acted for the first [second] Time a new Farce, called, An Hospital for Fools, of which one single Word was not heard that the Actors spoke, the Noise of these First-Night Gentlemen was so great; however, the Actors went thro' it, and the Spectatbrs might see their Mouths wag, and that was all

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: An Hospital for Fools (being generally Insisted on by last Night's Audience)

Song:

Dance: As17391116

Event Comment: [M$Milward unable to perform, his part was read by Cibber Jun.] Rylands MS.: Cibber read Hamlet. Receipts: #50

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Shipwrecked

Song: I: Happy Pair-Beard; III: a Ballad-Lowe

Dance: II: A Concerto, as17420105; IV: The Italian Peasants, as17411205