Event Comment: [The new scenes and Decorations which continue to be noted for the afterpiece will not be recorded here further.] Receipts: #110 (Cross)

Event Comment: This play is alter'd, that is all the Comedy is cut out, & is still 5 short Acts went off well-but heavy (Cross). Mainpiece: A Reviv'd Tragedy, alter'd from Southern. Receipts: #200 (Cross). [See Theatrical Review, 1757 and 1758, for comment: "The distress of the first three acts is exquisitely wrought, and withal naturally; but the Fourth seems to me to have little or no grounds, but in Isabella's diseased fancy, and romantic notion....As to the distress of the Fifth it is prodigious."

Event Comment: This is ye same farce that was play'd for Woodward's Benefit last Years, & call'd Ye Modern fine Gent: (Cross). Receipts: #200 (Cross). [See Theatrical Review, 1757 and Beginning of 1758 for comment on Male Coquette: 'On the whole the beauties of this little comedy exceed the faults in number and importance." The reviewer gives a nine-page review, cannot guess who wrote the piece, suggests Murphy.

Event Comment: Receipts: #155 6s. Paid Barry one third of the surplus of the night's receipts above the #80 allow'd for the charge: #25 2s. (Account Book)

Event Comment: Receipts: #106 11s. Paid Barry one third of surplus above the #80 allow'd for charges: #8 17s. (Account Book). [House, after meeting Saturday's payroll, is #205 3s. 2d., in the red again.

Event Comment: By Authority. Mainpiece: Written by the late C. Cibber, Esq; Poet Laureate. Boxes 5s. Pit 3s. Gallery 2s. Nothing under full price can be taken during the whole time of performance. No persons can be admitted behind the scenes. Doors to open at Five and Curtain rise half an hour after Six

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Event Comment: Benefit for Barrington and Mrs Lampe. No building on stage. Receipts: by income from tickets: Barrington #90 16s. (boxes 142; pit 286; gallery 12); Mrs Lampe, #53 2s. (boxes 52; pit 180; gallery 131) (Account Book). [The original title of afterpiece, a burlesque opera by Henry Carey, was Margery; or, A Worse Plague than the Dragon a sequel to the Dragon of Wantley. The music was advertised as by the late Mr Lampe.

Event Comment: Benefit for Costollo and Mrs Green. Tickets sold at the Doors will not be admitted. Receipts: #56 0s. 6d. Charges: #63. Deficiency of #3 9s. 9d. each covered by income from tickets: Costollo, #92 17s. (boxes 72; pit 367; gallery 198); Mrs Green, #37 7s. (boxes 55; pit 106; gallery 77). Paid Robertson for working the Ostridge in [Harlequin] Sorcerer 6 nights at 2s. 6d. per night, 15s. (Account Book)

Event Comment: Benefit for Burton and Philips. Mainpiece: At the Particular Desire of several Persons of Quality. Not acted these 10 years. [See 18 Dec. 1749.] Music for Afterpiece compos'd by Mr Arne. Tickets deliver'd by Clough, Mossop, Peacop and Mrs Addison will be taken. Receipts: #220 (Cross)