Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
12591 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

1601
27 May 1793 @ Covent Garden

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

1602
22 February 1794 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes [by Richards, Hodgins, Walmsley (Morning Herald, 24 Feb.)] and Dresses. The Music composed by Shield. The Dances by Byrn. Books of the Songs to be had at the Theatre. Morning Chronicle, 20 Mar. 1794: This Day is published THE TRAVELLERS IN SWITZERLAND (1s. 6d.) The Doors will be opened at 5: 30, and the Performances begin at 6: 30, for the remainder of the Season. Receipts: #292 2s. 6d. (288/9/6; 3/13/0)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: THE DEAF LOVER

1603
10 April 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by William Pearce. Text (T. N. Longman, 1794) has cast for season of 1794-95]: With new Music [by Shield), Scenes [by Richards (Theatre Notebook, Summer, 1965, XIX, 143)] and Dresses. The Music composed by [i.e. compiled from] Baumgarten, Paisiello, Dr Arne, W. Parke, Howard, and Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 26 Nov. 1794: This Day is published NETLEY ABBEY (1s.). Receipts: #399 5s. 6d. (378/1 1/6; 20/14/0)

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: NETLEY ABBEY

1604
25 May 1799 @ Covent Garden

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2, by John Till Allingham]. Morning Chronicle, 14 May: Tickets to be had of Whitfield, No. 10, Clifford's-inn. Ibid, 26 July 1799: This Day is published Fortune's Frolic (price not listed). Receipts: #394 13s. 6d. (79.15.0; 5.0.0; tickets: 309.18.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortune's Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

1605
15 April 1734 @ Lincoln's Inn Fields

Event Comment: Benefit Stoppelaer. Tickets for DL, 21 March, taken this day

Performances

Mainpiece Title: The Miser

Performance Comment: Lappet-Mrs Clive; Lovegold-Griffin; Mariana-Mrs Horton; Frederick-Bridgwater; Harriet-Mrs Holliday; Clerimont-Richardson; Ramilie-Stoppelaer; Wheedle-Mrs Mullart; Mrs Wisely-Mrs Herle; James-Mullart .
Cast
Role: Harriet Actor: Mrs Holliday

Afterpiece Title: The Contrivances

Dance: II: Minuet by Mlle Grognet and Mrs Sanderson. IV: English Maggot by S. Lally and Mrs Walter. V: La Badinage de Champetre by Lally, Mrs Walter, &c

1606
22 February 1740 @ Hickford's Room

Event Comment: 7 p. p.m. 5s. The Eighth Day. [Music by J. C. Smith Jr.

Performances

Mainpiece Title: David's Lamentation Over Saul And Jonathan

Music: Violin-Festing; Violoncello-Caporale; Several Concertos-

1607
16 February 1791 @ Covent Garden

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

1608
01 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

1609
25 March 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. Principal Characters by Incledon, Munden, Fawcett, Townsend, Simmons, Miss Sims, Mrs Whitmore, Miss Leserve, Mrs Atkins. Cast from text (T. N. Longman and O. Rees, 1801): William Townly-Incledon; Old Townly-Munden; Peter Plimlimmon-Fawcett; Owen-Townsend; Dick-Simmons; Taffline-Miss Sims; Gwinneth-Mrs Whitmore; Welsh Girl-Miss Leserve; Ellen-Mrs Atkins; Welsh Men & Women-Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

1610
11 March 1765 @ Haymarket Theatre

Event Comment: Benefit for Yates. Set to music by Yates. Pit and Boxes 5s. Gallery 3s. The Serenata published this day at 6d. Books of the performance to be had at the Theatre

Performances

Mainpiece Title: The Choice Of Apollo

Performance Comment: Vocal parts-Gilson, Fawcett, Miss Polly Young, young gentlewoman (her first appearance in public).

Music: Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; Concerto on Harpsichord-Yates; First Violin, Concerto-Barthelemon

1611
13 November 1732 @ Fulham

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

1612
05 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Performance Comment: Phillis (Country Girl)-Miss Raftor; Tom (Footman)-Berry; Toby (Innkeeper)-Jones; Harry-Ridout; Lucy-Mrs Shireburn; Dorcas-Mrs Herle; Phillis (Chambermaid)-Mrs Mullart; but edition of 1733 lists as the cast: Tom-Berry; Toby-Harper; Harry-Ridout; James-E. Roberts; Dorcas-Mrs Sireburn; 1st Phillis-Mrs Pritchard; 2d-Miss Oates; Lucy-Miss Mann (possibly the cast for a later revival); Epilgoue-Miss Norris, Granddaughter of the late Mr Norris, commonly called Jubilee Dicky.
Cast
Role: Epilgoue Actor: Miss Norris, Granddaughter of the late Mr Norris, commonly called Jubilee Dicky.

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

1613
11 March 1736 @ Drury Lane Theatre

Event Comment: Benefit Quin. Written by Shakespear. In which will be restor'd Scenes, Soliloquies, and other Circumstances, originally in the Part of Falstaff, which have been for many Years omitted. [Daily Advertiser lists Prologue as representing the Ghost of Falstaff.]

Performances

Mainpiece Title: Henry The Fourth, Part Ii

Performance Comment: Falstaff-Quin, being the first time of his performing that character in this play; King-Mills; Prince-W. Mills; Lancaster-Salway; York-Milward; Justice-Boman; Pistol-Cibber; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Bardolph-Shepard; Poins-Oates; Falstaff's Boy-Miss Cole; Hostess-Mrs Cross; Doll Tearsheet-Miss Mann. A Prologue, by Mr Betterton, representing the Genius of Falstaff 40 Years ago, at the Revival of this Play, will be (by particular Desire) spoke by Quin .
Cast
Role: Falstaff Actor: Quin, being the first time of his performing that character in this play
Role: Doll Tearsheet Actor: Miss Mann. A Prologue, by Mr Betterton, representing the Genius of Falstaff 40 Years ago, at the Revival of this Play, will be

Dance: I: By Mlle Anne Roland. III: English Maggot by Villeneuve and Mrs Walter. V: Revellers by Essex, Mrs Walter, &c

1614
04 March 1737 @ Haymarket Theatre

Event Comment: Benefit the Author of the Farce, and Miss Burgess. Mainpiece: As originally written by Shakespear. Supervised, Read over, Revised, and Unalter'd. [For a puff (signed by W. Shakespear), see Daily Advertiser, 4 March.

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Rival Milliners

1615
13 September 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: (London Daily Post and General Advertiser missing), but see below.

Afterpiece Title: The Devil to Pay

1616
22 December 1740 @ Drury Lane Theatre

Event Comment: Written by Shakespear. Daily Advertiser, 22 Dec.: On Saturday last was performed...As you like it; the extraordinary Applause it met with, is a strong Proof of the Merit of that immortal Author

Performances

Mainpiece Title: As You Like It

Dance: I: Les Jardiniers Suedois-Fausan, Signora Fausan; III: L'Allamande-Muilment, Mlle Chateauneuf

1617
07 October 1742 @ Drury Lane Theatre

Event Comment: Written by George, Duke of Buckingham. Perform'd to a very numerous and crowded Audience. (Daily Advertiser, 8 Oct.)

Performances

Mainpiece Title: The Rehearsal

Song: I: Songs-Beard

Music: III: Concerto-Veracini

Dance: II: Peasant Dance, as17420921; IV: Tyrolean Dance, as17420921

1618
27 December 1742 @ Lincoln's Inn Fields

Event Comment: With Alterations. Note, as the Pantomime is added at common Prices, no latter Account can be taken.-Daily Advertiser. [Repeated throughout the run of the pantomime.

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Afterpiece Title: Imprisonment of Harlequin

1619
31 January 1745 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17441013, but Gomez-Macklin (General Advertiser).

Afterpiece Title: Rosamond

1620
28 September 1750 @ Covent Garden

Event Comment: The Dirge (from the General Advertiser).@ Ah, hapless Maid doom'd to the gaping Jaws@Of a Cold and Comfortless and Dreary Tomb.@Thy Marriage song is chang'd to mournful Dirge@Thy bridal bed to a black Fun'ral Hearse.@Hark, how with awful Pause the solemn Bell@In Death-like Sounds tolls her untimely Knell.@She was her Parents' sole delight@They had but one and only child.@Since Death has torn her from their Arms@With Grief and Sorrow they are wild.@Their Grief and Sorrow ev'ry Bosom shares@Witness our sighs and Groans and falling Tears.

Performances

Mainpiece Title: Romeo And Juliet

1621
11 October 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

1622
05 November 1754 @ Covent Garden

Event Comment: PPublic Advertiser: As I saw in the papers that the tragedy of Phaedra is shortly to be acted at Covent Garden, I thought that the following lines, written upon Mrs Woffington's performance of the character in Ireland would not be unacceptable to you, or to your readers. They fell casually into my hands. If you think them worth inserting, they are at your service [a poem of 104 lines follows]: @Oft has the poet sweetly sung in vain@When tasteless actors chaunt the heavenly strain... Woffington seems reserved to play the part magnificently. The analysis, tho' fettered to the couplet, is more specific as to her gestures and expression, and tone, than most such commentaries

Performances

Mainpiece Title: The Committee

Cast
Role: Day Actor: Collins
Role: Mrs Day Actor: Mrs Pitt

Afterpiece Title: Harlequin Skeleton

1623
21 October 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Harlot's Progress; or, The Ridotto al' Fresco

Performance Comment: Kitty-Mrs Clive; Harlequin-Le Brun; Mordecai-Sal way; Debauchee-Berry; Poudre-Este; Mittimus-Winstone; Decoy-Turbutt; Constable-Jones; Bridewell Keeper-P. Turbutt; Porter-Hallam; Jenny-Mrs Davenport; Bess-Leigh; Pompey-Young Carney; Justices-Cross, Dancey, Davenport [but Cross, Raftor, Este in Daily Advertiser]; Ladies of Pleasure-Mrs Pritchard, Mrs Dancy, Mrs Davenport; Beadles-Wright, Peploe, Grey; Les Capricieux-Essex, Mrs Walter; Hussars-Thurmond, Miss Mann; Fingalians-Davenport, Mrs Pelling; Pierot-Pelling; Punch-Janno; Mezzetin-Villeneuve .

1624
19 November 1735 @ Covent Garden

Event Comment: By Their Majesties' Command. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.] London Daily Post and General Advertiser, 20 Nov.: Mrs Porter perform'd the Part of Belvidera, without having either Stick or Cane to support her. Receipts: #168 12s. 6d

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

1625
26 February 1736 @ Covent Garden

Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme