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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the younger Hilligsberg"/1) | (@(roleclean,performerclean) "the younger Hilligsberg")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3165 matches on Performance Comments, 768 matches on Performance Title, 750 matches on Author, 566 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-A Young Gentleman [Mr Young]; Peachum-Shuter; Lockit-Dunstall; Filch-Wewitzer; Mat@o@Mint-Baker; Lucy-Miss Catley (by desire) first time; Mrs Peachum-Mrs Baker; Diana Trapes-Mrs Pitt; Polly-Mrs Mattocks; [In III, Hornpipe-Miss Besford; [Concluding with a Country Dance-the characters in the play.

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Event Comment: Mainpiece: not acted these two years. [See 23 May 1773.] [Young Lady identified by Hopkins MS Note.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Cast
Role: Other characters Actor:

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Benefit for Miss Pope. Mr Lee-Young Belmont (Hopkins). No Building on Stage; The Deuce is in Him oblig'd to be deferr'd. The Foundling not in 16 years. [See 26 March 1750.

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Afterpiece Title: Polly Honeycomb

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: II: The Shepherdesses, as17631014; End: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Aimworth-Mattocks; Sir Harry-Shuter; Fairfield-Hull; Giles-Reinhold; Mervin-DuBellamy; Ralph-Dyer; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-a Young Gentlewoman; Patty-Mrs Mattocks.
Cast
Role: Theodosia Actor: Mrs Baker

Afterpiece Title: The Upholsterer

Event Comment: [In mainpiece the playbill assigns Young Bevil to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #141 9s. 6d. (106/19/0; 34/6/6; 0/4/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Merchant of Venice; afterpiece of Love a-la-Mode, both announced on playbill of 2 Nov. In afterpiece the playbill assigns Young Wilding to Bonnor, but on the Kemble playbill a MS annotation substitutes Palmer.]

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Booth
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: The Lyar

Dance: As17841022

Event Comment: Afterpiece: Not acted these 4 years. [Bannister Jun.'s 1st appearance as Young Philpot was at the hay, 7 Sept. 1789.] Receipts: #191 5s. 6d. (162.7.0; 27.3.0; 1.15.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Citizen

Song: As17891017

Event Comment: Wrote by Sir Richard Steele...acted by the young Ladies educated at Mrs Defenne's@French@Boarding-School, at Wansworth in Surrey, with such Vivacity, Exactness, ad Justice, as charmed the Audience

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: Ballet: The Machinery in the Storm Scene entirely new. "Hilligsberg's graceful figure, and the naivety of her attitudes gives this little ballet irresistible interest. The young DelCaro does her [Mme Hilligsberg's] sister's part [as Virginie]" (Morning Chronicle, 13 Jan.)

Performances

Mainpiece Title: Semiramide

Dance: End Opera: Paul et Virginie-Mme Hilligsberg (will as usual performed in men's clothes [i.e. as Paul])

Event Comment: A Serious Opera; the music by Bianchi

Performances

Mainpiece Title: Merope

Dance: End I: L'Offrande a Terpsichore, as17971202

Ballet: End Opera: an entirely new allegorical Ballet, composed by Gallet [with music by Bossi] Le Triomphe de Themis[-Mme Rose, Mme Laborie, Laborie, Didelot, Mlle Hilligsberg, Mme Hilligsberg. [Cast from Morning Herald, 25 Dec.: America-Mme Rose, Didelot; Europe-Mme Laborie; Africa-Mlle Hilligsberg; Asia-Mme Hilligsberg[. Ibid, 26 Dec., also lists, unassigned: Themis-; Neptune-; Eolus-; Hope-; Genius of Britain-; Thames-; Genius of France-; Genius of Spain-; Genius of Holland-; Arts and Commerce-; Discord-; Jacobinism-; The Eumenides-; The Crimes-[and has synopsis of action]

Performance Comment: [Cast from Morning Herald, 25 Dec.: America-Mme Rose, Didelot; Europe-Mme Laborie; Africa-Mlle Hilligsberg; Asia-Mme Hilligsberg[. Ibid, 26 Dec., also lists, unassigned: Themis-; Neptune-; Eolus-; Hope-; Genius of Britain-; Thames-; Genius of France-; Genius of Spain-; Genius of Holland-; Arts and Commerce-; Discord-; Jacobinism-; The Eumenides-; The Crimes-[and has synopsis of action].and has synopsis of action].
Cast
Role: Africa Actor: Mlle Hilligsberg
Role: Asia Actor: Mme Hilligsberg
Role: Themis Actor:
Role: The Eumenides Actor:
Role: The Crimes Actor:
Event Comment: Benefit for Mlle Hilligsberg. Tickets to be had of Mlle Hilligsberg, No. 7, Great Suffolk-street

Performances

Mainpiece Title: The 1st Act Of La Buona Figliuola

Afterpiece Title: The Last Part of La Villanella Rapita

Dance: End I: an entirely new ballet, Les Caprices-Labourie, Mlle Hilligsberg [and see17900406]; End Opera: [an entirely new ballet, La Jalousie sans Raison-Labourie, Mlle Hilligsberg [and see17900415]

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 10, St. Alban's-street

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 36, Great Pulteney-street, Golden-square

Performances

Mainpiece Title: Nina

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

Cast
Role: Damophile Actor: Mme Hilligsberg
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 1st ballet: 1st time; composed by D'Egville; music by Bossi. 2nd ballet: 1st time at this theatre; composed by D'Auberval, and under the direction of D'Egville. [In all subsequent performances billed as La Fille Mal Gardee.

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Hylas et Temire-; End: Honi Soit qui mal y Pense; ou, La Fille Mal Gardee=-[see dl, 8 May]; Minuet of Four-Mme Rose, Didelot, Laborie, Mme Hilligsberg

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performance Comment: L. Hilligsberg Sen .
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).
Cast
Role: Alithea Actor: Miss Chapman
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Performance Comment: Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg.

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performance Comment: Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years).recte 7] years).
Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Performances

Mainpiece Title: Concert

Music: Vocals by Miss Cecilia Young, Miss Isabella Young, Miss Esther Young. First Violin by Festing. Concerto on French Horn by Charles. Solo on German Flute by Balicourt. Handel's Water Piece. Preamble on Kettle Drums by Benjamin Baker

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Guardian

Song: I: Johnny and Kate-Beard, Miss Young; III: A Cantata-Miss Young; IV: Miss Young

Event Comment: Benefit for Younger and Miss Polly Young. No Building on Stage

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: As17630326 but Flareit-Mrs Younger, 1st time; Amanda-Mrs Lessingham, 1st time.
Cast
Role: Flareit Actor: Mrs Younger, 1st time

Afterpiece Title: The Dragon of Wantly

Cast
Role: Dragon Actor: the Giant

Song: II: Ah se un Cor Barbaro-Miss Young; III: Nymphs and Shepherds set by Dr Arne,-Miss Young

Dance: TThe Sicilian Peasants, as17621125

Event Comment: Benefit Shepard and Young Rainton. Written by the late Mr Wycherly

Performances

Mainpiece Title: The Plain Dealer

Dance: End II: The Muzette-Young Rainton, Miss Robinson; III: Dutch Skipper-Thurmond, Mrs Tenoe; IV: Country Dance-Young Rainton, Miss Robinson; V: Harlequin-Rainton

Performances

Mainpiece Title: Concert

Music: Vocal by Miss Cecilia Young and Miss Isabella Young. Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums

Performance Comment: Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums .
Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Bayes in Petticoats

Performance Comment: The principal parts-Woodward, Beard, Blakes, Miss Minors, Miss Thomas, Mrs Clive. (See17531031).
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Song: Between the acts: Miss Young