SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Adam Smith"/1) | (@(roleclean,performerclean) "Adam Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2051 matches on Performance Comments, 376 matches on Event Comments, 253 matches on Performance Title, 13 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Great Tiled Booth in the Borough. Benefit for Mrs Adams. To begin at 7 p.m

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The King and Miller of Mansfield

Song:

Dance:

Event Comment: [G$Garrick] promised me the Part of Tressel; when the Play was given out, and I prepar'd for it, I saw in the Bills next Morn, another Person's Name [Blakes].-Charles Adams to John Gilbert-Cooper, quodet in Theatre Notebook, XI (1957) p. 136. Receipts: #180 (Cross); #182 9s. 6d. (Powel)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Not acted these 20 years. Music, Dances and Other Decorations for afterpiece entirely new. [In a letter to John Gilbert-Cooper, the actor Charles Adams states that "the Prompter gave me a little Part in the Emperor of the Moon...I appear'd in it thrice." He was "paid Twenty Shilling Pr Week." See Theatre Notebook, XI (1957), p. 136. The only male parts left were Baliardo's servant Peter and the figures in the tableau of the final scene.] Receipts: #160 (Cross); #158 11s. (Powel)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Emperour of the Moon

Music: A Piece of Music-the Child

Dance: TThe Sailors Revels-Mathews

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: Poet-; Beau-; Frenchman-; Miser-; a Taylor-; a Sot-; two young Gentlemen-; a Ghost. Ghost-Marr (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI 1957, p. 138); Oration in Praise of Sight- As17481212.

Dance: PPrince Eugene's March-

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: By particular Desire. ["We have in Rehearsal a new Tragedy call'd Irene--Author, as yet, unknown."--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957), pp. 138-39.] Receipts: #130 (Cross); #143 16s. 6d. (Powel)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Anatomist

Dance: IV: Dutch Dance, as17481203

Event Comment: Benefit for James Sturgis Adams (a Person in Distress) (Cross). Gave Xmas Box to Duke's Servts #1 1s. (Treasurer's Book). Tickets for Boxes to be had at the following Coffee Houses, St. James, St. James's St; Somerset in the Strand; Grigsby's behind the Royal Exchange; and the Union, Cornhill. Receipts: #205 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Chaplet

Song: I: Master Mattocks

Dance: IV: Hornpipe-Mathews

Event Comment: Benefit for Mrs Crouch. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Crouch, No. 3, Adam-street, Adelphi. Afterpiece: Not acted these 9 years [acted 24 Jan. 1778]. Receipts: #314 9s. 6d. (117/11/0; 10/18/6; 1/7/0; tickets: 184/13/0) (charge: #108 0s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Charles Actor: Smith

Afterpiece Title: Daphne and Amintor

Dance: End of Singing The Sailors' Revels by Mills, &c; In afterpiece Dana incident to the piece by Hamoir, Menage, Mrs Sutton, Miss Stageldoir

Song: In Act III of mainpiece song, as17860920; End of Act II of mainpiece Still the Lark finds repose (composed by Linley [Sen.]); End of mainpiece The Soldier tir'd of War's Alarms, both by Mrs Crouch

Performances

Mainpiece Title: As You Like It

Performance Comment: [Jaques-Palmer; Orlando-$Herrington; Oliver-$Shetfield recte $Shatford]; Touchstone-$Kipling; Duke Senior-$L'Estrange; Duke Frederick-$Hudson; Amiens-$W. Palmer; Adam-$Swendall; Silvius-$Marriot; Rosalind-$Mrs Belfille; Celia-$Mrs Fox; Audrey-$Miss Hale; Phoebe-$Miss Burnett.
Cast
Role: Adam Actor: Swendall

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Performance Comment: I know that my Redeemer liveth-Mrs Harrison; By Man came also the Resurrection of the Dead, Even so in Christ shall all be made alive-Chorus; The trumpet shall sound-; O! Death-Miss Leak, Harrison; If God be for us-Miss Poole; Since by Man came Death-Semi-Chorus; For as in Adam-Quartetto; Behold-Morelli; Then shall be brought-; But thanks be to God, Worthy is the Lamb-Chorus.
Cast
Role: For as in Adam Actor: Quartetto

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick; on Phaeton in the Suds: With Harlequin a Pick Pocket

Performance Comment: Machine-Roberts; Fustian-Lacy; Sneerwell-Machen; Clymene (Oyster Wench)-Mrs Charke; Jupiter-Freeman; Neptune-Wallis; Phoebus-Topham [Toping in edition, of 1736]; Old Phaeton-Smith; Young Phaeton-Boothby; Aurora-Mrs Egerton; Aurora's Maid-Miss Jones; Terra-Miss Burgess; Genius of Gin-Miss Ferguson Jr; Harlequin-Rosamond, from DL; Justice-Jones; His Clerk (Pierrot)-Castiglione; Managers-Freeman, Turner; Stars-Master Sherwin, Miss Ferguson Jr; Colombine-Madame la Charmante, piping-hot from Paris [Mlle Beaumaunt in edition]; Countrymen-Smith, Collerd, Mons D'Herbage, Mons De la Soup Maigre [Lowder in edition]; Rakes-Boothby, Wallis, Phenix, Pullen; Chairmen-Smith, Collard; Pistol-Lowder; Tragedy King-Pullen; Schoolmistress-Mrs Egerton; Tragedy Queen-Miss Jones; edition adds: Watchmen-Smith, Lowder, Collerd, Chapman .

Performances

Mainpiece Title: The Perplexities

Performance Comment: Parts by Smith, Ross, Mattocks, Hull, Cushing, Gardner, R. Smith, Holtom, Weller, Buck, Murden, Shuter, Miss Wilford, Mrs Green, Miss Macklin; Prologue-; Epilogue-; Don Antonio-Smith; Don Henriquez-Ross; Guzman-Shuter; Don Florio-Mattocks; Ernesto-Cushing; Don Juan-Hull; Honoria-Miss Macklin; Felicia-Miss Wilford; Rosa-Mrs Green; Parts-Gardner, R. Smith, Holtom, Weller, Buck, Murden (Genest, V, 132).
Cast
Role: Don Antonio Actor: Smith
Role: Parts Actor: Gardner, R. Smith, Holtom, Weller, Buck, Murden

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-Gibson; Miller-Dunstall; Dick-Perry; Lord Lurewell-Davis; Joe (with a song)-Mattocks; Courtiers-R. Smith, Wignell, T. Smith; Keepers-Stoppelaer, Banks, C. Smith, Holtom; Margery-Mrs Copin; Kate-Miss Helm; Peggy-Mrs Evans.

Dance: End: a Hornpipe-Miss Ford, for 3rd time

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: Henry II Actor: Smith
Role: Verulam Actor: R. Smith

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performance Comment: Containing a Pack of Politicians; a Pack of Patriots; a Pack of Ladies; a Pack of Beaus; Mr Medley, and Author; Mr Sourwit, a learned Critick; Lord Dapper, a great Critick; Apollo's Bastard Son; Quidam Anglicae, a certain Person; Mr Hen, an Auctioneer; Mr Ground Ivy, a Laureat; Mr Pistol; Polly Smart; Polly Soft; Com multis allis quos nunc prescribere longum est; but edition of 1737 lists: Medley-Roberts; Sourwit-Lacey; Lord Dapper-Ward; Ground Ivy-Jones; Hen-Mrs Charke; Apollo's Bastard Son-Blakes; Pistol-Davis; Quidam-Smith; Politicians-Jones, Topping, Woodburn, Smith, Machen; Patriots-Topping, Machen, Pullen, Woodburn; Banter-Smith; Dangle-Lowther; Mrs Screen-Mrs Haywood; Mrs Barter-Miss Kawer; Ladies-Mrs Charke, Mrs Haywood, Mrs Lacey, Miss Jones.
Cast
Role: Quidam Actor: Smith
Role: Politicians Actor: Jones, Topping, Woodburn, Smith, Machen
Role: Banter Actor: Smith

Performances

Mainpiece Title: Appius

Performance Comment: Principal parts-Sheridan, Sparks, Smith, Ridout, Gibson, Anderson, Mrs Elmy, Mrs Bellamy. Appius-Sparks; Valerius-Ridout;Horatius-Anderson; Icilius-Smith; Numitorius-Stevens; Claudius-Gibson; Sicinius-Bennet; Duellius-White; Pomponius-R. Smith; Flaminius-Redman; Virginia-Mrs Bellamy; Cornelia-Mrs Elmy; Dara-Miss Copen; Prologue-Mrs Cibber; Epilogue by a Friend-Mrs Bellamy (Edition of 1755).
Event Comment: TThe London Chronicle for 1758 (p. 455): On Friday the 3rd instant was presented Coriolanus. The two first acts of this play, as it is performed at the above theatre, were written by Shakespear; the three last for the most part by Mr. Thomson. But how a man of Mr Sheridan's knowledge (who first introduc'd it there about four years ago) could think of pounding into one substance two things so heterogeneous in their natures as the productions of those authors, is to me amazing. Mr Smith enters in the first act, after having (as we are to suppose) just overcome the Volsci, to the tune of violins and hautboys; but I am a little afraid the grandeur of his triumph is a little misapplied, considering the early times in which Coriolanus lived, before the Roman empire had arrived to any degree of splendor and magnificence, and was great in virtue only. However it makes a fine show; and Mr Smith, who has an excellent person, by the help of a little burnt cork and a real coat of mail cuts a very martial appearance. I think it was one of the Gracchi, who, when he was speaking to the people, always had a servant behind him in the Rostrum with a pitch-pipe which he touched whenever he found his master's voice rising beyond a certain height; such an instrument as this would, in my opinion, be of service to Mr Smith, for his fault seems to be that of keeping too much at the top of his vioce. Mrs Hamilton in the part of Veturai, especially in the last act, excells herself; and in particular, she repeats that line: "He never can be lost who saves his country," with the genuine spirit of a free-born Englishman. By the unnatural conjunction which is attempted to be made in this tragedy, most of the other characters are robbed of their significance. Those two excellent actors, therefore, Ryan and Sparks, only give us just cause to regret that the parts of Tullus and Volscius are not longer....After the play was presented a Ballad Opera called The Contrivances; in which some good comedians are oblig'd to submit to the drudgery of supporting as contemptible a trifle as ever was acted on the stage

Performances

Mainpiece Title: Coriolanus

Cast
Role: Coriolanus Actor: Smith

Afterpiece Title: The Contrivances

Dance: As17581016

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Performance Comment: Sir George Truman-Smith; Tinsel-Dyer; Vellum-Shuter; Fantome-R. Smith; Coachman-Dunstall; Butler-Marten; Gardner-Cushing; Abigail-Mrs Pitt; Lady Truman-Mrs Ward; Occasional Prologue-Smith.
Cast
Role: Sir George Truman Actor: Smith
Role: Fantome Actor: R. Smith
Role: Occasional Prologue Actor: Smith.

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performances

Mainpiece Title: The Double Mistake

Performance Comment: Parts-Ross, Shuter, Dunstall, Cushing, Weller, Miss Wilford, Mrs Walker, Smith, Dyer, Hull, Holtom, Murden, Miss Macklin, Mrs Mattocks; Prologue-Smith; Epilogue-Miss Wilford according to the Gazetteer and New Daily Advertiser; Lord Belmont-Ross; Sir Charles Somerville-Smith; Mr Belmont-Shuter; Elder Freeman-Hull; Southerne-Dunstall; Young Freeman-Dyer; Emily-Mrs Mattocks; Lady Mary-Miss Macklin; Lady Louisa-Miss Wilford; Lady Bridget-Mrs Walker (Genest, V, 106); Parts-Cushing, Weller, Holtom, Murden.

Dance: III: The Village Romps, as17651019

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Performances

Mainpiece Title: The Duellist

Performance Comment: Parts by: Woodward, Smith, Shuter, Lewis, Wroughton, Kniverton, Quick, Cushing, Miss Miller, Miss Barsanti, Miss Wilde, Miss Pearce, Mrs Kniveton, Miss Valosi, and Mrs Green. With a Prologue and an Epilogue. General Gantlet-Woodward; Capt. Boothby-Smith; Sir Soloman Bauble-Shuter; Counsellor Witmore-Lewis; Lord Lovemore-Wroughton; Governor Mammon-Kniveton; Serjant Nonplus-Quick; Lady Lovemore-Miss Barsanti; Mrs Boothby-Miss Miller; Lady Bauble-Mrs Green; Emelia-Miss Wilde; Mrs Goodwill-Mrs Kniveton; Echo-Miss Valois; Combrush-Miss Pearce; Mactotum-Cushing; With Prologue-Smith; Epilogue-Miss Barsanti (Edition of 1773).
Cast
Role: Boothby Actor: Smith
Role: With Prologue Actor: Smith

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: King Henry Ii; Or, The Fall Of Rosamond

Performance Comment: . Principal characters-Smith, Clark, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, Mrs Hartley; With Prologue-; Epilogue-.

Afterpiece Title: The Commissary