Event Comment: Receipts; #62 12s. Paid Mr Dallon on acct of his salary #1 10s

Event Comment: Benefit for a Clergyman's Widow under misfortunes. [Receipts: #88 2s. 6d. plus #87 19s. from tickets (Box 251; Pit 136; Gallery 48). Profits to Mrs Seede, the clergyman's widow, #90 15s. 6d.] Paid Mr J. Rich on account #531 (Account Book). [The profitable balance on the treasurer's books this night before deducting expenses and Rich's #500, withdrawal was #996 4s. 2d.] Charges: #85 5s. (Account Book)

Event Comment: Benefit for a Widow Gentlewoman. Tickets given out for yesterday the 19th will be taken this night. Receipts: #89 2s. plus #34 1s. from tickets (Box 67; Pit 72; Gallery 65). [Profits to Mrs Belissen, the widow Gentlewoman #39 3s.] Paid Mr Pattinson, the Tallow Chandler sundry bills from 22 Oct. #77 6s. (Account Book). Charges: #84. (Account Book)

Event Comment: Boxes #17 2s. 6d. Paid Mr Younger a Bill for writing Parts #3 1s. 7d. (Account Book). Receipts: #153 1s. 6d. (Account Book)

Event Comment: Box #43 17s. 6d. Paid Mr Blackmore a Bill for sundries and expenses in taking the inventory of the Men's Wardrobe #26 2s. 6d. Bought three men's outfits #68. Gave the King's footmen and Chairmen #4 4s., and Prince of Wales' Footmen and Chairmen #2 2s. Gave the Porters of the several Inns #3 14s. (Account Book). [The Gentlewoman who played Bertha was Miss Fielding. See notation of payment to her for acting this part, 10 Jan.] Receipts: #176 16s

Event Comment: Boxes #78 7s. 6d. Paid Mr Leverton, bricklayer, in full of a bill #30 15s. (Account Book). Receipts: #216 16s. 6d. (Account Book)

Event Comment: @140 tickets at 10s.140 tickets at 10s. 6d. #73 10s.@158 tickets at 5s. #39 10s.@275 tickets at 3s. 6d. #48 2s. 6d.@573 present. Receipts: #161 2s. 6d.@ Paid 100 Renters #10 (Account Book). Charges: #35 (Account Book)

Event Comment: Mainpiece: Not acted these two years. [George II's death had closed the theatres on 4 Nov. the previous year.] Income from Boxes #14 15s. Paid Mr Powell for two years att[endin]g Office & pass [?] Ac[count]. #100. Advanced to Hull #20. Receipts: #64 16s. (Winston Theatrical Record)

Event Comment: [From The London Evening Post: Married: Michael Arne, music composer and son of Dr Arne, to Miss Wright, a celebrated singer of Drury Lane Theatre."] Paid Mr Evans on Wardrobe acct #10 10s. (Treasurer's Book). Receipts: #133 17s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. Paid Mr Martin for copying Music for 2 Dances in Love in the City #1 6s. (Account Book). Receipts: #127 14s. 6d. (Account Book)

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Event Comment: HHull's second Night. House charges #84. Balance to Hull #52 16s. and in addition #1 13s. from disposal of 3 Box and 6 Pit tickets. Paid Mr Buzaglio in full for use of a warming machine #15 15s. (Account Book). Receipts: #136 16s. (Account Book)

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Afterpiece: For the only time this season. Charges #64 5s. Balance to Miss Macklin #77 7s. 6d. plus #115 15s. from tickets (Box 463). Paid Mr Reed for the balance of his 3 nights for Tom Jones #297 3s. Receipts: #141 12s. 6d. (Account Book)

Event Comment: Benefit for Mattocks. Charges #68 16s. Balance to Mattocks #82 4s. plus #40 5s. in tickets (Box 83; Pit 130) Paid Mr Hobster for Negus's at rehearsals #2 2s. 8d. Receipts: #151 (Account Book)

Event Comment: Benefit for Green and Ansell (box-keepers). Tickets sold at the Doors will not be admitted. Charges #83 1s. 6d. Deficit #53 13s., covered by income from tickets: Ansell #112 7s. (Box 341; Pit 162; Gallery 28); Green #135 4s. (Box 470; Pit 106; Gallery 18). Rec'd of Condell his deficiency and #20 in full for Fruit Rent this season: also deficiencies from Mrs Naylor and Potter. Paid Mr Scovell for copying Music in Maid of the Mill--#3 9s. (Account Book). Receipts: #53 13s. (Account Book)

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into the Boxes. Come as early as possible to avoid confusion. Charges #64 10s. Balance to Miss Macklin #79 18s., plus #146 from Tickets (584 Box & Pit at one price of 5s. each); Paid Mr Monk #2 12s. 6d. for mending the Owl & a new Spring (Account Book). [The bonus value of the benefit to an actor or member of the company staff may be seen when one considers that Miss Macklin's regular salary was #7 per week, or about #28 per month. On this one benefit performance she made a profit in book value equal to her previous eight month's salary. Book value because the Account Book records, for the tickets which she delivered, only the face value of 5s. each. It is probable that many a wealthy theatre-goer gave her on this occasion, by way of appreciation for the pleasure of her performances, much more than the face value of the ticket.] Receipts: #144 8s

Event Comment: Benefit for Quick, Fox, Hamilton and Bates. Tickets sold at the doors will not be admitted. Charges #65 14s. 6d. Deficit to each actor #5 9s. 1 1!2d., covered by income from tickets: Quick #45 13s. (Box 40; Pit 169; Gallery 103); Fox #54 13s. (Box 60; Pit 219; Gallery 68); Hamilton #28 12s. (Box 40; Pit 72; Gallery 78); Bates #27 3s. (Box 28; Pit 69; Gallery 98). Paid Mr Osborne the Balance due for Benefit of New General Lying in Hospital the 22d Dec. last #10 17s. 6d. Half values from tickets receiv'd from Rose, Wilkinson, Mrs Griffiths, Flight, Roberts, Robson, Norbury, Fransdorf, Miller, and Walker (Account Book). Receipts: #43 18s

Event Comment: Afterpiece: By Particular Desire. Paid Mr Patterson for a Rocking Horse #5 5s. (Account Book). Receipts: #211 19s. (Account Book)

Event Comment: By Command of Their Majesties. Paid Mr Nicols for Rope line #5 17s; Printer's Bill #8 19s. (Treasurer#s Book). Receipts: #233 6s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted in 8 years. [See 23 Jan. 1764.] Paid Mr Cubitt (tinman) #10 11s. (Treasurer's Book). Receipts: #180 14s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. Paid Mr Burn for Wigs #4 5s. 6d. (Treasurer's Book). Receipts: #248 6s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: By Desire. Paid Mr McMillen for shoes #2 5s. (Treasurer's Book). Receipts: #120 11s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: By Desire. Paid Mr G. Garrick on Acct, #100; Miss Berkley lent per order, #1 1s. (Treasurer's Book). Receipts: #166 17s. (Treaurer's Book)

Event Comment: Author's Night for the Mainpiece. Paid Mr R. Johnston for 55 nights in the Witches and Garter in full #2 15s. (Treasurer's Book). Receipts: #264 17s. 6d. Charges: #73 10s. Profit to Murphy: #191 7s. 6d. (Treasurer's Book)

Event Comment: This Farce was wrote on purpose to Shew Mrs Barry in an Irish part. She did not succeed so well in it as was expected but upon the Whole the Farce was well perform'd & met with great Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly. See Account of the Irish Widow" in British Theatre article, London Magazine, Oct. 1772.] Paid Mr Rochfort for men's cloaths #7 7s. (Treasurer's Book). [The account in Town and Country Magazine of the afterpiece: "Upon the whole it is very indifferent production and as it did not meet with the applause that was expected, no one has adopted the bantling. The many are of opinion that Garrick had a hand in it, as it is got up to the best advantage, and a new dance is introduc'd between the acts to put the audience in a good humour for the succeeding scenes. Mrs Sutton is the principal dancer in the Irish Fair, in which she displayed great spirit and activity. The piece concludes with a song sung by Mrs Barry, which we think injudiciously alloted to her, as her forte does not consist in singing."] Receipts: #200 9s. 6d. (Treasurer's Book)