SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the younger Hilligsberg"/1) | (@(roleclean,performerclean) "the younger Hilligsberg")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3165 matches on Performance Comments, 768 matches on Performance Title, 750 matches on Author, 566 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Evelina

Dance: End I: L'Offrande a Terpsichore-, as17971202; End Opera: [a new grand Ballet, composed by Gallet with music by Bossi], Constante et Alcidonis- [but review in Morning Chronicle, 7 Feb., refers to Didelot, Mme Rose, Laborie, Mme Laborie, Mme Hilligsberg

Performance Comment: , refers to Didelot, Mme Rose, Laborie, Mme Laborie, Mme Hilligsberg.
Event Comment: Benefit Miss Porter. At the Desire of several Ladies of Quality. Admission as 21 May, but Gallery 1s

Performances

Mainpiece Title: The Busy Body

Performance Comment: Busy Body-Young Pervil; Sir Jealous-Young Ray; Sir George-Young Boman; Charles-Young Mills; Whisper-Young Norris; Miranda-Miss Younger; Isabinda-Miss Porter; Parch-Miss Lydell; With a new Epilogue-Miss Porter.
Cast
Role: Miranda Actor: Miss Younger
Event Comment: [By John Thurmond, Dancing Master.] The Scenes, Machines, Cloaths, &c. entirely New. The Scenes painted by Messieurs Tillemans, Eberlin, Devoto, and Dominic

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miser; or, Wagner and Abericock

Performance Comment: Miser (Quaker)-Cibber Jr; Pierrot (Starved Servant)-Roger; Wagner (Faustus' Heir, in Character of Harlequin)-Clark; Abericock (Spirit left him by Faustus)-Miss Robinson Jr; Harlequin's Servant (Clown)-Harper; Miller's Wife and Daughter (Quakers)-Mrs Wetherilt, Miss Tenoe; Four Spirits (Quakers) rais'd to entertain Harlequin-Young Rainton, Young Sandham, Miss Robinson, Mrs Walter; Spirits rais'd for the Celebration of Harlequin's Marriage: Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Mrs Young; Pomona-Mrs Booth; Statues-Thurmond, Lally, Roger, Essex.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Colombine's Father-Weaver; His Servants-Hallam Sr, Ray; Harlequin-Clark; Pierrot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridesmaids-Mrs Brett, Miss Lindar, Mrs Walter, Mrs Young; Children of Love representing two Harlequin s-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Harlequin's Triumph

Performance Comment: Miser-Cibber Jr; Pierot-Roger; Harlequin-Clark; Clown-Harper; Harlequin's Attendant Spirit-Miss Robinson Jr; Miller's Wife and Daughter-Mrs Wetherilt, Miss Tenoe; Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Miss Young; Pomona-Mrs Booth; Statues-Thurmond, Roger, Lally, Essex.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Mainpiece: Alter'd from Shakespear, by the late Mr Betterton. Afterpiece: Composed by Mons Roger

Performances

Mainpiece Title: King Henry The Ivth, Part Ii; With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Clombine's Father-Cibber Jr [possibly an error for Weaver; see17281101]; Servants-Hallam Sr, Ray; Harlequin-Cibber Jr; Pierot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridemaids-Miss Robinson, Miss Lindar, Mrs Walter, Mrs Roger; Children of Love, representing Two Harlequins-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Married Philosopher

Performance Comment: Parts-Quin, Hulet, Milward, Ryan, Walker, Chapman, Mrs Hallam, Mrs Younger, Mrs Stevens; but edition of 1731 lists: Sir Harry Sprightly-Ryan; Odway-Hulett; Old Bellefleur-Quin; Young Bellefleur-Milward; Horatio-Walker; Brush-Chapman; Melissa-Mrs Hallam; Violetta-Mrs Younger; Pinwell-Mrs Stevens; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]
Event Comment: [C+Charlotte in the afterpiece probably by Miss Hippisley. See 11 March 1760. No receipts in the Cross Diary.

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Fleetwood 1st time; Lady-Mrs Cibber; Spirit-Mrs Vernon; 1st Bacchanal-a Gentleman his 1st on the stage; Euphrosyne-a Gentlewoman her 1st on the stage; Elder Brother-Holland; Younger Brother-Packer; 1st Spirit-Davies; 2d Spirit-Master Simson; 2d Bacchanal-Champnes; Sabrina-Miss Young; (with song of) Sweet Echo-Miss Young; Nymph-Miss Eliz. Young; The dances-Giorgi, Miss Baker.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: The Apprentice

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: Pit and Boxes 5s. First Gallery 2s. Upper Gallery 1s. Alter'd from Fielding, in 2 Acts. To begin at 7:00 p.m. Singing and music for The Sot under the direction of Dr Arne. Program Desired by many Persons of Quality

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Music: As17980214

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Ryan, Walker, Hippisley, Egleton, Bullock, Spiller, Mrs Younger, Mrs Bullock, Mrs Parker, Mrs Moffet, Mrs Egleton; but edition of 1726 lists: Colonel Mockyouth-Hippisley; Beaumine-Walker; Galliard-Ryan; Squire Pert-Egleton; Sir John Cuddy-Bullock Jr; Trust-Spiller; Roger-Bullock Sr; Flora-Mrs Moffet; Graciana-Mrs Younger; Mrs Mincemode-Mrs Bullock; Mrs Fading-Mrs Parker; Frizle-Mrs Egleton;In which will be perform'd a Pastoral Entertainment of Musick-; Vocal Parts-Leveridge, Leguerre, Salway, Mrs Chambers, and others; the edition of 1726 lists: Strephon-Leveridge; Damon-Legare; Phyllis-Mrs Chambers; Prologue-; Epilogue-Mrs Younger in Boy's Cloaths.

Dance: Proper Dances-DuPre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

Performances

Mainpiece Title: The Female Fortune Teller

Performance Comment: Parts-Ryan, Walker, Quin, Hippisley, Hulett, Hall, Mrs Egleton, Mrs Parker, Mrs Younger, Mrs Moffett, Mrs Vincent, Mrs Morgan; but edition of 1726 lists: Spring-Quin; Ringwood-Rian; Sir Charles Mirmont-Walker; Owen Apwigeon-Hippisley; Mrs Joiner-Mrs Egleton; Frances-Mrs Morgan; Astrea-Mrs Parker; Clarinda-Mrs Mowfet; Scuttle-Mrs Younger; Mrs Apwigeon-Mrs Vincent; Prologue-Ryan; Epilogue-Mrs Younger.
Event Comment: Afterpiece: [By John Thurmond.] With variety of Scenes, Machines, and other Decorations

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: [By Thomas Southerne.] Receipts: #93 10s. 6d. Victor, History of the Theatres, II, 152: I happened to be behind the Scenes the first Night of this Comedy, and was very sorry to find that the Audience did not take the Age, as well as the great Merit of this Author, into their Consideration, and quietly dismiss this last weak Effort to please them. When they were hissing dreadfully in fifth Act, Mr Rich, who was standing by Mr Southern, asked him, if he heard what the Audience were doifg? His Answer was, No, Sir, I am very deaf.

Performances

Mainpiece Title: Money The Mistress

Performance Comment: Parts-Diggs, Quin, Ryan, Walker, Boheme, Hippisley, Hall, Mrs Younger, Mrs Bullock, Mrs Moffett; but edition of 1726 lists: Governor of Tangier-Diggs; Warcourt-Quin; Mourville-Ryan; Marsan-Walker; Don Manuel-Boheme; Wingrave-Milward; Davila-Hippisley; Mouluza-Hall; Mariana-Mrs Younger; Harriet-Mrs Bullock; Diana-Mrs Moffet; Teresa-Mrs Martin; Prologue by Welstead-Quin; Epilogue by George Jeffreys-Mrs Younger.
Related Works
Related Work: Money the Mistress Author(s): Thomas Southerne

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Dissembled Wanton; Or, My Son Get Money

Performance Comment: Principal Parts-Quin, Ryan, Walker, Hall, W. Bullock, Hippisley, Mrs Bullock, Mrs Younger, Mrs Laguerre, Mrs Egleton; but edition of 1727 lists: Lord Severne-Quin; Colonel Severne-Ryan; Beaufort-Walker; Sir Humphrey Staple-Hall; Toby-W. Bullock; Wormwood-Hippisley; Emilia-Mrs Bullock; Sir Harry Truelove-Mrs Younger; Jenny Staple-Mrs Legar; Lettice-Mrs Egleton; Prologue by a Gentleman of the Temple-Ryan; Epilogue by Molloy-Mrs Younger dressed as a Beau.
Event Comment: [By David Lewis.] Benefit the Author. N.B. By reason of the Heat of the Weather, the said Tragedy will be perform'd only for the Benefit of the Aug&thor (this Season). Receipts: money #18 15s.; tickets #126 16s. Probable attendance: boxes, 16 by money and 386 by tickets; stage, 12 by money; pit, 30 by money and 202 by tickets; slips, 1 by money; first gallery, 34 by money; second gallery, 34 by money

Performances

Mainpiece Title: Philip Of Macedon

Performance Comment: Principal Parts-Hulett, Walker, Ryan, Milward, Quin, Ogden, Mrs Younger, Mrs Berriman, but edition of 1727 lists: Perses-Walker; Philip-Hulett; Demetrius-Ryan; Antigonus-Milward; Lysimachus-Ogden; Onomastus-Horton; Didas-Quin; Herodorus-Lacy; Philocles-Berriman; Xychus-Morgan; Olympias-Mrs Younger; Isteria-Mrs Berriman; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: The Virgin Queen; Or, The Captive Princess

Performance Comment: Principal parts-Quin, Boheme, Walker, Milward, Ogden, Chapman, Mrs Buchanan, Mrs Templer, Mrs Younger; but edition of 1729 lists: Pallantus-Ryan; Axartes-Quin; Eumenes-Milward; Phraortes-Boheme; Mirza-Chapman; Arsamnes-Walker; Olympia-Mrs Buchanan; Artesia-Mrs Younger; Euryone-Mrs Templer; Prologue-Walker; Epilogue-Mrs Younger.
Event Comment: [By Nicholas Brady.]All the Characters new drest. Receipts: #67 8s

Performances

Mainpiece Title: The Rape; Or, The Innocent Impostor

Performance Comment: Principal parts-Boheme, Ryan, Quin, Walker, Milward, Hulett, Chapman, Mrs Berriman, Mrs Bullock, Mrs Younger, Mrs Buchanan, but edition of 1730 lists: King of Spain-Boheme; Alonzo-Quin; Sebastian-Ryan; Ramirez-Walker; Emanuel-Milward; Garcia-Hulett; Octavio-Chapman; Lionel-Ogden; Queen of Spain-Mrs Berriman; Queen Dowager of Portugal-Mrs Bullock; Emilia-Mrs Buchanan; Isabella-Mrs Younger; Merinda-Mrs Cantrel; Prologue-Ryan; Epilogue-Mrs Younger.
Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: Benefit Surel, the Harlequin. At the particular Desire of several Persons of Quality. Afterpiece: A New Dramatick Entertainment of Dancing. Composed by Mr Surel

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Fairy Queen; or, Harlequin Turn'd Enchanter

Performance Comment: Fairy Queen-Miss Raftor; Her Followers-Young Master Lally, Young Master Tench, Miss Robinson, Miss Brett; Shepherd-Rainton; Shepherd's Man-Wetherilt; Harlequin-Surel; Colombine-Mrs Walter.
Cast
Role: Shepherd's Man Actor: Wetherilt

Afterpiece Title: Concluding with the Loves of Shepherds and Shepherdesses

Event Comment: Never Acted before [By Lewis Theobald.] Receipts: #133 0s. 6d

Performances

Mainpiece Title: Orestes

Performance Comment: Parts-Quin, Ryan, Walker, Milward, Chapman, Hulett, Hall, Hippisley, Penkethman, Mrs Berriman, Mrs Younger, Mrs Buchanan, Miss Holiday; but edition of 1731 lists: Thoas-Quin; Orestes-Ryan; Pylades-Walker; Barzanes-Chapman; Araxes-Milward; Riphaeus-Aston; High Priest-Houghton; Magician-Hulett; Hecat-Hall; Grecian@Captain-Ray; Furies-Leveridge, Salway, Laguerre; Sailors-Penkethman, Hippisley, Smith, Wilcocks; Circe-Mrs Berriman; Iphigenia-Mrs Buchanan; Hermione-Mrs Younger; Laodice-Miss Holliday; Ghost of Clytemnestra-Mrs Templer; Goddess Pallas-Mrs Wright; Attendant on Circe-Mrs Forrester; Prologue-Walker; Epilogue by Fielding-Miss Younger.
Related Works
Related Work: Orestes Author(s): Lewis Theobald

Song: Vocal Parts-Leveridge, Laguerre, Rochetti, Salway, Mrs Wright, Mrs Carter, Mrs Cantrel

Dance: Salle, Nivelon, DuPre, Poitier, Glover, Newhouse, Pelling, DuPre Jr, Salle, Mrs Laguerre, Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Mossop; Elder Brother-Holland; 1st Spirit-Davies; Lady-Mrs Cibber; Euphrosyne-Mrs Clive; 2d Spirit-Master Simson; Younger Brother-Packer; Sabrina (and song, Sweet Echo)-Miss Young; Bacchanals-Beard, Champnes; Nymph-Miss Eliz. Young; The Dances-Giorgi, Sga Lucchi, Noverre, Dupuy, Miss Valcour.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: Queen Mab