SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Antient and Honorable Fraternity of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Antient and Honorable Fraternity of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 263 matches on Event Comments, 146 matches on Performance Title, 66 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Smith. Mainpiece: not acted these 4 years. No building on stage. Receipts: #60 12s. 6d. plus tickets #222 5s. (boxes 458; pit 605; gallery 170). Charges #63. Mr Robt. Lewis came in for 1 share (Account Book). [Smith advertised, and it appeared his house at his benefit was too full & [there was] confusion in getting to places (Winston MS 8). See Smith's note in Public Advertiser, 16 March.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Ryan; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-White; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo; Volumnia-Miss Condill; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation after the manner of the Antients.

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Brutus-Davis; Sicinius-Casey; Minucius-Perry; Titus-DuBellamy; Tullus-Clarke; Galesus-Hull; Volusius-Gardner; Plebians-Barrington, Cushing, Dunstall, Stoppelaer, Quick; Volumnia-Miss Macklin; Veturia-Mrs Bellamy; In which will be introduced a Roman Ovation- after the manner of the Antients.

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Performance Comment: End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.], descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.]
Event Comment: Benefit for Mahoon. [The Young Gentlewoman who played Polly would seem to have been Miss Groce. See 25 May.] Charges 1!2 #32 2s. 6d. Mahoon to accept 1!2 Receipts. A balance due him of #25 7s. plus #39 7s. from Tickets (Box 111; Pit 42; Gallery 53) (Account Book). [Mrs Dyer seems to have shared this night, who in lieu of paying half the charges accepted only half the value of the tickets she disposed of. She received #18 17s. as one-half value of 43 Box tickets; 101 Pit; 118 Gallery.] Paid Danl Gyles [or Dancer Gyles?] in consideration of his assigning over Miss Parfett's Indentures...#78 15s. Receipts: #114 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Dance: II: The Irish Lilt, as17670921

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Proteus Actor: Holland
Role: Terpsichore Actor: Mlle St.Amand
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: and Amphitrite Actor:
Role: and Proserpine Actor:
Role: and Eacus Actor:
Role: Nymphs and Swains Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: Grand Chorus Actor:

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Not Acted these Two Years. Weekly Journal or Saturday's Post, 2 Aug.: Some Days ago [23 July] Mr Keene, and eminent Tragedian, and one of the Masters of the Theatre in Lincoln's-Inn-Fields, riding in the Country, his Horse being unruly, threw him, and so bruised him that he died in two Days [on 25 July]. He was decently buried last Wednesday [30 July] in the Vault under St. Clement's Church, where lie the Bodies of Mr Mountfort, Mr Harden, Mr Powell, and others of his Fraternity

Performances

Mainpiece Title: Bonduca; Or, The British General

Afterpiece Title: Hob

Music: Mainpiece: With the Original Musick by the late Mr Henry Purcell-

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Rosco
Role: Mrs Sealand Actor: Mrs James
Role: Isabella Actor: Mrs Bland

Afterpiece Title: Orpheus and Eurydice

Event Comment: Admission as 10 March. N.B. The Noble and Honorable Subscribers to the French Comedians, are humbly intreated to pardon the Omission of sending them Tickets on Thursday last, it having proceeded merely from a Mistake, which shall be prevented for the future, and each one shall have a perpetual Ticket sent to him on Tuesday next

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

Event Comment: Benefit Willis. For the Entertainment of the Honorable Lumber Troop. 6 p.m. 5s

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: Receipts: #52 18s. Gave the Prince of Wales's serv't [his usual fee] 10s. 6d. Receiv'd of the Prince of Wales by the hands of the Honorable the Earl of Bute, Groom of the Stole, #31 10s. [payment, perhaps, for the Royal Box the night of 5 Nov. and for other command performances this season.] (Account Book)

Performances

Mainpiece Title: Oroonoko

Cast
Role: Blandford Actor: Ridout
Role: Governor Actor: Anderson

Afterpiece Title: A Duke and no Duke

Cast
Role: Barbarino Actor: Anderson

Dance: JJovial Coopers, as17571107

Event Comment: Benefit By Desire of the most noble Grand of the Honorable Order of Select Albions, for their Brother Hurst, and Mr Evans (subtreasurer). Tickets deliver'd for The Orphan will be taken. The Orphan deferr'd on account of Barry's Indisposition

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Hermit

Song: End: The Albion Song-Vernon

Event Comment: By Desire of the Most Noble Grand of the Honorable Order of Select Albions. For the Benefit of their Brother Hurst, and Mr Rooker. N.B. The Grand of the Albion Lodge desires his officers to meet him at the Rose Tavern in Bridges St., at 5 o'clock, to proceed from thence to the front boxes, in procession, with the Ensigns of their Order. The company of any other of the Brethren will be esteemed a favour, to join the Grand and Officers--Care will be taken to preserve Places in the Boxes for the Ladies belonging to the members of this Society (playbill)

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Sir William Evans Actor: Holland

Afterpiece Title: Fortunatus

Song: End: The Albion Song-Vernon

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland
Event Comment: Composed by Mr Handel. With all the Grand Chorus's, Scenes, Machines, and other Decorations, being the first Time it ever was performed in a Theatrical Way. Pit and Boxes at 5s. Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Acis And Galatea

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. The Habits and Decorations entirely New. 5s., 3s., 2s. 7 p.m. [The Duke and the Princess Amelia present.

Performances

Mainpiece Title: Opera Of Operas

Entertainment: TThe Crowing of the Cock-a Gentleman for his Diversion

Dance: new dance (by Dew dance (by Desire)-Jones to the 5th Concerto of Vivaldi, which he accompanies himself upon the Violin, the first time of his performing it in public

Event Comment: In Three Acts. Set to Musick after the Italian Manner by Mr John Frederick Lampe. Daily Advertiser, 8 Nov.: The Arrival of his Highness the Prince of Orange, indeed, prevented many Persons of Quality from being there, who had taken Boxes; but 'tis presum'd it cannot fail of Success and Encouragement notwithstanding

Performances

Mainpiece Title: The Opera Of Operas

Performance Comment: Tom Thumb-Master Kilburn, the first time of his appearance on any stage; King Arthur-Stoppelaer; Dollalolla-Mrs Clive; Merlin-Nichols; Noodle-Mountier; Doodle-Snider; Foodle-Rainton; Parson-Snider; Bailiff-Rainton; Follower-Nichols; Cleora-Miss Atherton; Mustacha-Miss Palms; Grizzle and Ghost of Gaffer Thumb-Waltz; Huncamunca-Mrs Mason; Glumdalca-Topham, who never appeared on any stage before .

Dance:

Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Performance Comment: Cast not listed, but edition of 1734 lists: Lovewell-Marshall; Squire Trelooby-Bridgwater; Tradewell-Norris; Wimble-Mechlin; Physicians-Mullart, Hallam; Apothecary-Jones; 1st Musician-Nichols; 2d Musician and Shepherd-Stoppelaer; Julia-Mrs Cooper; Nerina-Mrs Mullart; Lucetta-Mrs Herle; Shepherdess-Mrs Mason. With the Original Prologue by Dr Garth .

Afterpiece Title: The Sham Pilgrims

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: Cupid and Psyche; or, Colombine Courtezan

Performance Comment: Pierrot-Poitier, the first time of his appearing on this stage; Neptune-Turbutt; Mars-Hewson; Pluto-Jones Jr; Vulcan- Rainton; Juno-Mrs Cooper; Pallas-Mrs Elmy; Diana-Miss Palms; Ceres-Mrs Herle; Jupiter-Nichols; Apollo-Snider; Mercury-Mountier; Bacchus-Waltz; Cupid-Master Kilbourn; Venus-Mrs Mason; Vertumnus-Lally Sr; Pomona-Mrs Walter; Psyche-Miss Young; Ganimede-Miss Norris; Swain-Poitier; Nymph-Mlle Grognet; Pan-Le Brun; Sylvans-S. Lally, Davenport, Topham; Nymphs-Miss Delorme, Mrs Davenport, Mrs Anderson; Satyrs-Warwell, Leigh, Olbeldiston, Hicks, Burnet, Bethun; Pan-Le Brun; Spaniard-Stopelar; Harlequin-Le Brun; Colombine-Mrs Clive; Maid-Miss Atherton; Lovers of Colombine: Mynheer Bassoon-Waltz; Sig Treblini-Mountier; Mons Quadrille-Giles (Daily Advertiser) or Hewson (Daily Journal); Plumb-Topham; Coblers-Hicks, Leigh, Olbeldiston, Burnet; Old Woman-Mullart .

Entertainment: [Author unknown.] With new Habits, Scenes, Machines, and other Decorations

Performance Comment: ] With new Habits, Scenes, Machines, and other Decorations .

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Love and Glory

Music: Select Pieces between the Acts

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by Ben. Johnson. Afterpiece: With Additions and Alterations

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Cupid and Psyche

Performance Comment: Cupid-Mrs Barbier; Psyche-Miss Arne; Venus-Mrs Chambers, the first time of her appearing on that stage; Jupiter-Stoppelaer; Apollo-Mountier (Daily Advertiser) or Kelly (Daily Journal); Mercury-Kelly (Daily Advertiser) or Mountier (Daily Journal); Ganimede-Master Arne; Vertumnus-Lally Sr; Pomona-Mrs Walter; Bacchus-Waltz; Neptune-Raftor; Mars-Winstone; Pluto-Fife; Vulcan-Rainton Jr; Juno-Mrs Mason; Pallas-Mrs Elmy; Diana-Miss Palms; Ceres-Miss Jones; Pan-Nivelon; Endimion-Essex; Sylvans-S. Lally, Davenport, Holt; Nymphs-Mrs Delorme, Mrs Davenport, Mrs Anderson; Satyrs-Topham, Wright, Leigh, F. (Daily Advertiser) or H. (Daily Journal) Tench, Bethun, Grey; Pierrot-Poitier; Polander-Nivelon; Harlequin-Le Brun; Colombine-Miss Mann; Colombine's Maid-Mrs Charke; Old Woman-Mullart; Lovers of Colombine: Mynheer Bassoon-Rainton; Sig Treblini-Mountier; Mons Quadrille-Cross; Plumb-Turbutt; Sailors-S. Lally, F. Tench, Davenport, Holt .
Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Performance Comment: Britannia-Mrs Barbier; Venus-Mrs Cibber (late Miss Arne); Mars-Waltz; Mercury-Master Arne; Pallas-Miss Jones; Graces-Mrs Mason, Miss Young, Miss Oates; Shepherds-Roberts, Snider, Mountier; Followers of Mars-Kelly, Rainton, Topham; Revellers-Essex, Miss Latour; Peasants-S. Lally, Holt; Peasant Women-Mrs D'Lorme, Miss Mann; With Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Swains-S. Lally, Davenport, Holt; Nymphs-Miss Latour, Mrs Delorme, Mrs Davenport .

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Performance Comment: IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England .

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

Performance Comment: II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun .

Performances

Mainpiece Title: Tamerlane

Dance:

Event Comment: At Lee, Yeates Sen & Jun and Warner's Great Tiled Booth, Bowling Green, Southwark. [Prices and description as 24 Aug. bf.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Song: SSailor's Song-Cunningham

Dance: The Three Wild Cats of the Woods; Hornpipe-Adams; The Black Joke-Smith, Mrs Bullock