SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the two Signori Besozzi"/1) | (@(roleclean,performerclean) "the two Signori Besozzi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1009 matches on Event Comments, 900 matches on Performance Title, 332 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Barthelemon. Tickets to be had of Barthelemon at his house at Vauxhall

Performances

Mainpiece Title: Eliza

Cast
Role: Liberty Actor: Mrs Barthelemon.

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Performance Comment: Principal Characters by Borselli, Forlivesi, Fineschi, Delicati, Torregiani, Sga Graziani, Sga Borselli, Sga Delicati. Cast from libretto (C. Etherington, 1789): Lubino-Borselli; Prince of Spain-Giuseppe Forlivesi; Corrado-Fineschi; Lisargo-Delicati; Tita-Paolo Torregiani; Queen of Spain-Sga Clementina Graziani; Ghita-Sga Elisabetta Borselli; Lilla-Sga Margherita Delicati.

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: Benefit for Fox, Chapman, Johnston, Dale & the young D'Egvilles. Receipts: #56 18s. 6d. (40.7.0; 15.0.0; 1.11.6; tickets: none listed) (charge: #112 2s. 11d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Island of St

Cast
Role: The Mask Actor: Kelly

Dance: End II: La Fete Marine- [see17910520]; End: a new Dance, Cupid Recruiting[; or, The Female Volunteer-; La Cossaque et Le Pas Russe-the two young D'Egvilles, the two Miss Blanchards, Miss D'Egville, Miss DeCamp

Event Comment: Benefit Rawlins and Cook. Tickets for The Amorous Widow taken this Day. Receipts: #66 6s

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Dialogue between a Drunken Smith and his Wife-Cook, Newberry; Trumpet Song-Rawlins never perform'd on that Stage before; Two/Part Song-The Two Boys never perform'd but once before

Dance: As17150512; Also Dutch Skipper-delaGarde, Mrs Bullock

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840318but omitted: the two Miss Simonets; End of Act II Dance, as17840318End of Opera Divertissement by all the principal Dancers

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)
Event Comment: The United Company. The date of the first production is not known. The play was entered in the Term Catalogues, June 1689, and announced in the London Gazette, 24-27 June 1689. In the extreme scarcity of information concerning the theatres during the disturbed winter of 1688-89, it is difficult to know when this play may have been first presented. It was probably acted not later than April, possibly in March

Performances

Mainpiece Title: The Fortune-hunters; Or, Two Fools Well Met

Performance Comment: Edition of 1689: Sir William Wealthy-Leigh; Tom Wealthy-Kynaston; Young Wealthy-Mountfort; Spruce-Nokes; Shamtown-Baker; Littlegad-Bowman; The Lady Sly-Mrs Leigh; Sophia-Mrs Butler; Maria-Mrs Mountfort; Mrs Spruce-Mrs Knight; Prologue-; Epilogue-.
Cast
Role: The Lady Sly Actor: Mrs Leigh
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: Ye Q: a Box & a Box for ye Maids Honor Amphitrion. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not known, and it is doubtful that this one is the first; the premiere may have occurred early in October. The Songs and Music were published in 1690 and again in 1691, and have been edited by the Purcell Society, XVI (1906), iii-vi. Dedication, Edition of 1690: But what has been wanting on my part, has been abundantly supplied by the Excellent Composition of Mr Purcell; in whose person we have at length found an English Man equal with the best abroad. At least, my Opinion of him has been such, since his happy and judicious performances in the late opera [The Prophetess], and the experience I have had of him, in the setting my three Songs for this Amphitryon": To all which, and particularly to the composition of the Pastoral Dialogue, the numerous Quire of Fair Ladies gave so just an Applause on the Third Day. Cibber, Apology, I, 113: As we have sometimes great Composers of Musick who cannot sing, we have as frequently great Writers that cannot read; and though without the nicest Ear no Man can be Master of Poetical Numbers, yet the best Ear in the World will not always enable him to pronounce them. Of this Truth Dryden, our first great Master of Verse and Harmony, was a strong Instance: When he brought his Play of Amphytrion to the Stage, I heard him give it his first Reading to the Actors, in which, though it is true he deliver'd the plain Sense of every Period, yet the whole was in so cold, so flat, and unaffecting a manner, that I am afraid of not being believ'd when I affirm it

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: The music by Henry Purcell. Edition of 1690: Prologue-Mrs Bracegirdle; Jupiter-Betterton; Mercury-Lee; Phoebus-Bowman; Amphitryon-Williams; Sosia-Nokes; Gripus-Sandford; Polidas-Bright; Tranio-Bowen; Alcmena-Mrs Barry; Phaedra-Mrs Montfort; Bromia-Mrs Cory; Night-Mrs Butler; Epilogue-Phaedra.

Performances

Mainpiece Title: The Fairy Queen (one Act)

Afterpiece Title: Marriage a la Mode (made into two acts)

Song: Singing in Italian and French-Signora Joanna Maria; accompanied-Gasperini, Saioni

Dance: As17030123

Performances

Mainpiece Title: The Constant Couple

Song: A New Song written by Mr Durfey, Set and-Mr Leveridge

Dance: Irish Dance-Claxton; five dances (two new)-Devonshire Girl

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly a Song-[Hughes] [before Her Majesty, in Congratulation of Her Majesty's Happy Accession to the Crown; [Also several Entertainments-Mr Dean, Signior Francisco; [And three New Songs [never perform'd anywhere-Mr Hughs; [And that much celebrated Song for the Trumpet[, perform'd originally-Mr Pate [in The Island Princess, beginning Rouse ye Gods of the Main; [Also a Sonata for two Trumpets-; [and positively there will be perform'd an Extraordinary Entertainment on the Arch/Lutes-an Eminent Master [who never perform'd there before; accompanied-Mr Dean, others

Event Comment: Benefit Mrs Prince. By reason of the Entertainment, the Play will be shortened. Boxes 6s., pit 4s., gallery 2s. 6d. [Genest, II, 293, lists this for 7 June.

Performances

Mainpiece Title: The Fair Penitent

Song: Four new songs, the Nightingale Song-Francisca Margarita del'Epine, with music composed by Jacomo Greber

Dance: As17030601 Also Mezzetin a Clown and two Chair/men-; Blouzabella-Prince, Mrs Elford

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music with several single songs and two-part songs-Cook, Davis

Event Comment: At the Penkethman-Bullock-Simpson Booth, over against the Hospital Gate. Mainpiece: A Comedy being all new Writ

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifice; With The Comical Humours Of Nurse And Her Two Sons, Toby And Ezekiel; Together With The Pleasant Manner Of Didimo, Toby's Son

Entertainment: Singing and dancing-

Event Comment: For the Entertainment of several Foreign Ministers

Performances

Mainpiece Title: The Libertine Destroy'd [don John]

Music: Italian sonatas for violin composed by Archangelo Corelli-Gasperini, others

Song: As17031102

Dance: Harlequin Man and Woman-Laferry, Mrs Bicknell; two new Entries-DuRuel

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Song: Three songs (two being new)-Mrs del'Epine, the accompanying music composed by Greber

Music: As17031109

Dance: As17040124

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

Performance Comment: Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone.

Performances

Mainpiece Title: The Spanish Fryar

Music: Italian Sonatas on the Violin-Gasperini; An extraordinary piece of Musick compos'd for a Flute and a Violin-Gasperini, Mr Paisible

Song: Good

Dance: Indian Tambour-the two Devonshire Girls, a little Boy

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music , composed by that great Italian Master Seignior Gioseppe Saggion-; With several Sonatas with Flutes and Hautboys-; and likewise a Sonata with two Flutes-Mr Paisible, Mr Bannister; And several Songs in Italian with Flutes and Hautboys,-Seigniora Maria Margarita Gallia, who never Sung in any publick Consort in England but once; The whole being entirely new composed and accompanied-Seignior Gioseppe Saggion; And likewise several Songs in English, composed by the late Famous Mr Henry Purcell-

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; the Vocal Part,several Italian songs-Signior Gioseppe Olzi, who sings several Italian Songs with the Trumpet and other Instruments; accompany'd-Mr Dupare; Likewise several Sonatas for a Flute and Violin-Signior Gasperini, Mr Paisible; Sonata for two Flutes-Mr Paisible, Mr Banister; With variety of other Sonatas for the Violin, compos'd by Mr Corbett.

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Libertine Destroy'd

Music: With the two Masques of Musick which were originally perform'd in the Play compos'd by the late famous Mr Henry Purcell-

Dance: As17040525

Event Comment: Benefit Short and Mrs Willis. Mainpiece: Not Acted these Five Years. Afterpiece: in four Musical Entertainments

Performances

Mainpiece Title: The Comical Transformation; Or, The Devil Of A Wife

Afterpiece Title: The Loves of Mars and Venus

Song: Mrs Willis' two Daughters

Dance: Mrs Willis's two Daughters, who never perform'd before

Event Comment: Benefit Seigniora Maria Margarita Gallia. At the Desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music composed by that Great Italian Master Seignior Gioseppe Saggion-; With several Sonatas with Flutes and Hautboys, and likewise a Sonata for two Flutes-the best Masters; And several Songs in Italian, with Flutes and Hautboys-Seigniora Maria Margarita Gallia, who never Sung in any publick Concert in England but twice; The whole being new composed and accompanied-Seignior Gioseppe Saggion; And likewise several Songs in English composed by the late Famous Mr Henry Purcell-