SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two youngest Princesses"/1) | (@(roleclean,performerclean) "two youngest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3447 matches on Performance Comments, 2160 matches on Event Comments, 1677 matches on Performance Title, 750 matches on Author, and 0 matches on Roles/Actors.
Event Comment: On this date the masque was certainly acted, and the possible performance on 15 Feb. 1674@5 may have been a final rehearsal. Newdigate newsletters (Folger Shakespeare Library): This day the great maske at court is publiquely acted wch is intended to exceed all others of that Nature, the 2 young Princesses, the Duke of Monmouth & all ye principall persons of quality abt ye Court having parts in it (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 15 Feb. 1674@5: To-morrow the great mask at Court is to be publickly acted in all its bravery and pompe, the like of whch was never yett seene, all the greatest persons of quality about Court having pts in it

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Event Comment: Benefit Dupre. By Command. For the Entertainment of the Young Princesses

Performances

Mainpiece Title: Love's Last Shift

Song: As17161004

Dance: As17161009

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

Event Comment: Weekly Journal or British Gazetteer, 4 Oct.: His Majesty, and their Highnesses the Young Princesses were at the Play...the House being very full

Performances

Mainpiece Title: Henry Viii

Event Comment: Weekly Journal or Saturday's Post, 8 Aug.: On Monday last the young Princesses were at the Consort of Musick at the Theatre at Richmond, where were present a large Number of Persons of Quality

Performances

Mainpiece Title: Concert

Event Comment: Original Weekly Journal, 9 April: His Majesty was present; as were also their Highnesses the young Princesses, all in Black Velvet

Performances

Mainpiece Title: Numitor

Event Comment: By command of their Royal Highnesses, the young Princesses. Receipts: #151 19s. 6d

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Necromancer

Event Comment: [Their Majesties and the young Princesses present.]

Performances

Mainpiece Title: Pastor Fido

Event Comment: [Duke and the young Princesses present.]

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Dance:

Event Comment: Benefit the Author. [The young Princesses present.]

Performances

Mainpiece Title: Guilt Its Own Punishment

Afterpiece Title: The Rival Captains

Event Comment: Mainpiece: By Particular Desire. 3 of ye Young Princesses there-not in ye Bills. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: He Northern Heroes; Or, The Bloody Contest Between Charles The Twelfth, King Of Sweden, And Peter The Great, Czar Of Muscovy

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrific'd

Music: The Original Musick- as performed by Mrs Lee, with universal applause, about 15 years since

Event Comment: The Duke's Company. Pepys, Diary: [Mr Herbert] and I and the two young ladies and my wife to the playhouse, the Opera, and saw The Mayde in the Mill, a pretty good play

Performances

Mainpiece Title: The Maid In The Mill

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performance Comment: In Two Parts. Edition of 1700: Prologue-Mr Pinkethman [holding a Paper with Prick'd Notes, in his Hand; Epilogue-Mrs Rogers; Part II [1699 edition]: Prologue to the Second Part-; Epilogue for Miss Campian-.
Event Comment: Benefit Two Young Gentlemen. By a Company of Gentlemen. 5s., 3s., 2s. 7 p.m

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Mock Doctor

Music:

Dance:

Event Comment: Mainpiece: For the entertainment of two young Africans. On Friday 10 February will be perform'd a New Oratorio, call'd Susanna, with a Concerto. Pit and boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day, at the Office in Covent Garden Theatre, at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries opened at half past four. Pit and Boxes at Five. To Begin at Half an Hour after Six. [This advertisement repeated in the General Advertiser daily to 10 Feb. 1749.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit for Miss Falkner. We hear that the two young Africans will be at the Theatre Royal in Covent Garden this night, to see the Spanish Fryar, for the Benefit of Miss Falkner. [Page missing from the General Advertiser with the Bill this day.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Phoebe; or, The Beggar's Wedding

Song: Miss Falkner

Event Comment: Benefit for Jones. A Serenata. Books of which may be had at the theatre. To begin at twelve o'clock promptly (General Advertiser). To the Publick: Walking in St James's Park the other day, I followed two young Gentlemen along the Mall, and overheard one of them say to the other, "shall we go and offer sacrifice to the Manes of Milton?" To which the other reply'd "with all my heart." I must own I had some curiosity to know in what this ceremony would consist, and determined to observe them. I accordingly followed them at some distance, into Dodsley the Bookseler's in Pall Mall; where to my great satisfaction I found that this most acceptable sacrifice was only an offering of Charity to the Granddaughter of Milton; who on account of her age, her poverty, and her relation to that great Man, is to have a Benefit at Drury Lane Theatre on Wednesday next. I willingly joined in their devotions, and rejoice with the Publick on their having an opportunity of shewing their gratitude and Veneration to a man whose Genius reflects a lustre on the British Literature, and whose sentiments have added strength to the British liberties; to an author whose works have been the delight of our Fathers, and will be the Admiration of our sons: latest posterity; to an Englishman who is not only the Glory of our Country, but the Honour to Human Nature. This fair Opportunity of paying a respect to his Memory (the last of the kind that can be offered to us, as Mrs Foster is the only surviving branch of his family) must certainly be embraced with Eagerness and pleasure; all who have any pretence to an Elegant Taste, all lovers of Liberty, and every friend of the Muses, will surely crowd to the house on this distinguish'd night, and give at once an instance of the politeness of their manners, and the goodness of their hearts, I am, &c. A Lover of Milton (General Advertiser)

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Event Comment: marly Benefit for Hook. Price 3s. Vocals in Concert by Mas. Cheney, Two Young Ladies who never appeared in public, and Mrs Barthelemon

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo by Fisher; Concerto on Organ by Hook ; Concerto on French Horn by the celebrated Mr Cohen, musician to the Stadtholder, being the 1st time of his performing since his arriving in England

Event Comment: By Command of their Majesties. Afterpiece: A Comedy of two Acts never performed. Dr Thomas Francklin. [According to the Biographia Dramatica, "This is a poor performance, founded on Destouches' L'Amour Use, and met with no success; being nearly condemned, nothwithstanding the King and Royal family were present. Foote told his friends, that, when he lighted the King, to his chair, his Majesty asked who the piece was written by: 'It was written (says the wicked Wit) by one of your Majesty's Chaplains; but it is dull enough to have been written by a Bishop.)'"]

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Contract

Dance: A Tambourine Dance-

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .

Performances

Mainpiece Title: Timon Of Athens; Or, The Man Hater

Dance: Two French Peasants (new), Two Harlequins-Sandham, Mrs Santlow

Performances

Mainpiece Title: The Cheats

Dance: Two Harlequins and Two Punches-