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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Half An Hour After Supper"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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877 results for: Title - Half An Hour After Supper

151
08 March 1720 @ King's Theatre

Performances

Mainpiece Title: Harlequin And Scaramouch Deserters

Entertainment: The Day After The Wedding-

152
12 March 1720 @ King's Theatre

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

153
12 March 1722 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Amadis

Song: With some Chansons a Boir to be sung-Leveridge; Also a New Ballad call's, The Faithful Mariner, after the Manner of a true English Sailor-

154
28 January 1723 @ Haymarket Theatre

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Hob's Wedding

Dance: The Bashful Country Maid, Irish Trot-Peggy Fryar

155
06 June 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Song: Singing in Italian-Miss Lindar, being the 2d Time of her Singing upon any Stage; Dear Pretty Youth-

Music: Solo on Little Pipe-Baston

Dance: Dancing after the Turkish Manner, as it was perform'd by the Kister Aga and the Eunuchs of the Seraglio, for the Diversion of the Grand Signior at the last Bairam Feast-

156
18 March 1724 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: viol de Vevere a particular New Instrument, never yet heard of in England, after the New Manner of Signiora Faustina-Corbet

157
28 March 1724 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Dance: Dupre, Nivelons, Glover, Mrs Rogeir, Mrs Wall, Mrs Ogden; particularly Flag Dance (after a new manner)-Nivelon Sr

Song: Leveridge, Salway, Mrs Chambers

158
18 March 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Henry The Ivth, Part I

Dance: End I: Shepherd and Shepherdess-Lally, Mrs Wall; III: Flag Dance-Nivelon

Song: II: Song-Rochetti , after the Manner of Faustina; IV: Trumpet song-Mrs Chambers; V: Play of Love (new) composed and sung by-Leveridge

159
20 April 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Homme A Bonne Fortune & Roy De Tripoli & Colombine Docteur Endroit

Dance: After every Act%

160
21 October 1726 @ King's Theatre

Performances

Mainpiece Title: The Enchanted Island Of Arcadia; Or, The Magician Doctor, With Harlequin King Of The Woods; Flights, Decorations And Transformations Of Harlequin, Cupid, Pantalon, Venus, And Brighella, Jupiter, And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

161
05 November 1726 @ King's Theatre

Performances

Mainpiece Title: Diana's Madness; Or, Fatime, A Favourite Slave In The Seraglio, Mad For Love, And Crown'd Empress By The Grand Signior: With Pantlon And Harlequin Eunuchs Elected Kaimcan And Ciguir, The One Impaled And The Other Sawed Asunder, The Bashas Selim And Achmet Ript Open, Rabca Strangled, And Chistar Beheaded

Entertainment: Carneval-after the Venetian Manner; Dancing-Masqueraders in divers Characters, Madmen, Turks Men and Women being the Invention of Mr Poictiers

162
07 November 1726 @ King's Theatre

Performances

Mainpiece Title: Pantalon A Broker Broken Merchant And Desperately In Love, Harlequin His Shopkeeper: With A Ridotto After The Venetian Manner, Songs, And A Serenata In A Venetian Gondola

Entertainment: As17261105

163
26 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Dance: Poictiers

164
10 December 1726 @ King's Theatre

Performances

Mainpiece Title: Pantalon Baron Di Sloffenburgo

Entertainment: With Variety of Incidents-; Serenades-; Singing- after the Venetian Manner

Dance: Poitier, Mrs Anderson, others

165
16 February 1727 @ King's Theatre

Performances

Mainpiece Title: Lo Soirito Foletto; Viz, The Hobgoblin

Song: Singing-

Dance: Dancing After their different Manner-

166
02 March 1727 @ King's Theatre

Performances

Mainpiece Title: A Comedy Within A Comedy; Or, The Foppish Merchant Turn'd Comedian For Love By Pantalon

Entertainment: Singing Dancing and Serenading after the Venetian Manner-; To which is added, A most noble Concert of Musical French Horns-; Songs-; accompany'd-the said Concert; Dance-Turkish Men, Turkish Women; at the Sound of Trumpets and Kettle Drums-; Dance call'd the King of Morocco's Diversions-Signor Grimaldo Francolino of Malta; and his most surprizing Activity and Strength in a Dance on his Knees with a wonderful heavy Machine upon his Head, never yet attempted by any one before-Signor Grimaldo Francolino

167
22 August 1727 @ Bartholomew Fair

Performances

Mainpiece Title: The True And Ancient History Of The Unnatural Parents; Or, The Fair Maid Of The West: Giving An Account How They Had Two Daughters, One Of Which They Fondly Lov'd, And The Other They Could Not Endure; So By Their Barbarity She Was Forced To Leave Her Father's House And Seek Her Fortune: With The Comical Humours Of Trusty, Her Father's Man, That Was Sent In Pursuit After Her, Who, In His Travels, Met With Three Witches That Hoisted Him Upon A Distaff, And Sent Him Flying Home Over The Houses

Dance: DDance-Wild Cats of the Woods

168
09 October 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Adventures Of Five Hours

169
07 March 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: The Vocal consisting of several Favourite Italian Songs-; Four English Ballads-a Gentlewoman who never appear'd on any Stage before; accompanied-; with Instruments Concerto-wise, after an entire New Manner. The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-

170
12 March 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Flora

171
23 January 1731 @ Goodman's Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Wedding; With the Skimmington, after the Manner of Hudibras

172
25 March 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The School Boy

Dance: I: Les Charactere de la Dance-Salle, Mlle Salle; II: Scottish Dance-Salle, Mrs Legar; III: New French Tambourin-Mlle Salle; After I Farce: Two Pierrots-Poitier, Nivelon; II: French Peasant A@la@Mode de l'Opera-Poitier, Mlle Salle

173
19 May 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Flora

Dance: I: Paschal-Miss Werrit , Scholar to Newhouse; III: Scotch Dance-Salle, Mrs Laguerre; IV: French Peasant-Newhouse, Miss Werrit; V: Fingalian-Newhouse, Mrs Ogden; After I afterpiece: A new Comic Dance-Newhouse, Miss Werrit

Song: II: Dialogue-Leveridge, Mrs Cantrell

174
26 May 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The School Boy

Dance: III: French Peasant-Mrs Laguerre; IV: Saraband, Tambourin-Miss Rogers, Scholar to Salle; After I afterpiece: Highlander and his Mistress-Salle, Mrs Laguerre

Song: II: Miss Rogers; V: Mrs Wright

175
04 May 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Tragedy of Tragedies

Dance: II: Tambourine-Miss Rogers; V: The Medley ; or, Hippisley's Drunken Man, attempted-Salway; with several Drunken Songs-; After Afterpiece: Hornpipe-Jones, Mrs Ogden

Song: III: Fond Echo Forbear, Thomasand Henry-Mrs Cantrel