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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "L\'opera Du Gueux"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2966 results for: Title - L'opera Du Gueux

1
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

2
19 March 1776 @ King's Theatre

Performances

Mainpiece Title: Lisola Damore

Dance: After the Overture: A New Ballet Incident to the Opera call'd Le Retour des Matelotes-Helm, Mlle Sophie, Sga Tinti; End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

3
24 February 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Le Devin du Village, as17771104; End II: Divertisement, as17780207; End Opera: a new Grand Ballet Espagnol, La Serenade Interrompuee-Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; in which a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guitarre-Noferi

4
03 March 1778 @ King's Theatre

Performances

Mainpiece Title: Lamore Artigiano

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

5
27 November 1779 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

6
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

7
30 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Le Riveil du Bonheur, as17840203; End of Opera he Cocq du Village, as17840302athi

8
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

9
26 January 1793 @ King's Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

10
29 April 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

11
02 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: DDance a la Ronde-

12
04 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: As17490502

13
05 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: As17490502

14
09 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

15
11 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: DDance a la Ronde-

16
13 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: DDance a la Ronde-

17
29 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: DDance a la Ronde-

18
31 May 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: DDance a la Ronde-

19
16 February 1750 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: HHornpipe-Greniere; End: Dance al la Ronde in the French Manner,-the Characters of the Opera

20
21 February 1750 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Dance: II: Dancing-Mlle Roland her first time here

21
08 March 1750 @ Haymarket Theatre

Performances

Mainpiece Title: Lopera Du Gueux

Afterpiece Title: Les Precieuse Redicul

Dance: As17500306 Hornpipe-Master Greniere

22
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

23
23 August 1749 @ Bartholomew Fair

Performances

Mainpiece Title: The Descent Of The Heathen Gods With The loves Of Jupiter And Alcmena Or Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

24
05 May 1774 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: I: Ballet-Mariottini, Nina Favier; II: La Bagatelle-Bocchini, Sga Mazzoni; End of Opera: Grand Serious Ballet, L'Embarass du choix-Fierville, Nina Favier

25
28 May 1774 @ King's Theatre

Performances

Mainpiece Title: Perseo

Dance: I: Ballet, Chaconne-Fierville; II: Ballet-Mariottini, Sga Mazzoni; End Opera: L'Embarass du choix, as17740505