SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two of three eldest Princesses"/1) | (@(roleclean,performerclean) "two of three eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2091 matches on Event Comments, 1334 matches on Performance Title, 448 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Mrs Charke. Mainpiece: Alter'd from Shakespear by Mrs Betterton. Afterpiece: a new Pastoral of two Acts. [Apparently not printed. Nicoll, Early Eighteenth Century Drama, p. 369, states that it was ascribed to T. Cibber.

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: Damon and Daphne

Dance: In I of Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

Ballet: In II: A Comic Rural Ballad called The Country Revels. Colin-Essex; Phoebe-Mrs Booth; Yeomen-Lally, Haughton; Yeomen's Wives-Miss Mears, Mrs Walter; Peasants-Lally Jr, F. Tench, Davenport; Peasant Women-Mrs Delorme, Miss Mann, Miss Price

Music: Concerto on the Violin-Charke; Music for two Vox Humanes, a new Invented Instrument-

Event Comment: Benefit Beard, Two Rows of the Pit will be laid into the boxes

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Country House

Dance: (IIn Daily Advertiser) I: Two Pierrots-Lalauze, Nivelon; III: Clown-Nivelon; V: Grecian Sailors-Glover

Song: (IIn Daily Advertiser)II: A new Cantata-Beard; In III: Chacon a Boire-Leveridge, Salway; IV: Beard; End I Afterpiece: Since Times are so bad (Purcell)-Leveridge, Salway

Event Comment: Benefit Two Citizens in Distress

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Honest Yorkshireman

Song: II: Miss Jones

Dance: V: Two Pierrots-Vallois, Delagarde

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality. Two Rows of the Pit will be laid into Boxes. [Tickets at Lally's House in Southampton-Row, Bloomsbury.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Honest Yorkshireman

Dance: I: Tambourine-Mlle Roland; II: Two Pierots-Lalauze, Desse; III: By particular Desire, a Ball Dance, concluding with a Minuet-Lally, Mlle Roland; IV: Comic Dance-Villeneuve, Miss Oates; V: Glover, Mlle Roland

Event Comment: For the Benefit and Increase of a Fund established for the Support of Decayed Musicians and their Families. Boxes half a guinea. Pit 5s. Galleries 3s. and 2s. Each Subscriber's Ticket will admit one into the Boxes or Pit, or two into the Gallery. 6:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Music: With the two new Concertos-; performed in the same this Season, for several Instruments. Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Chaplet

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Dance: End: A Comic Dance-two children, scholars of Daigville

Performances

Mainpiece Title: Omnipotence

Song: As17740225

Music: After the Song: New Concerto (Barthelemon) for two Trumpets-Serjeant Jr, Mas. Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323

Performance Comment: Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performance Comment: , Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c .
Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Performances

Mainpiece Title: Tamerlane

Event Comment: [T$Their Majesties, Prince and Princess of Wales, Duke, and two eldest Princesses present.

Performances

Mainpiece Title: Sabrina

Event Comment: By Command of His Royal Highness. [The Dances also by Command of the Prince.] Receipts: #82 9s. 6d. [Prince and two eldest Princesses present.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne

Dance: In afterpiece: Grand Dance of Momus (from Perseus and Andromeda)-; Hornpipe-Jones in Character of a Sailor; Tambourine-Miss Rogers

Event Comment: [T$Their Majesties, Prince, and two eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

Event Comment: [T$Their Majesties, Prince, and two eldest Princesses present.

Performances

Mainpiece Title: Coriolanus

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Song: Three songs (two being new)-Mrs del'Epine, the accompanying music composed by Greber

Music: As17031109

Dance: As17040124

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: The Constant Couple

Dance: Three Grand Entertainments (two of them entirely new)-Salomon, Mlle Violette, Cook

Event Comment: [P$Prince and the eldest Princesses present.

Performances

Mainpiece Title: Julius Caesar

Event Comment: A New Opera. [Music by Handel. Done into English by Humphreys. Their Majesties, Prince, eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

Event Comment: [T$Their Majesties, Prince, and eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

Event Comment: PPrince and Princesses of Wales, Duke, and Princesses present

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.
Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016