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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Win Her and Take Her"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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79 results for: Title - Win Her and Take Her

51
17 October 1765 @ Covent Garden

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Perseus and Andromeda

52
11 May 1772 @ Covent Garden

Performances

Mainpiece Title: Cato

Afterpiece Title: The Cheats of Scapin

Entertainment: End: Interlude taken from Foote's Comedy of Taste: Lady Pentweazle-The Young Gentleman (who performed it last year at Drury Lane Theatre)

Ballet: II: The Wapping Landlady. As17720424[Sixfold Hornpipe, as17720424

53
23 August 1773 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Tobacconist

Entertainment: I: A Variety of Imitations Rhetorical and Vocal-Hutton; II: O What a Charming Thing's a Battle-Bannister; End: A New Song-Miss Wilde

Dance: End Interlude: A Tambourine Dance-Giorgi's Scholars

Monologue: Between Play and Entertainment: A Comic Interlude (taken from the Primitive Puppet Show) call'd A Sentimental Comedy; or, Piety in Pattens. Butler-Weston; Squire-Fearon; Mrs Candy-Mrs Palmer; Polly Pattens-Mrs Jewell

54
03 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The ChristmasTale

Dance: As17791122

55
03 April 1780 @ Covent Garden

Performances

Mainpiece Title: Woman's A Riddle; Or, The Way To Win A Widow

Afterpiece Title: The Spaniards Dismayed

Afterpiece Title: Poor Vulcan

Dance: As17800401

56
24 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Son-in-law

Dance: End III: The Country Wake-; End IV: The Italian Peasants, as17800530

Song: End: the following Catches: Suppose we sing a Catch, Soldier take off thy Wine, Poor Thomas Day-Bannister, Du-Bellamy, Wood, Edwin

57
11 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

58
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

59
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

60
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

61
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

62
20 May 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

63
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

64
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

65
10 December 1787 @ Covent Garden

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Farmer

66
05 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

67
05 November 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Arthur and Emmeline

68
04 November 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: No Song No Supper

69
20 December 1790 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

70
01 July 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Minor

Dance: End: a new Dance, The Kiss; or, Give and Take-Byrn, Platt, Mrs Goodwin, Miss DeCamp

71
11 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Follies of a Day

72
29 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Waterman

73
20 December 1793 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

74
29 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: THE CHILDREN IN THE WOOD

75
20 January 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Tit for Tat