SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bells British Theatre"/1) | (@(roleclean,performerclean) "Bells British Theatre")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2604 matches on Event Comments, 540 matches on Performance Comments, 181 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author. Receipts: money #45 3s. 6d; tickets #179 1s. British Journal, 3 March: On Monday last, which was the Third Day, there was the greatest Audience ever known at either Theatre....'Tis thought the Author will get upwards of a Thousand Pounds by this Play

Performances

Mainpiece Title: Mariamne

Event Comment: Rich's Register: Dismiss'd at a very full House by reason Mrs Seymour wou'd not Act for the Benefit fo Mr Ch. M. Rich. Abt #200 in Money and Tickets. British Journal, 23 March: As they were performing...Mariamne...before a Crowded Audience, the Celebrated Mrs Seymour was suddenly taken ill, and the Money return'd to the Value of 150 Pounds

Performances

Mainpiece Title: Mariamne

Event Comment: Daily Post, 30 Nov.: Harlequin Doctor Faustus...meets with universal Approbation. The Incidents are taken from the old History of the doctor and several Tricks supposed to be done by the Power of the Black Art, art executed in a very surprising Manner, and the last Grand Scene is superior in Magnificence to any thing that has ever yet appeared on the British Stage

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Benefit Brown, Buchanan, Richards, Sparkling. [The Prologue was printed in British Journal, 29 Feb.

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: The Adventures of Half an Hour

Afterpiece Title: The Plots of Harlequin

Event Comment: Benefit Chetwood. By Their Royal Highnesses' Command. N.B. Tickets given out for The Merry Wives of Windsor will be taken at this Play. [See Daily Post, 3 Aug., for Penkethman's celebration at Richmond on 1 Aug., the anniversary of the Hanoverian succession to the throne, and British Journal, 8 Aug., for an account of William Marshall, of lif, as an anti-Hanoverian demonstrator on 1 Aug.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Stage Coach

Dance: Drunken Man-Harper

Song:

Event Comment: WWeekly Journal or British Gazetteer, 28 Nov. Before many Persons of distinction, was acted the Adelphi of Terence....The Epilogue is printed in that issue

Performances

Mainpiece Title: Adelphi

Event Comment: Written by the late Mr Wycherley. [See Weekly Journal or British Gazetteer, 2 Oct., for lines on the death of Penkethman.

Performances

Mainpiece Title: The Country Wife

Dance: HHussars-Thurmond, Mrs Booth; Passacaile-Miss Robinson; La Folete, as17250928

Event Comment: Receipts: #102 7s. For comments on recent plays, see Mist's, 12 Feb., and British Journal, 12 Feb

Performances

Mainpiece Title: The Rover

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Event Comment: Written by Mr Congreve. [For an essay on the stage, see Weekly Journal or British Gazetteer, 10 Sept.

Performances

Mainpiece Title: The Old Batchelor

Music: Between Acts: Select Pieces-

Dance:

Event Comment: By His Majesty's Command. By the Italian Company of Comedians newly arriv'd. Pit and Boxes together by tickets only at 4s. Gallery 2s. N.B. Whereas the Number of Subscribers for this Company that are in Town, is very little, some of the first Representations will not be on thair Account. Weekly Journal or British Gazetteer, 1 Oct.: Last Wednesday Night his Majesty and their Royal Highnesses the Prince and Princess of Wales, together with great Numbers of the Nobility and Persons of Distinction...saw the Comedy...The Faithful Wife

Performances

Mainpiece Title: The Faithful Wife; Or, Arlequin Strip'd, Sentry, Brave, Coward, Terrour Of The Turks, And Judge Of His Own Cause

Dance: Monsieur Poictier, others

Event Comment: For a letter on opera, see Weekly Journal or British Gazetteer, 25 Feb

Performances

Mainpiece Title: Admetus

Event Comment: For an essay on opera, see British Journal, 4 March

Performances

Mainpiece Title: Admetus

Event Comment: Benefit Mrs Younger. Receipts: #42 9s.; tickets #123 5s. Probable attendance: boxes, 42 by money and 226 by tickets; stage, 12 by money; pit, 75 by money and 255 by tickets; slips, 5 by money; first gallery, 92 by money and 285 by tickets; second gallery, 40 by money. [For a letter on pantomime, chiefly at lif, see Weekly Journal or British Gazetteer, 11 March.

Performances

Mainpiece Title: The Recruiting Officer

Dance: WWooden Shoe Dance-Nivelon; Louvre-Glover; Two Pierrots-Nivelon, Poitier; Scotch Dance-Mrs Bullock; French Sailor-Salle, Mlle Salle

Event Comment: At the particular Desire of several Ladies of Quality. [For letter on pantomime, see British Journal, 18 March.

Performances

Mainpiece Title: Mithridates, King Of Pontus

Afterpiece Title: Harlequin's Triumph

Event Comment: Benefit Leveridge. Receipts: money #33 17s.; tickets #58 7s. Probable attendance: boxes, 66 by moeny and 106 by tickets; P1t, 69 by money and 167 by tickets; slips, 6 by money; first gallery, 33 by money and 68 by tickets; second gallery 13 by money. Weekly Journal or British Gazetteer, 15 April: Wednesday died Mr Diggs, a noted Actor at the New Play-House

Performances

Mainpiece Title: Camilla

Dance: TTwo Pierrots-Nivelon, Poitier

Event Comment: On this occasion the partisans of Signora Cuzzoni and Signora Faustina prec1pitated hissing, catcalls, and other disturbances. For details, see British Journal, 10 June; Mist's, 10 June; Craftsman, 10 June; and Ilchester, pp. 18-19

Performances

Mainpiece Title: Astyanax

Event Comment: For a letter concerning dl, see Weekly Journal or British Gazetteer, 10 Feb

Performances

Mainpiece Title: The Provok'd Husband

Event Comment: Receipts: #179 4s. Probable attendance: boxes, 214 paid and 1 order; stage, 51 paid; pit, 297 paid and 2 orders; slips, 66 paid; first gallery, 426 paid; second gallery, 198 paid. [For a letter on this play, see Weekly Journal or British Gazetteer, 30 March.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Written by Shakespear. [For a brief comment on this performance, see Weekly Journal or British Gazetteer, 27 Sept.

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: WWeekly Journal or British Gazetteer, 11 July: On Tuesday Night last, some Rogues broke into the Wardrobe...in Drury-Lane, and stript Gold and Silver Lace off the Cloaths, to the Value of between 20 and 30 Pounds

Performances

Event Comment: For an essay on the stage, see British Journal, 5 and 12 Dec

Performances

Mainpiece Title: Medea

Performances

Mainpiece Title: Parthenope

Performance Comment: See British Journal, 9 Jan., for an essay on operas.
Event Comment: See Universal Spectator, 13 Feb., for an essay on a rehearsal of The Indian Empress, forthcoming at hay, and British Journal, 13 Feb., for a discussion of some new plays of the season

Performances

Event Comment: Thomas Gray to Horace Walpole, 3 Jan.: I went to King Arthur last night, which is exceeding fine; they have a new man to supply Delane's place, one Johnson, with ye finest person & face in the world to all appearance; but as awkward, as a Button-maker; in short, if he knew how to manage his Beauties to advantage, I should not wonder, if all the Women run mad for him: the inchanted part of the play, is not Machinery, but actual magick: the second scene is a British temple enough to make one go back a thousand years, & really be in ancient Britain: the Songs are all Church-musick, & in every one of ye Chorus's Mrs Chambers sung ye chief part, accompanied with Roarings, Squawlings & Squeakations dire. Mrs Giffard is by way of Emmeline, & should be blind, but, heaven knows! I would not wish to see better than she does, & seems to do; for when Philidel restores her to sight, her eyes are not at all better than before; she is led in at first, by a Creature, yet was more like a Devil by half, than Grimbald himself; she took herself for Madame la Confidente, but every body else took her to be in the Circumstances of Damnation: when Emmeline comes to her sight, she beholds this Mrs Matilda first, & cries out Are Women all like thee? such glorious Creatures! which set the people into such a laugh, as lasted the whole Act: the Frost Scene is excessive fine; the first Scene of it is only a Cascade, that seems frozen: with the Genius of Winter asleep & wrapt in furs, who upon the approach of Cupid, after much quivering, & shaKing sings the finest song in the Play: just after, the Scene opens, & shows a view of arched rocks covered with Ice & Snow to ye end of ye Stage; between the arches are upon pedestals of Snow eight Images of old men & women, that seem frozen into Statues, with Icicles hanging about them & almost hid in frost, & from ye end come Singers, viz: Mrs Chambers, &: & Dancers all rubbing their hands & chattering with cold with fur gowns & worsted gloves in abundance. Gray, Correspondence, I, 36-37

Performances

Mainpiece Title: King Arthur

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear. Afterpiece: Written by the Author of the Toy Shop. Weekly Journal or British Gazetteer, 26 Feb.: On Monday Night last a great Disturbance happened at Drury-lane Play-house, occasioned by a great Number of Footmen, who assembled themselves in a riotous and tumultuous Manner, with great Outcries of burning the House, unless they were immediately admitted into what they call their Gallery; and in order to strike a Terror, they began to hew down the Door of the Passage which leads to the said Gallery, of which Col. Deveil, who was then in the House, had immediate Notice, and thereupon came out where they were thus assembled, and notwithstanding they threatened to knock his Brains out, he read the Proclamation to them, admonish'd them to retire, and desist from so unlawful an undertaking. [The footmen soon withdrew.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The King and the Miller of Mansfield