Event Comment: Benefit for Dunstall and Mrs Dunstall. Afterpiece: Not acted these two years. Tickets sold at the Door will not be taken

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Event Comment: Receipts: #65 19s. 6d. [First payroll of the season for 103 actors, actresses, servants, and dancers, covering four performances, was #112 9s. (Account Book).

Event Comment: Mainpiece: Being the Death of the Duke of Buckinghamv; the Trial and Divorce of Queen Catherinev; the Death of Cardinal Wolseyv; The Christening of Princess Elizabethv; and many other Historical Passages. [This customary note accompanying each subsequent announcement this season will not be repeated further.] Receipts: #120 (Cross)

Event Comment: MMr Foote Play'd (Cross). Receipts: #120 (Cross). [The Theatrical Review, 1757-58, p. 48, comments on the afterpiece]: I read the farce before I could see it performed; the judgment I then passed on it was not in its favor, and the exhibition did not make any material alteration in my way of thinking. I laughed indeed much more than I had done in reading it, but on recollection I was not a little displeased to find that I was laughing at an individual not at a species

Event Comment: Tomorrow will be reviv'd the Tempest, as written by Shakespear. Receipts: #180 (Cross)

Event Comment: As Written by Shakespear. The Words of the songs will be printed and deliver'd Gratis at the Door of the Theatre. [These notes appear on all subsequent announcements of the play this season and will not be recorded further.] Receipts: #150 (Cross)

Event Comment: [M$Miss White as Sylvia is identified by a note in the Account Book.] Receipts: #58 19s. (Account Book.

Event Comment: [The new scenes and Decorations which continue to be noted for the afterpiece will not be recorded here further.] Receipts: #110 (Cross)

Event Comment: This play is alter'd, that is all the Comedy is cut out, & is still 5 short Acts went off well-but heavy (Cross). Mainpiece: A Reviv'd Tragedy, alter'd from Southern. Receipts: #200 (Cross). [See Theatrical Review, 1757 and 1758, for comment: "The distress of the first three acts is exquisitely wrought, and withal naturally; but the Fourth seems to me to have little or no grounds, but in Isabella's diseased fancy, and romantic notion....As to the distress of the Fifth it is prodigious."

Event Comment: This is ye same farce that was play'd for Woodward's Benefit last Years, & call'd Ye Modern fine Gent: (Cross). Receipts: #200 (Cross). [See Theatrical Review, 1757 and Beginning of 1758 for comment on Male Coquette: 'On the whole the beauties of this little comedy exceed the faults in number and importance." The reviewer gives a nine-page review, cannot guess who wrote the piece, suggests Murphy.

Event Comment: Receipts: #155 6s. Paid Barry one third of the surplus of the night's receipts above the #80 allow'd for the charge: #25 2s. (Account Book)

Event Comment: Receipts: #106 11s. Paid Barry one third of surplus above the #80 allow'd for charges: #8 17s. (Account Book). [House, after meeting Saturday's payroll, is #205 3s. 2d., in the red again.

Event Comment: By Authority. Mainpiece: Written by the late C. Cibber, Esq; Poet Laureate. Boxes 5s. Pit 3s. Gallery 2s. Nothing under full price can be taken during the whole time of performance. No persons can be admitted behind the scenes. Doors to open at Five and Curtain rise half an hour after Six

Event Comment: Afterpiece: An Entertainment in Grotesque Characters, not acted these 4 years.[See 2 Dec. 1754.] The Scenes, Habits and Decorations entirely new. Receipts: #190 (Cross)

Event Comment: Tomorrow the New Tragedy call'd Agis. Receipts: #100 (Cross)

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)