SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the younger Hilligsberg"/1) | (@(roleclean,performerclean) "the younger Hilligsberg")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3165 matches on Performance Comments, 768 matches on Performance Title, 750 matches on Author, 566 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Ambitious Step Mother

Performance Comment: Parts- Mossop, Fleetwood, Holland, Mrs Pritchard, Mrs Cibber, Miss Macklin Burton, Austin, Havard, Ackman, Scrase, Miss Hippisley; With the original Hymn to the Sun new set by Dr Arne-Beard, Miss Young, Miss E. Young; Genest, IV, p. 564-47, lists: Memnon-Mossop; Artaxerxes-Fleetwood; Artaban-Holland; Artemisa-Mrs Pritchard; Amestris-Mrs Cibber; Cleone-Miss Macklin.

Afterpiece Title: The Virgin Unmask'd

Event Comment: By Command of the Prince of Wales (playbill). Prince & 6 more (Cross). Receipts: #200 (Cross); #197 12s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Crononhotonthologos

Performance Comment: Aldiborontiphoscophornio-Perry; Rigdumfunnidos-Blakes; Venus, Cupid-Miss Young, Miss E. Young; Crononhotonthologos-Philips; Bombardinian-Burton; King of Antipodes-Walker; Fidler-Atkins; Captain-Brownsmith; Cook-Johnston; Queen-Miss Hippisley; Tatlanthe-Miss Mills.
Cast
Role: Tatlanthe Actor: Miss Mills.
Event Comment: [G$Goldsmith's Bee (1759, p. 9) glances at Yates's clowning in the part of the Mock Doctor in comparison with the stage business of the French actors in the same part. The Mock Doctor in France 'pleased with his latinate bamboozling of the clients, kicks up his legs, falling over backwards in his chair." The English actor just fingers his snuff box, and keeps pulling up his breeches.] Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Fleetwood; Mercutio-Palmer; Escalus-Bransby; Paris-Austin; Benvolio-Packer; Mountague-Scrase; Tibalt-Blakes; Capulet-Burton; Fryar Lawrence-Havard; Lady Capulet-Mrs Bennet; Nurse-Mrs Cross; Juliet-Miss Pritchard; With the Additional Scene Representing the Funeral Procession. The Vocal Parts-Champnes, Reinhold, Miss Young, Mrs Vernon, Miss E. Young; In Act I a Masquerade Danceproper to the play-Sg Giorgi, Master Roger; Minuet-Noverre, Miss Pritchard.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Male Coquette

Dance: IV: Shepherd's Holiday-Giorgi, Miss Baker

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17600920, but Vocal Parts in Funeral Procession-Lowe Champnes, Courtney, Fawcett, Kear, Fox, Mrs Vincent, Miss Young, Miss E. Young, Miss Reed, Mrs Matthews, Mrs Smith.

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Citizen

Afterpiece Title: The Old Maid

Dance: Entertainments of Dancing-Master Rogie, Miss Capitani

Event Comment: Benefit for Mrs Vincent. No Building on Stage. Afterpiece: Never perform'd there before, from a Comedy of Durfey's

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Counterfeit Heiress; or, The Boarding School

Dance: TThe Taylors, as17620107

Entertainment: After Comedy: Mr Hippisley's Drunken Man-Shuter

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; 1st Spirit-Ross; Elder Brother-Clarke; Younger Brother-White; 2nd Spirit-Young; The Lady-Mrs Ward; Bacchanals-Beard, Mattocks, Baker; Bacchants-Miss Brent, Miss Poitier, Miss Miller; 3rd Spirit-Miss Polly Young; Euphrosyne-Miss Poitier; Pastoral Nymph-Miss Catley, 1st appearance any stage; Sabrinaand the, song of sweet Echo=-Miss Brent; the Chorusses-Legg, Roberts, Dibdin, Mrs Lampe, Mrs Jones, Miss Davis, Miss Sledge; Dances incident to the masque-Sodi, Mad Manesiere, Tassoni, Granier, Sga Maranesi. With the usual Decorations and Machinery.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: The Double Disappointment

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts: Beard, Mattocks, Collins, Shuter, Dyer, Dunstall, Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White, Mrs Walker, Miss Davies, Miss Brent, Miss Hallam. Hawthorn-Beard; Justice Woodcock-Shuter; Young Meadows-Mattocks; Eustace-Dyer; Sir William Meadows-Collins; Hodge-Dunstall; Rosetta-Miss Brent; Lucinda-Miss Hallam; Deborah Woodcock-Mrs Walker; Margery-Miss Davies; Others-Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White (Edition of 1763); Dances Incident to the Opera-Maranesi, Miss Twist. (playbill).

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Performances

Mainpiece Title: The Citizen

Afterpiece Title: The Mayor of Garratt

Dance: As17630704

Event Comment: This Farce is suppos'd to be written by Mr King. & was tolerably well receiv'd. The Tunes are very dull (Hopkins). Farce well receiv'd (Cross Diary). Receipts: #144 2s. 6d. (MacMillan)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Love at First Sight

Dance: IV: The Provancalle, as17631014

Event Comment: Benefit for Yates. Set to music by Yates. Pit and Boxes 5s. Gallery 3s. The Serenata published this day at 6d. Books of the performance to be had at the Theatre

Performances

Mainpiece Title: The Choice Of Apollo

Music: Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; Concerto on Harpsichord-Yates; First Violin, Concerto-Barthelemon

Performances

Mainpiece Title: The Minor

Performance Comment: [As17730611but to avoid confusion full cast listed]: Smirk, Mrs Cole-Foote; the Minor-Aickin; Shift (with imitations)-Hutton; Sir William-Lloyd; Sir Richard-Howard; Loader-Davis; Transfer-Follett; Dick-Jacobs; Lucy-Miss Ambrose.
Cast
Role: the Minor Actor: Aickin

Afterpiece Title: A Trip to Portsmouth

Event Comment: Afterpiece: By Particular Desire. House (Hopkins Diary). Paid present to Messrs Younger & Kennedy [burnt out] #21 (Treasurer's Book). [See further payments to Kennedy 25 May. See also cg 12 May. An account of the fire given in Westminster Magazine, May 1774, p. 267: Mr and Mrs Kennedy who directed the company of performers at Richmond last summer were upon a visit to Mr Younger." Kennedy and Younger escaped, but Mrs Kennedy and a young friend, who had been reading in bed and who had fallen asleep without putting out the candle, were burned to death. Fire broke out at 2 o'clock in the morning.] Receipts: #261 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deserter

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Performance Comment: Principal Characters by King, Dodd, Bensley, Parsons, Baddeley, Whitfield, Webster, Mrs Baddeley, Mrs Hopkins, Miss Younge. [Cast from text (T. Cadell, 1778): Sir George Boncour-King; Young Kennel-Dodd; Mr Boncour-Bensley; Old Valence-Parsons; Old Kennel-Baddeley; Young Valence-Whitfield; Young Boncour-Webster; Miss Valence-Mrs Baddeley; Mrs Boncour-Mrs Hopkins; Miss Boncour-Miss Younge; Prologue-King; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: [Marshall is identified in Morning Herald, 2 June.] Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Massey; Eustace-Lamash; Young Meadows-A Young Gentleman (1st appearance on any stage [Marshall]); Lucinda-Miss Hale; Margery-Mrs Wells (from the Theatre at Exeter; 1st appearance in London); Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: The Author

Dance: End II: Tambourine Dance-Master Byrn, Miss Byrn

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: All the World's a Stage

Dance: In Act I of mainpiece a Country Dance incident to the Piece; End of Act II the Devonshire Minuet by the Miss Stageldoirs

Performances

Mainpiece Title: The City Madam

Afterpiece Title: Bon Ton

Dance: As17821107

Event Comment: Benefit for Sidney. Pit 1s. Gallery 6d. To begin at 7:00 precisely. Tickets to be had at the Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Song: End: The Wedding Day-Wilson

Entertainment: Monologue. Afterpiece to conclude: with an Occasional Address of Thanks-Sidney

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Cheveril-Lewis; Mr Mordent-Pope; Donald-Munden; Clement-Claremont; Grime-Davenport; Item-Emery (1st appearance in that character); Lenox (1st time)-Murray; Joanna (the Deserted Daughter)-A Young Lady (1st appearance on any stage [unidentified]); Lady Ann Mordent-the Late Miss Betterton [i.e. now Mrs Glover] (1st appearance in that character); Mrs Enfield-Mrs Whitmore; Betty-Miss Leserve; Mrs Sarsnet-Mrs Mattocks; Oraginal Epilogue-[the Young Lady, the Late Miss Betterton, Mrs Mattocks.the Young Lady, the Late Miss Betterton, Mrs Mattocks.

Afterpiece Title: The Social Songsters

Performance Comment: As18000426, but added: The Tight Little Island-Townsend; When Arthur first at Court began-Incledon, Linton, Denman; Old Towler-Incledon; Naval History-_; My Dolly was the fairest Thing-_; The Red Cross Knight-_; This Life is like a Country Dance-_.

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performance Comment: End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks.
Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Performance Comment: Edition of 1663: Salerno-Harris; Iberio-Betterton; Filomarini-Metborn; Lugo-Smith; Arviedo-Cadiman; Corbulo-Young; Peralta-Underhill; Gioseppe-the Elder Noke; Vindex-Sandford; Decio-Mrs Gibbs; Pyramena-Mrs Betterton; Diacelia-Mrs Long; Leandra-Mrs Williams; Menanthe-the Younger Noke; Joan-Turner; Instrumental Vocal and Recitative Musick by Mr John? Banister-; the Prologue to the King-; the Prologue to the House-; the Epilogue-The Slighted Maid; Epilogue to the King-.
Event Comment: As it was perform'd several times at court, by Persons of Great Quality, before his late Majesty King Charles II. With all the Scenes Which were originally Presented in it when acted at the Theatre, particularly the Fleet of Shipsv and the Hell Scenev, in which the Masquerade was perform'd

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Hametalhaz-the young gentleman who played Chamont on 7 July (Phillips); who speaks a new Epilogue-the young gentleman.

Song:

Dance:

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.