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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13706 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

8301
27 April 1736 @ Haymarket Theatre

Event Comment: The Fortieth Day. Benefit One who has wrote for the Stage

Performances

Mainpiece Title: Pasquin

8302
05 May 1736 @ Haymarket Theatre

Event Comment: Mainpiece: The Forty-fifth Day. Benefit Mrs Charke

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick

8303
11 May 1736 @ Haymarket Theatre

Event Comment: Mainpiece: The Fiftieth Day

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick

8304
23 November 1736 @ Drury Lane Theatre

Event Comment: [Because of Mrs Porter's accident, she can act only every other day; The Rival Queens, therefore, will be given on alternate evenings.

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: The Fall of Phaeton

Dance: In IV: Muilment

8305
25 April 1737 @ Haymarket Theatre

Event Comment: Benefit Hatchett. Third Piece: an additional Addition of a new entertaining Scene. In which the whole Art and Mystery of Free-Masonry is delineated, by the Admission of a Lady. At 6:30 p.m. Tickets for Mrs Haywood's benefit taken this day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

Afterpiece Title: The Female Free Mason

8306
29 April 1737 @ Haymarket Theatre

Event Comment: Mainpiece: The Twenty-Fifth Day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

8307
24 May 1737 @ Drury Lane Theatre

Event Comment: Benefit Taylor, Boxkeeper. Mainpiece: Taken from Plautus and Moliere. [By this day the newspapers had recorded, in a variety of versions, that a Licensing Act was under consideration in Parliament.

Performances

Mainpiece Title: The Miser

Cast
Role: Mariana Actor: Miss Hollyday

Afterpiece Title: The What Dye Call It

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Harlequin-Denoyer's@Prentice; III: Punch's Dance, as17370519; IV: Wooden Shoe Dance-Livier, Villeneuve; V: Russian Sailor-Denoyer's Prentice

8308
01 June 1737 @ Covent Garden

Event Comment: At 7 p.m. [The Duke and the Princesses present.] Daily Post, 2 June: The same day [1 June] the Bill relating to common Players of Interludes pass'd the Hon. House of Commons

Performances

Mainpiece Title: Dido

8309
22 July 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Woman Captain

Afterpiece Title: Damon and Phillida

Performance Comment: Possibly acted on this day, but see17370726 .

8310
13 May 1738 @ Drury Lane Theatre

Event Comment: Benefit the Author. At the Request of several Persons of Quality. [See dl, 17 March 1737, for a performance once intended for this day.

Performances

Mainpiece Title: The Man Of Taste Or The Guardians

Afterpiece Title: Harlequin Restord

Song: In: the usual Songs-Mrs Clive, Beard; particularly The Life of a Beau-Mrs Clive, Beard; The Beaux Lamentation-Mrs Clive, Beard for the Loss of Faranelli; The Provident Damsel-Mrs Clive, Beard

Dance: III: Two Pierrots-Pelling, Vallois; IV: Flanderkins-Master Ferg, Miss Wright

8311
01 February 1740 @ Hickford's Room

Event Comment: The Fifth Day, but see 4 Jan. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Vocal Music-Mrs Arne, Russel; First Violin-Festing; Violoncello-Caporale

8312
29 February 1740 @ Hickford's Room

Event Comment: The Ninth Day. 7 p.m. 5s

Performances

Mainpiece Title: Davids Lamentation Over Saul And Jonathan

Music: As17400222

8313
01 April 1740 @ Lincoln's Inn Fields

Event Comment: For this Day only in this Season. 6:30 p.m

Performances

Mainpiece Title: Israel In Egypt

Music: Witha New Concerto for several Instruments-; and a Concerto on the Organ-

8314
18 April 1741 @ Haymarket Theatre

Event Comment: The Third Day. As 11 April. Afterpiece: With Additions and Alterations

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

8315
11 May 1741 @ James Street

Event Comment: For the Entertainment of the Antient and Honourable Society of Free and Accepted Masons. For the Benefit of an unfortunate Brother Mason. [This program, which was given in the Old Tennis Court, included a concert; and tickets for 27 April, when the performance was intended but prevented, are received this day.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Cobler of Preston

8316
10 October 1741 @ Drury Lane Theatre

Event Comment: Mainpiece: By Beaumont and Fletcher. The Company will continue to Act every Day. Receipts: #40

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Dance: II: As17410926

8317
28 November 1741 @ Covent Garden

Event Comment: Mainpiece: Not acted this season. [Either the play on the 23rd was called off, or (more probably) the compositor forgot to remove the notice of acting from this day's bill.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Perseus and Andromeda

8318
09 December 1741 @ Covent Garden

Event Comment: Benefit Christopher Perry. Mainpiece: By Particular Desire of several Persons of Quality. Written by Shakespear. Tickets delivered for 18 Nov. will be taken on this day (Theatrical Clippings, Folger Library)

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The King and Miller of Mansfield

Dance: II: A new Comic Dance-Dubuisson, Villeneuve, Sga Bonneval; III: Scots Dance-Mathews; IV: Hornpipe-Taylor; V: Matelot-Master Matthews

8319
11 January 1742 @ Drury Lane Theatre

Event Comment: By Particular Desire. The Constant Couple, announced for this day but deferr'd. Receipts: #100

Performances

Mainpiece Title: The Merchant Of Venice

Song: I: See from the Silent Groves-Beard

Dance: II: Les Matelotes, as17411110

Ballet: V: Les Satires Puny. As17420106

8320
13 January 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Duke and Princesses present. Receipts: #100. [Winston MS. lists Constant Couple, which had been announced for this day in the previous Bill, but which seems to have been deferr'd on account of this command performance.

Performances

Mainpiece Title: The Provoked Wife

Song: I: Bright Author of my present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Les Jardiniers Suedois, as17411128

8321
23 February 1742 @ Goodman's Fields

Event Comment: The Thirteenth Day

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: As17420213

8322
02 November 1742 @ King's Theatre

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

8323
17 January 1743 @ Drury Lane Theatre

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

8324
09 February 1743 @ Lincoln's Inn Fields

Event Comment: Not acted these 25 years. At the Particular Desire of several Ladies of Quality for the Benefit of Mrs Giffard. Mainpiece: Written by Colley Cibber Esq., Poet-Laureat. Boxes 5s. Pit 3s. Gallery 2s. 6d. And the Company will continue to act every Day, Wednesdays and Fridays in Lent excepted

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: The Devil to Pay

8325
18 March 1743 @ Covent Garden

Performances

Mainpiece Title: Lallegro E Il Penseroso With Additions Drydens Ode On St

Performance Comment: Cecilia's Day. Also Concerto on Organ-; Violin Solo-Dubourg.