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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "widow of the late Miles"/1) | (@(roleclean,performerclean) "widow of the late Miles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3393 results for: Keyword - widow of the late Miles
We found 2147 matches on Event Comments, 688 matches on Performance Comments, 599 matches on Performance Title, 160 matches on Author, and 0 matches on Roles/Actors.

1426
12 December 1752 @ Covent Garden

Event Comment: On Friday the 22nd a Benefit for Mrs Allen, Daughter of the late Thomas Allen, Barrister at Law, and Niece to the late Col. James Allen, who has for many years lost the use of her limbs by Palsy,--The Suspicious Husband, with entertainment as will be express'd in the Bill of the Day. Tickets to be had at Searle's Coffee House, Lincoln's Inn; at the Rolls, Chancery Lane; at George's Temple Bar; at Grigsby's behind the Change; at the Southsea Coffee House, Bishopsgate St.; and at the stage door, where places may be taken

Performances

Mainpiece Title: Zara

Afterpiece Title: Flora

Dance: As17521028

1427
04 September 1755 @ Haymarket Theatre

Event Comment: Benefit for Mrs Charke. By Authority. Mainpiece: Not acted these Seventeen Years. Wrote by the late Mr Lillo. Afterpiece: Wrote by the late Henry Fielding, Esq. Founded on a true Tragic Event which happened in Penryn, in Cornwall, in the reign of James I

Performances

Mainpiece Title: The Fatal Curiosity

Performance Comment: Original Prologue-Mr Cibber; and the part of Mrs Wilmot-Mrs Charke who originally performed it.
Cast
Role: and the part of Mrs Wilmot Actor: Mrs Charke who originally performed it.
Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder

Afterpiece Title: The Tragedy of Tragedies

Dance: A Hornpipe-Mrs Walker

1428
15 December 1756 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations. Not acted for 20 years. [See 28 April 1747. Some slight alterations were made by Dr Hawksworth (Genest, IV, 478).] The songs of the Interlude will be printed and deliver'd gratis at the Doors. This Day Publish'd Lilliput, a Dramatic Entertainment as it is performed at Drury Lane. Printed for Paul Vaillant, facing Southampton St. in the Strand, 1s. Receipts: #120 (Cross)

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: Jupiter-Ross; Sosia-Woodward; Mercury-Palmer; Alcmena-Mrs Yates, late Mrs Graham; Phaedra-Mrs Clive; Bromia-Mrs Macklin; Amphitryon-Havard; Polida-Walker; Tranio-Jefferson; Judge Gripus-Yates; Phoebus-Usher; Night-Miss Minors; In Which will be introduced a New Interlude of Singing, Dancing-Beard, Miss Young, others; New Occasional Prologue-.
Cast
Role: Alcmena Actor: Mrs Yates, late Mrs Graham
Role: Dancing Actor: Beard, Miss Young, others

Afterpiece Title: Damon and Phillida

Cast
Role: Corydon Actor: Taswell, 1st time for all the actors.

1429
14 February 1760 @ Haymarket Theatre

Event Comment: Benefit for Miss Karver. To be conducted in the same manner as in 1754. Boxes 5s. Pit 3s. Gallery 2s. To begin at seven o'clock. Miss Midnight had no concern in the management of a performance lately exhibited at the Haymarket under the above mentioned name, but was only there as a Performer

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Performance Comment: Bombasto, Signora Tambourina, Miss Karver, Miss Gaudry, a young Gentleman (1st appearance on the stage); Orations-Mrs Midnight; Instrumentals-the best performers With a band of originals, viz. Mynheer Broomsticado; Solo-Sg Twangdillo; and a Rhapsody on the Death of a late Noble Commander-Mrs Midnight.
Cast
Role: Instrumentals Actor: the best performers With a band of originals, viz. Mynheer Broomsticado
Role: and a Rhapsody on the Death of a late Noble Comman Actor: Mrs Midnight.

Afterpiece Title: The Contest of Love and Glory

Performance Comment: Prologue-the Genius of England.
Cast
Role: Prologue Actor: the Genius of England.

1430
18 September 1760 @ Southwark Fair

Event Comment: At Shuter's Great Theatrical Tiled Booth on the Bowling Green. Scenes and Habits entirely new. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at twelve o'clock. An excellent band of music is provided, consisting of Violins, Hautboys, Trumpets, Kettle Drums, &c

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: advertised as "with the tragic adventures of the Knight of the Woeful Countenance, and the Comic humours of his merry Squire Sancho Panca. An Entertainment intirely adapted to the taste of all Ladies, Gentlemen, Bucks, Bloods, and Choice Spirits; but more expecially those who are fond of Liberpy and Roast Beef. In which will be introduced a group of odd, but diverting characters, being the work of a great master in the Creative Faculty. To render the dish more agreeable to every palate, it will be garnished with singing and dancing-; particularly a song on the late Victories obtained by our Fleets and Armies, and a Welcome to Southwark Fair. With a Hornpipe-a British Genius; whose valour was conducive to the reduction of Quebec. The whole to conclude with the View of a magnificent Monument erected to the Memory of the late General Wolfe. And a Monody- to be spoken on the death of that brave and much lamented Hero.".
Cast
Role: And a Monody Actor: to be spoken on the death of that brave and much lamented Hero.".

1431
12 February 1762 @ Hickford's Room

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Hudson; Galatea-Mrs Pooke, late Miss Robinson; Choruses-Gentlemen of St James's, St Paul's, and Westminster Abbey; Polypheme-Cox.
Cast
Role: Galatea Actor: Mrs Pooke, late Miss Robinson

1432
02 June 1774 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Woodcock-Weston; Sir William, first time-J. Aickin; Young Meadows-DuBellamy; Eustace-Owenson; Rosetta-Mrs Smith; Hodge-King; Margery-Miss Pope; Lucinda-Mrs Scott; Deborah Woodcock-Mrs Love; [Mrs Smith and J. Aickin acted their parts for first time.] [In Act I, a Dance [incidental to the opera-.
Cast
Role: incidental to the opera Actor: .

Afterpiece Title: The Register Office

Performance Comment: As17740503, but LeBrush-King; Gulwell-Fearon; Scotchman-Moody; Frenchman-Burton; Frankly-Courtney. [Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]
Cast
Role: to conclude with the Description of a Man of Wa Actor: Moody.

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

1433
04 April 1778 @ Covent Garden

Performances

Mainpiece Title: Douglas

Performance Comment: As17771127, but Anna-Mrs Morton (late Miss Dayes).

Afterpiece Title: True-Blue

Performance Comment: As17780330but Characters-Mrs Morton, late Miss _Dayes [see above].see above].
Cast
Role: 780330but Characters Actor: Mrs Morton, late Miss _Dayes
Role: The Apprentice Actor: Lewis

Afterpiece Title: Three Weeks after Marriage

1434
25 November 1782 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

Performance Comment: Cast not listed. [Cast from London Chronicle, 26 Nov.: Captain-Bannister; Sailor-Brett; Gobble-Wilson; Ballad Singer-Wewitzer; Serjeant-Davies; Barber-Mills; Glazier-Darley; Vintner-Booth; Hatter-Doyle; Clod-Edwin; Whalebone-Stevens; Lucretia-Mrs Wilson; Polly-Miss Morris; Aerial Spirit-Mrs Martyr. Larpent MS adds the following parts: Harlequin, O'Flannegan, Ulan, Man with Books, Doctors, Taylors, Servants, Mob; Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi. Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi.
Cast
Role: Aerial Spirit Actor: Mrs Martyr. Larpent MS adds the following parts: Harlequin, O'Flannegan, Ulan, Man with Books, Doctors, Taylors, Servants, Mob

1435
08 April 1785 @ Haymarket Theatre

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Performance Comment: Cleone-Miss Llewellin (1st and last appearance on any stage); The rest of the characters by Gentlemen and a young Lady . The rest of the characters by Gentlemen and a young Lady .

Afterpiece Title: The Apprentice

Performance Comment: Dick (2nd time), and the other characters by the same Gentlemen and the Lady who performed the Farce, with universal applause, on the 24th of February .

1436
08 January 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: Dr Squib (for that night only)-Kean; Dr Julep-Follett; Dr Apozem-Simpson; The Devil-Griffiths; Printer's Devil-Follett Jun.; Invoice-Smith; Doctor Last-Decastro (1st appearance in that character); Harriet-Mrs Harlowe.
Cast
Role: The Devil Actor: Griffiths

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

1437
26 March 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Entertainment: End: a variety of Imitations-Kelly; Monologue. After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti

Performance Comment: After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti.
Cast
Role: A Monody on the late Mr Henderson Actor: the Gentleman who performs Zamti.

1438
08 December 1787 @ King's Theatre

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

1439
23 February 1789 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Afterpiece: Prologue by George Colman elder.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performance Comment: Theodosius-Wilkinson; Varanes-Baker; Pulcheria-Mrs Farrer; Athenais-Mrs Hemley.
Cast
Role: Theodosius Actor: Wilkinson
Role: Athenais Actor: Mrs Hemley.
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley-Wilkinson; the original Prologue-Wilkinson; Davy-Dawson (2nd appearance); Lady Minikin-Mrs Farrer; Miss Tittup-Mrs Hemley.
Cast
Role: the original Prologue Actor: Wilkinson

Song: End: The Noon Tide Airfrom Comus-Mrs Farrer; The Soldier tired of War's Alarms-Mrs Nathan

Entertainment: Monologue. After Singing: A Monody on the Death of the late Mr Henderson (2nd time)-Baker

Performance Comment: After Singing: A Monody on the Death of the late Mr Henderson (2nd time)-Baker.
Cast
Role: A Monody on the Death of the late Mr Henderson Actor: Baker.

1440
27 June 1789 @ Covent Garden

Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

1441
03 December 1790 @ Drury Lane Theatre

Event Comment: The Public is most respectfully informed that in consequence of the sudden Indisposition of Mrs Jordan the New Comedy is unavoidably deferred. [The original playbill and Public Advertiser both announce the 6th night of Better Late than Never (see 29 Dec.). The above is from a second playbill for this night in BM (Burney 937.c.7). "Mrs Jordan's Illness defers...Better Late than Never" (Kemble Mem., which lists the substitutes play).] Receipts: #123 5s. (83.19.0; 33.4.6; 6.1.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Cast
Role: The Mask Actor: Kelly

1442
17 January 1791 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 8th night of Better Late than Never (see 20 Jan.), but "The Play was to have been Better Late. I was hoarse, & could not act. Miss Farren refus'd to play Berinthia. Mrs Ward acted it for her" (Kemble Mem.).] Receipts: #253 6s. 6d. (208.6.0; 41.9.0; 3.6.6; tickets not come in: 0.5.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Fairy Favour

Cast
Role: Clown Actor: Fairbrother

1443
13 August 1791 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Performances

Mainpiece Title: Next Door Neighbours

Performance Comment: As17910718 but Prologue-_; Epilogue-_[and thereafter].and thereafter].

Afterpiece Title: The Padlock

Afterpiece Title: The Irishman in Spain

1444
03 December 1793 @ Drury Lane Theatre

Event Comment: The Public is most respectfully informed that in consequence of the sudden Indisposition of Mrs Jordan the New Comedy is unavoidably deferred. [The original playbill and Public Advertiser both announce the 6th night of Better Late than Never (see 29 Dec.). The above is from a second playbill for this night in BM (Burney 937.c.7). "Mrs Jordan's Illness defers...Better Late than Never" (Kemble Mem., which lists the substitutes play).] Receipts: #123 5s. (83.19.0; 33.4.6; 6.1.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

1445
22 April 1795 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Performance Comment: Characters-Everard, Mrs Gardner; [Larpent MS lists the parts: Freeman , Hearley , Trunnell , Tom , Mrs Doggrell .] A new Occasional Prologue-Thornton.

Afterpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby (for that night only)-Thornton (of the Theatre-Royal Windsor; 1st appearance in London); Canton-Everard (late of the Theatre-Royal Drury-Lane); Miss Sterling-A Young Lady (1st appearance on any stage [unidentified]); Mrs Heidelberg-Mrs Gardner (1st appearance since her return from the West Indies).
Cast
Role: Theatre Actor: Royal Windsor
Role: late of the Theatre Actor: Royal Drury-Lane

Afterpiece Title: The Author

Performance Comment: Cadwallader (with the original Prologue)-Everard; Prologue-Everard; Mrs Cadwallader-Mrs Gardner.

1446
12 February 1796 @ Covent Garden

Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.
Cast
Role: The Music Actor:
Role: Zadock the Priest Actor: .

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

1447
30 April 1796 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]

Afterpiece Title: All the World's a Stage

1448
14 October 1797 @ Drury Lane Theatre

Event Comment: [Miss Humphries, who was from the Private Theatre, Tottenham Court Road, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Barrymore as Sir Rowland, and Bannister Jun. as Walter, but "The Public are respectfully informed that Bannister being suddenly afflicted with a Hoarseness, and Barrymore having met with an unfortunate Accident, are both rendered incapable of the honour of appearing before them this Evening. To prevent a disappointment of The Children in the Wood Dowton will perform...Walter, and C. Kemble Sir Rowland, presuming humbly upon the usual kind indulgence experienced upon such emergencies" (printed slip attached to Kemble playbill).] Receipts: #259 18s. (160.0.6; 98.12.6; 1.5.0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Children in the Wood

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Performance Comment: Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!.
Cast
Role: A representation of the late engagement with the D Actor:
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald

1449
24 November 1797 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

1450
23 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Performance Comment: Selwyn-D'Arcy; Harry Hawser-Wathen; Michael Goto-R. Palmer; Stave-Suett; Dick-Mrs Edward; Angelica Goto-Miss Griffiths; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland; There stood Jonas- [from The Isle of St. Marguerite sic]-Mrs Bland.
Cast
Role: Harry Hawser Actor: Wathen
Role: There stood Jonas Actor:

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Cast
Role: A Musical Elegy on the late Mr Palmer Actor:
Role: The United Englishmen Actor: Munden
Role: The silken sash Actor: Mrs Bland.