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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Alice I Perry Wood"/1) | (@(roleclean,performerclean) "Alice I Perry Wood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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758 results for: Keyword - Alice I. Perry Wood
We found 494 matches on Performance Comments, 163 matches on Performance Title, 140 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

626
24 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin Sir William Meadows-Aickin; Hodge-Massey; Eustace (1st time)-Wood Young Meadows-Brett; Lucinda(ist time)-Miss Morris; Margery-Mrs Wells Deborah Woodcock-Mrs Love; Rosetta-Miss Harper .
Cast
Role: Justice Woodcock Actor: Edwin Sir William Meadows-Aickin
Role: Eustace Actor: Wood Young Meadows-Brett
Role: Wood Young Meadows Actor: Brett
Role: Margery Actor: Mrs Wells Deborah Woodcock-Mrs Love
Role: Mrs Wells Deborah Woodcock Actor: Mrs Love

Afterpiece Title: Harlequin Teague

Cast
Role: Catcall Actor: Wood

Dance: End of Act II of mainpiece a Tambourine Dance by Master and Miss Byrn; In afterpiece, as17820817

627
19 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Wood

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17820916, but Sir William Meadows-Webb; Luanda (1st time)-Miss Francis; Margery-Mrs Wilson; Deborah Woodcock-Mrs Webb; Rosetta-Miss Morris .
Cast
Role: Deborah Woodcock Actor: Mrs Webb

Afterpiece Title: Harlequin Teague

Cast
Role: Catcall Actor: Wood

Dance: As17820826

Song: As17820918

628
19 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.
Cast
Role: Kate Actor: Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton

629
02 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Thompson; Hodge-Massey; Carter-Wewitzer; Cook-Painter; Eustace-Wood; Young Meadows-Brett; Lucinda-Miss Morris; Madge-Mrs Wells; Housemaid-Mrs Poussin; Deborah Woodcock-Mrs Love; Rosetta-Miss George (1st appearance on any stage). Prologue as17830531 .
Cast
Role: Justice Woodcock Actor: Edwin
Role: Eustace Actor: Wood
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: The Irish Widow

Dance: End of Act II of mainpiece Dance, as17830531; End of Act I of afterpiece [annother] Dance by Mr and Miss Byrn

630
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mrs Wells; Peachum-Mrs Lefevre; Lockit-Mrs Webb; Ben Budge-Mrs Inchbald; Mat o' th' Mint-Miss Morris; Jemmy Twitcher-Miss Francis; Nimming Ned-Mrs W. Palmer; Filch-Mrs Wewitzer; Lucy-Mr Edwin; Mrs Peachum-Mr Wilson; Jenny Diver-Mr Wood; Mrs Coaxer-Mr Stevens; Mrs Slammekin-Mr Blissett; Sukey Tawdry-Mr Swords; Dolly Trull-Mr R. Palmer; Molly Brazen-Mr Kenny; Mrs Vixen-Mr Massey; Betty Doxy-Mr Painter; Diana Trapes-Mr Wewitzer; Polly-Mr Bannister. hathi.
Cast
Role: Jenny Diver Actor: Mr Wood

Afterpiece Title: Medea and Jason

Cast
Role: Eugene Actor: Wood

Dance: In Act III of 2nd piece Hornpipe by Byrn

631
27 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Cast
Role: Touchwood Actor: Aickin

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-R. Palmer; Brothers-Wood, Riley; Principal Bacchanals-Bannis-ter, Brett; The Lady (with Sweet Echo, accompanied on the hautboy by Foster)-Mrs Bannister; Sabrina and Pastoral Nymph-Miss Morris; Bacchants-Miss Hooke, &c; Euphrosyne and 1st Bacchant-Miss George .
Cast
Role: Brothers Actor: Wood, Riley

Song: As17830613

632
16 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Sga Sestini (1st appearance on that stage); Artaxerxes-Brett; Rimenes-Wood; Artabanes-Bannister; Semira-Miss Morris; Mandane-Miss George .
Cast
Role: Rimenes Actor: Wood

Afterpiece Title: Man and Wife

633
15 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Cast
Role: Woodville Actor: Palmer

Afterpiece Title: The Recruiting Serjeant

Performance Comment: Serjeant-Wood; Countryman-Davies (of CG); Old Woman-Mrs Love; Wife-Miss Morris .
Cast
Role: Serjeant Actor: Wood

Afterpiece Title: The Receipt Tax

Cast
Role: Edward Actor: Wood

Song: End of Act III of mainpiece a favorite song by Miss George. vaudeville. In 2nd piece The Manual Exercise, with the Officer's Salute, &c, by Mrs Wells

634
31 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: Marquis of Lindsey Actor: Wood

Afterpiece Title: The Beggar's Opera (Last Act only)

Performance Comment: Captain Macheath-A Gentleman (1st appearance on any stage [unidentified]); Peachum-Thompson; Lockit-Connell; Mat o' th' Mint-Griffiths; Ben Budge-Loader; Filch-Wood; Lucy-Mrs Henley; Polly-Miss Hemet .
Cast
Role: Filch Actor: Wood

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

635
10 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

636
26 December 1786 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

Performance Comment: [Partial cast from score (Longman and Broderip 1787]), and Morning Chronicle, 27 Dec.: Magicians-Darley, Cubitt; Necromancer-Davies; Harlequin-Brown; Zany-Wewitzer; Ballad Singer-Gaudry (who sang "The American Ballad" [i.e. Yankee Doodle]); Hymen-Mrs Martyr; Colombine-Miss Wilkinson; [Larpent MS also lists: Genius of the Wood-; Animals-; Crier-; Shewman-; Master of the Quay-; Mayor-; Giants-; Judge-; Councillor-; Goaler-; Boatman-; Neptune-; Dr Graham-; Bailiff-; Bacchanal-; Nymphs-.
Cast
Role: Genius of the Wood Actor:

637
14 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Related Works
Related Work: Tit for Tat, or One Dish of his own Chocolate Author(s): Henry Woodward

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Cast
Role: How sweet in the Woodlands Actor: Davies, Miss George
Role: Skirts of a Wood Sweet Echo Actor: Mrs Bannister
Related Works
Related Work: The Northern Inn; or, The Days of Good Queen Bess Author(s): Thomas Heywood
Related Work: A Day at Rome Author(s): Thomas Attwood

638
26 December 1788 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Aladin; or, The Wonderful Lamp

Performance Comment: Harlequin-Boyce; Pantaloon-Cubitt; Lover-Farley; Clown-Letteney; Taberino-Rock; Zozeb-Master Simmons; Wood Cutter-Bonville; Undertaker-Stevens; Pierrot-Delpini; Aladin's Mother-Mrs Davenett; Pantaloon's Wife-Mrs White; Colombine-Mrs Goodwin; The Vocal Parts-Blanchard, Davies, Bernard, Darley, Mrs Martyr.
Cast
Role: Wood Cutter Actor: Bonville

Dance: In Afterpiece: Byrne, King, Ratchford, Mrs Watts, Mrs Lloyd, Mrs Ratchford. [Included, as here assigned, in all subsequent performances.

639
04 January 1796 @ Covent Garden

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Cast
Role: The Witch of Sherwood Actor: Mrs Martyr

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: which changes to the Town Stocks in which they are Actor: Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: The story of the Pindar of Wakefield Actor: the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: Robin and his pursuers in full chace Actor: the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: Pollard Wood Song Actor: Mrs Clendining
Role: The Witch of Sherwood Actor: Mrs Martyr

640
15 March 1796 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequin's Treasure 0; or, Jewels New Set

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.
Cast
Role: A Dark Wood Actor:

641
24 October 1796 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Cast
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

642
22 June 1758 @ Drury Lane Theatre

Event Comment: We play'd the Beggar's Opera & ye Oracle by Children for the Benefit of some distress'd Actors who formerly belong'd to the Theatres. There was #102 in the House, the following Persons receiv'd from it Mr Marshall #23. Mr Morgan #21. Mrs Edgerton #5 5s. Mr Bowman #5 5s. Mr Phenix #10 10s. Mrs Gardner (formerly printer to ye house) #2 2s. N.B.: Mrs Clive refus'd to play her part of Lucy , it was done by Miss Young. New performers engag'd Y: Fletewood, Obrien, Packer, Perry, Miss Glen (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

643
03 January 1759 @ Drury Lane Theatre

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Perry; Seleucas-$Burton.] Receipts: #200 ($Cross">Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Performances

Mainpiece Title: Antony And Cleopatra

Performance Comment: Antony-Garrick; Enobarbus-Berry; Pompey-Havard; Eros-Davies; Diomede-Bransby; Agrippa-Packer; Canidius-Austin; Alexas-Ackman; Menas-Burton; Dercetas-Reinhold; Officer-Scrase; Octavius Caesar-Fleetwood; Lepidus-Blakes; Thyreus-Holland; Dolabella-Mozeen; Octavia-Mrs Glen; Charmion-Mrs Hippisley; Iras-Miss Mills; Cleopatra-Mrs Yates; The Bacchanalian Song-Beard, Champnes.
Cast
Role: Octavius Caesar Actor: Fleetwood

644
05 November 1766 @ Covent Garden

Event Comment: Paid Mrs Perry for walking 6 nights in the Coronation #1 10s.; Paid Mr Cooper, Printer #41 16s. (Account Book). Receipts: #110 9s. 6d. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Coronation

645
06 April 1769 @ Covent Garden

Performances

Mainpiece Title: Cyrus

Performance Comment: As17681221, but Perry, _Clarke (playbill); Clarke remains (Public Advertiser).

Afterpiece Title: Harlequin Skeleton

646
25 May 1769 @ Covent Garden

Event Comment: The Last time of the Company's performing this season. The Oxonian in Town, cannot be perform'd on account of the indisposition of a performer. Doors open at Half past 5. To begin at Half past 6. [Account Book indicates the following as paying up their deficiencies or half value of tickets: Perry, Gardner, Legg, Mrs Lampe and Mrs Jones, Wignell, Barnshaw, Wild, Mrs Hartle, Miss Brown, Ellis and Sherratt. Master Harris receiv'd #5 5s. for his performances this season. The Salary list for 25 May, recording payments for a ten day Period, amounted to #639 2s. 2d., or about #63 per day. Basic house charges of #63 may have been based on this salary figure, with the extras of candles, music, wardrobe, &c. added. See 6 June.] Receipts: #67 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Cast
Role: Apprentice Actor: Woodward

Dance: End: The Merry Sailors, as17680920

647
26 December 1770 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Cast
Role: Truman Actor: Perry
Role: Millwood Actor: Mrs Mattocks, first time

Afterpiece Title: Mother Shipton

Performance Comment: Characters-Lewes, Miles, Morris, Quick, Baker, King, Barnshaw, Fox, Holtom, Hamilton, Stoppelaer, Banks, Bates, Rayner[, Reinhold, DuBellamy], Mrs White, Miss Helme, Mrs Copin, Mrs Perry, Mrs Evans, Miss Twist; The Dances-Fishar, Hamoir, Sga Manesiere, Miss Hamoir; [The Music-Arnold; [Edition of 1770 lists Mother Shipton-Reinhold; Shepherd-DuBellamy.

648
19 February 1772 @ Covent Garden

Event Comment: Mainpiece: By Desire. Paid Pattinson (tallow chandler) #63; Barrett (wax chandler) #11 17s. 9d.; Advanc'd Perry as per note #12 12s. Paid Walker for a silver Tissue suit of Women's Cloaths #11 11s. (Account Book). Receipts: #142 7s. 6d. (Account Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Skeleton

649
29 May 1772 @ Covent Garden

Event Comment: Benefit for Mrs Hartle, Francis, Walters, Mas. Blurton, Symonds. Tickets deliver'd for the Inconstant will be taken. Tickets deliver'd by Longley, Mas. Jones, Singleton, Shuter, Norbury, Roberts, Frenzdorf, Miller, Stephenson, Read, Robson, Walker, Clarridge, Perry Sr; and Bassan will be taken. [Hours received half value of tickets plus the ready receipt money.] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle 5 31 43 #10 4s. #5 2s.@Francis 2 26 25 #6 18s. #3 9s.@Patterson 5 79 71 #20 4s. #10 2s.@Blurton - 15 28 #5 1s. #2 10s. 6d.@Symonds 19 45 42 #15 14s. #7 17s.@Longley 18 112 53 #26 12s. #13 6s.@Jones - 2 11 #1 8s. 14s.@Singleton - 8 14 #2 12s. #1 6s.@Shuter - 52 8 #8 12s. #5 14s. 6d.@Norbury 9 26 53 #11 9s. #5 14s. 6d.@Roberts 9 125 59 #26 18s. #13 9s.@Frensdorf - 42 31 #9 8s. #4 14s.@Miller 5 62 56 #16 3s. #8 1s. 6d.@Stephenson 16 61 52 #18 7s. #9 3s. 6d.@Read - 15 45 #6 15s. #3 7s. 6d.@Robson 3 101 32 #19 2s. #9 11s.@Walker - 17 68 #9 7s. #4 13s. 6d.@Claridge 5 36 35 #10 3s. #5 1s. 6d.@Perry 3 30 81 #13 7s. #6 13s. 6d.@Bassan 1 12 21 #4 3s. #2 1s. 6d.@Total 100 897 828 #242 7s. #121 3s. 6d.@ Paid Lee for a quantity of velvet #21 (Account Book). Receipts: #12 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Dance: III: Hornpipe-Mas. Blurton; End: The Provenzale-Mas. Blurton, Miss Besford [see17700928]

650
24 May 1774 @ Covent Garden

Event Comment: By Particular Desire. Benefit for Symonds, Norbury, Francis. Tickets deliver'd by Perry, Roberts, Wooley, Stevenson, Singleton, Shuter, Miller, Walker, and Real as well as those deliver'd for The Recruiting Officer will be Taken. [No charges. House rec'd the ready money receipts plus half-value of the tickets deliver'd:] @Tickets Box Pit Gallery Value Half Value@Symonds 27 50 107 #27 16s. #13 18s.@Norbury 23 33 31 #13 14s. #6 17s.@Francis 13 36 17 #9 8s. #4 14s.@Perry 4 14 25 #6 3s. #3 1s. 6d.@Roberts 9 80 191 #38 18s. #19 9s.@Wooley 3 24 3 #3 12s. #1 16s.@Stephenson 14 107 64 #23 16s. #11 18s.@Singleton 3 48 10 #7 1s. #3 10s. 6d.@Shuter 11 39 86 #19 11s. #9 15s. 6d.@Miller 8 74 49 #16 #8@Walker .. 95 19 #12 7s. #6 3s. 6d.@Read 7 65 21 #11 8s. #5 14s.@Total 122 665 618 #189 14s. #94 13s.@ Paid Symonds for performing 5 nights in The Fair to 13 Nov. last 5s., and for 25 nights in The Sylphs to the 4th of April #1 5s. Receipts: #57 15s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Mother Shipton