SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of the first performance is not certain, but the play was acted soon after Shadwell's death in November 1692. Gentleman's Journal, November 1692: We have lately lost Thomas Shadwell Esquire....The Comedy which, as I told you, he design'd for the Stage, was acted since his decease: 'Tis call'd the Volunteers; and though that Orphan wanted its Parent to support it, yet it came off with reasonable success. [When this play was revived at Drury Lane 27 July 1711, the bill bore the heading: Not acted these Twenty Years.

Performances

Mainpiece Title: The Volunteers Or The Stock jobbers

Event Comment: Gentleman's Journal, December 1692 (appearing not earlier than January 1693): We are like to be without new Plays this month and the next; the death of Mr Mountfort, and that of Mr Leigh soon after him being partly the cause of this delay. The first that is promised us is a Comedy by Mr Southern, whose Plays are written with too much Politeness and Wit, not to be read by you with uncommon pleasure

Performances

Event Comment: London Gazette, No 2878, 8-12 June 1693: Next Saturday being the 17th of June will be perform'd in Villers-street in York-Building, for that time only, Mr Franks Consort, which will consist of English Dialogues and Songs (the Words by Mr Motteux) with Instrumental Musick proper to them, beginning exactly at 7 at Night. The Gentleman's Journal, May 1693 (issued in June 1693): We have had lately a Consort of Music, which as it hath pleased the most nice and judicious Lovers of that Art; would doubtless have had your Approbation; I only speak of the Notes which were by Mr Franck; As for the words I [Motteux] made them in haste (p. 148)

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Performances

Mainpiece Title: Agnes De Castro

Performances

Mainpiece Title: The Cornish Comedy

Performances

Mainpiece Title: The Unhappy Kindness Or A Fruitless Revenge

Event Comment: Betterton's Company. The date of the first performance is not known. As the play was advertised in the Post Boy, 20-23 Nov. 1697, it was probably first acted not later than October 1697; and, in view of its apparently unsuccessful appearance, may have been a late summer or early fall production. When this play was entered in the Term Catalogues, it had the title, Love's Reward; or, The Unnatural Mother

Performances

Mainpiece Title: The Unnatural Mother

Performances

Mainpiece Title: Phaeton Or The Fatal Divorce

Performances

Mainpiece Title: The Campaigners Or The Pleasant Adventures At Brussels

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: London Gazette, No 3457, 26-29 Dec. 1698: On Wednesday next, will be performed at York Buildings Mr Daniel Purcell's Musick made for last St Cecilia's Feast, for the Benefit of Mr Howel and Mr Shore, with an Addition of new Vocal and Instrumental Musick. [London Gazette, 29 Dec. 1698-2 Jan. 1698@9, adds: beginning at 7 at night.] See also 22 Nov. 1698

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Love Without Interest Or The Man Too Hard For The Master

Performances

Mainpiece Title: The Judgment Of Paris

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Music: Entertainment of flute music-Bannister, Bannister's son; A new instrumental piece-the best hands

Dance: The Highland, The Whip of Dunboyne-Claxton

Entertainment: Imitations. The Famous Mr Clynch will for this once, at the desire of several Persons of Quality, perform his Imitation of an Organ with 3 Voices, the Double Curtel, the Bells, the Huntsman with his Horn and Pack of Dogs-Mr Clynch; All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to

Performance Comment: The Famous Mr Clynch will for this once, at the desire of several Persons of Quality, perform his Imitation of an Organ with 3 Voices, the Double Curtel, the Bells, the Huntsman with his Horn and Pack of Dogs-Mr Clynch; All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to. All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to.

Performances

Mainpiece Title: Theseus

Event Comment: At the Desire of several Persons of Quality. At 6 p.m. Post Boy, 28 Sept.: We hear that last Week Mr Rich made an Assignment of the New Theatre in Lincoln's-Inn-Fields, and his Patent granted by King Charles II to Mr Keene and Mr Bullock jun. and that they open on Saturday next, with a celebrated Play of Shakespear's call'd, Cimbiline, which will be entirely new dress'd

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performances

Mainpiece Title: A Duke And No Duke

Afterpiece Title: Acis and Galatea

Music: As17230625

Song: Mrs Boman; Smug Upon Tuesday-Mrs Willis; A Dialogue between Two Ballad Singers called A Satyr on All Trades-Harper, Mrs Willis

Dance: Two Farmers and Their Wives-Boval, Mrs Tenoe, others; Passacaille-Mrs Brett; Drunken Man-Harper

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

Performance Comment: Clegg=][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth.

Performances

Mainpiece Title: Double Falshood Or The Distrest Lovers

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cephalus and Procris

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #30 5s. 6d. Daily Journal, 11 Jan.: [On Sunday] Night the Corpse of Mr Boheme...was interr'd at Greenwich. The Pall was supported by Mr Quin, Mr Ryan, and 4 other Comedians

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Flora

Dance: WWooden Shoe Dance-Nivelon; Scottish Dance-Mrs Bullock; French Sailor-Salle, Mrs Laguerre

Performances

Mainpiece Title: The Tragedy Of Tragedies

Afterpiece Title: The Devil to Pay

Music: new Overture with Kettle Drums and Trumpets by Seedo-; I: The 5th Concerto of Vivaldi, upon the Stage-; II: The 8th Concerto of Michael Angelo Corelli-; III: Handel's Water Musick with French Horns-; Preamble on the Kettle Drums-Ben. Baker

Song: I: Rosy Bowers-Miss Raftor; End Afterpiece: Ellis Roberts

Dance: II: Harlequins-Lally Jr, Miss Brett; In III: A new Grand Heroic Comic Dance, proper to the Play-; End Afterpiece: The Masqueraders-Essex, Thurmond, Houghton, Tench, Mrs Walter, Mrs D'Lorme, Miss Mears, Miss Williams

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: Mrs Booth

Performances

Mainpiece Title: The Decoy Or The Harlots Progress