SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Augustus von Kotzebue"/1) | (@(roleclean,performerclean) "Augustus von Kotzebue")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 229 matches on Author, 36 matches on Event Comments, 9 matches on Performance Comments, 2 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Red cross Knights

Related Works
Related Work: Die Räuber Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: The Red cross Knights

Related Works
Related Work: Die Räuber Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Red cross Knights

Related Works
Related Work: Die Räuber Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Red cross Knights

Related Works
Related Work: Die Räuber Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Red cross Knights

Related Works
Related Work: Die Räuber Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Castle Of Sorrento

Afterpiece Title: The Red Cross Knights

Related Works
Related Work: Die Räuber Author(s): Johann Christoph Friedrich von Schiller

Performances

Mainpiece Title: I Due Fratelli Rivali

Related Works
Related Work: I Due Fratelli Rivali Author(s): Peter von winter

Dance: End I: Hylas et Temire-[see18000128]; End Opera: Les Jeux d'Egle, as18000111, but Mlle J. _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot

Performances

Mainpiece Title: I Due Fratelli Rivali

Related Works
Related Work: I Due Fratelli Rivali Author(s): Peter von winter

Dance: End I: Hylas et Temire, as18000218; End Opera: Les Jeux d'Egle, as18000211

Performances

Mainpiece Title: I Due Fratelli Rivali

Related Works
Related Work: I Due Fratelli Rivali Author(s): Peter von winter

Dance: End I: a new Divertissement Ballet (composed by D'Egville) Le Mariage Mexicain-Principal Dancers see18000301 End Opera: Les Jeux d'Egle, as18000211

Performances

Mainpiece Title: I Due Fratelli Rivali

Related Works
Related Work: I Due Fratelli Rivali Author(s): Peter von winter

Dance: End I: A New Divertisement, as18000204; End Opera: Hyppomene et Atalante, as18000304

Performances

Mainpiece Title: I Due Fratelli Rivali

Related Works
Related Work: I Due Fratelli Rivali Author(s): Peter von winter

Dance: As18000304

Performances

Mainpiece Title: I Due Fratelli Rivali

Related Works
Related Work: I Due Fratelli Rivali Author(s): Peter von winter

Dance: As18000304

Performances

Mainpiece Title: Athelwold

Afterpiece Title: Cupids Friendship

Dance: As17710311 Dancing in demi@character-Von, his first appearance in England

Event Comment: The Duke's Company. The Journal of Baron von Schwerin, [14 June 1674 NS (?)], 4 June 1674 OS: (translation) Attended an English play, [The Tempest], or the Enchanted Island, which because of the changing of the scenes was well worth seeing (in Gesandtschafts-Berichten des Ministers Otto von Schwerin [Berlin, 1837], p. XXII). See also 16 May 1674

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: A Medley Concert Or An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: With a Lilliputian Pantomime calldHarlequins Frolic or A Voyage to Prussia

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: A variety of entertainments as17570902 as17570908 as17570912; An Address-Mr Cibber; Hooley and Fairley, A Scotch Song-Lauder; Blind Man's Buff-Lilliputians; A Concerto for French Horns-; The Comic Lectures-Mr Cibber; Music-; The Taylors-Master Settree, Miss Twist; An Auction-Mr Cibber; Italian Air-Signora Mimicotti; Bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Marine Boys Marching to Portsmouth-; +Hornpipe-Morris, Miss Durham; Handel's Water Music, Preamble on Kettle Drums-; Comic Epilogue-Miss Midnight; Voluntary on the Cymbalo-Mr Noel Sr; Favourite English Song-Miss Gaudry; Kitty or the Female Phaeton-Miss Gaudry; Dialogue-Mr Gaudry, Miss Gaudry; The Lark Concerto-Mr Gaudry; Country Lass-Miss Valois; What's That to You?-Lauder; Oration-Miss Midnight; Cuckow Overture-; Singing-Sadler; Dutch Peasant-Miss Valois; Louvre, Minuet-Froment, Madam Dulisse; with the addition of La Bergere-Miss Vallois (scholar to Mr LaCointe); a new Scots Dance-Froment, Mlle Dulisse; an Epi@congee-Cibber; Alli Croker a comic dance-Miss Valois.

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570928, but to begin with Grand Overture with French Horns-; Kitty-Miss Gaudry; Oratory-Miss Midnight; Scots Songs-Lauder; New Comic Lectures-Cibber; Les Tailleurs a new pantomime dance-Master Settree, Miss Twist; Scots Dance-Froment, Mme Dulisse; Italian Air-La Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado (as17570902); Acrobatics-Maddox; The Drunken Peasant, Irish Landlord and Landlady-Jolly, Settree, Mme Dulisse; Brown Beer of England-Lauder; Hornpipe-Morris.

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: The World As It Goes Or A Party At Montpelier

Performance Comment: Principal Characters-Lewis, Lee Lewes, Quick, Wilson, Edwin, Wewitzer, Peile, L'Estrange, Egan, Mrs Mattocks, Mrs Webb, Mrs Inchbald, Mrs Morton, Miss Ambrose, Miss Platt, Mrs Davenett, Miss Younge. Cast from Morning Herald, 26 Feb.: Sir Charles Danvers-Lewis; Fairfax-Lee Lewes; Grub-Quick; Col. Sparwell-Wilson; Bronze-Edwin; von Irkin-Wewitzer; Le Rouge-L'Estrange; Murtagh-Egan; Mrs Sparwell-Mrs Mattocks; Molly Grub-Mrs Webb; Sidney Grub-Mrs Inchbald; French Countess-Miss Ambrose; Lady Danvers-Miss Younge; unassigned-Peile, Mrs Morton, Miss Platt, Mrs Davenett; Larpent MS lists the parts as above, and adds: Monk-; Le Gout-; Will-; Landlord-; Jervis-; Abbess-; Nell-; Child-; Prologue-Lee Lewes; Epilogue-Miss Younge.
Cast
Role: von Irkin Actor: Wewitzer

Afterpiece Title: The Jovial Crew

Performances

Mainpiece Title: Second Thoughts Are Best

Performance Comment: Principal Characters by Lewis, Lee Lewes, Quick, Wilson, Edwin, Wewitzer, Robson, Miss Younge, Mrs Mattocks, Miss Satchell, Mrs Wilson, Mrs Morton, Miss Platt, Mrs White, Mrs Davenett, Miss Langrish, Mrs Yates; [Cast adjusted from playbill of 24 Feb. and from London Chronicle, 26 Mar.: Sir Charles Danvers-Lewis; Fairfax-Lee Lewes; Grub-Quick; Col. Sparwell-Wilson; Bronze-Edwin; von Irkin-Wewitzer; Le Rouge-Robson; Molly Gurb-Miss Younge; Mrs Sparwell-Mrs Mattocks; Sidney Grub-Miss Satchell; French Countess-Mrs Wilson; Lady Danvers-Mrs Yates; [Mrs Morton, Miss Platt, Mrs White, Mrs Davenett, Miss Langrish are unassigned.] Prologue-Lee Lewes.
Cast
Role: von Irkin Actor: Wewitzer

Afterpiece Title: The Upholsterer

Dance: As17801107

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Event Comment: Benefit Woodward. Mainpiece: An Historical Play, never acted there before [see 20 March 1738]. At the Particular Desire of several Persons of Quality. As written by Shakespear. Containing the wars of Cymbeline with the Romansr, in the reign of Augustus Caesar; the various distresses and Adventures of Imogen the King's Daughter; the noble repulse the Romans met with, on their invading Britain; their defeat, and many other historical passages. Ladies are desired to send their servants early to prevent mistakes. To be Lett, and enter'd upon on Monday next, the 7th instant Commodious Places in the Front and Upper Boxes...for the excellent reviv'd play of Shakespear... For further Particulars enquire of Mr Woodward, at his house near the theatre [in advance bills]

Performances

Mainpiece Title: Cymbeline King Of Britain

Afterpiece Title: The Royal Chace

Dance: BBird Catchers-Cooke, Sga Campioni

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Public Advertiser: When the Disturbances of the Theatre at Rome, in the Days of Augustus, caus'd several Tumults, the Emperour interpos'd and pronounc'd the Sentence of Banishment on a very great Actor, for whose Sake these Disturbances were made. He observ'd at the same Time, that the Stage had a strong Tendency to disturb all as well as to amuse the People. The Actor said, with great Spirit, "'Tis for your Interest, Caesar, that they shoul d be amus'd any Way." The Civil War of England, 1641, did not commence 'til the Playhouses were shut. People are never more discontented than when depriv'd of their Favourite Diversions

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth