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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the elder George Colman"/1) | (@(roleclean,performerclean) "the elder George Colman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5464 results for: Keyword - the elder George Colman
We found 4195 matches on Author, 892 matches on Performance Comments, 690 matches on Event Comments, 204 matches on Performance Title, and 0 matches on Roles/Actors.

5401
05 March 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

5402
03 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Cast
Role: Captain of the Guards Actor: Alfred

5403
17 September 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

5404
10 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Performance Comment: Vocal and Rhetorical Characters by Connell, Henley, Mitchell; Miss Barnard, A Gentleman [sic], Mrs Henley, Mrs Bolton, Mrs Bradshaw, The Lady who is to perform Mrs Cadwallader .

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

5405
11 February 1785 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit 51. 1st Gallery 3;. 6d. 2nd Gallery is. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performance Comment: [In subsequent seasons this was performed under the title of Redemption]. Principal Vocal Parts by Norris, Reinhold; Miss George, Miss Phillips. 1st Violin-Richards .

5406
19 February 1785 @ Drury Lane Theatre

Event Comment: "What a 'monstrous marring' ... is made amongst the wierd sisters! Mrs Wrighten laughing and talking the whole time, [and Miss] George who cannot help joining in a laugh . . . Mrs Siddons's sleeping scene [is] we think the greatest act that has in our memory adorned the stage" (Public Advertiser, 24 Feb.). Receipts: #279 6s. 6d. (250/0/0; 28/9/0; 0/10/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Too Civil by Half

5407
12 March 1785 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Midas

Performance Comment: As17841213. imitations. End of mainpiece the celebrated Musical Child (from the Pantheon) will perform a Musical Oglio, consisting of various Theatrical and Vocal Imitations [of Miss George, Mrs Bannister, Sga Sestini, Mrs Martyr, Mrs Wells, Edwin (Morning Chronicle, 16 Mar., which also states, without further indentification, that the performer was a young girl)] .

5408
07 July 1785 @ Haymarket Theatre

Event Comment: Turk, and No Turk [announced on playbill of 6 July] is unavoidably postpon'd on Account of Miss George's Illness

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: The Agreeable Surprise

Dance: As17850706

5409
14 March 1786 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Performance Comment: Characters by Holman, Davies, Fearon, Farren; Miss Stuart, Miss Brunton. [Cast from European Magazine, Mar. 1786, p. 209: Werter-Holman; Sebastian-Davies; Leuthrop-Fearon; Albert-Farren; Laura-Miss Stuart; Charlotte-Miss Brunton.] Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: Barataria

Performance Comment: As17850926, but Mary the Buxom (1st time)-Mrs Brown .
Cast
Role: Mary the Buxom Actor: Mrs Brown

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Performance Comment: The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister .

5410
22 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860310but added: Pious orgies [by Miss George (Public Advertiser, 31 Mar.)]; March (Judas Maccabaeus) .
Cast
Role: . He gave them hail Actor: stones by Chorus

Music: End of Part II concerto, as17860308athi

5411
24 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Vocal Parts as17860308The trumpet shall sound was sung by Bellamy; I know that my redeemer liveth by Miss George (Morning Chronicle, 25 Mar.).] hathi.

Music: End of Part I concerto on the violin by Shaw

5412
29 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860322but Where is this stupendous stranger? [i. e. Verdi prati] by Master Pring; He masbrought as a lamb [i. e. Nel riposo] by Bellamy; Holy Lord God Almighty [i. e. Dove sei] by Miss George; added: When the earth was without form by Arrowsmith; Master Pring as soloist in In sweetest harmony .
Cast
Role: . He gave them hail Actor: stones by Chorus

Music: End of Part I concerto on the violoncello by Mason

5413
01 November 1786 @ no theater listed

Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

5414
11 April 1787 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Guardian

Performance Comment: The Guardian-Pope; Sir Charles Clackit-Quick; Young Clackit-Brown; Lucy-Mrs Morton; Harriet-Miss Brunton.
Cast
Role: The Guardian Actor: Pope

Dance: II: a Masquerade Dance-incident to the Play; End: The Indian's Ransom, as17870217

5415
01 May 1787 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

5416
20 August 1787 @ Haymarket Theatre

Event Comment: The Young Quaker [announced on playbill of 18 Aug.] is obliged to be deferred on Account of the Indisposition of Miss George

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Agreeable Surprise

5417
28 March 1788 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece: Written by Sheridan. Public Advertiser, 13 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #260 18s. 6d. (156.12.0; 7.1.6; tickets: 87.5.0)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Twin-Rivals Author(s): George Farquhar
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Booth

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

5418
15 December 1788 @ Covent Garden

Event Comment: [The singing of the national anthem had reference to the mental breakdown which had recently afficted George III.] Receipts: #145 8s. 6d. (136.17.0; 8.11.6)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Catherine and Petruchio

Cast
Role: Catherine Actor: Mrs Mattocks.

Song: End: God save the King-Bannister, Johnstone, Blanchard, Davies, Darley, Cubitt, Rock, Bonville, Janson, Lee

5419
11 February 1790 @ Covent Garden

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Performance Comment: Florizel-Holman; Polixines-Aickin; Antigonus-Hull; Camillo-Powel; Clown-Cubitt; Autolicus (the Ballad@singing Pedler)-King; Dorcas-Miss Rowson; Mopsa-Mrs Byrne; Perdita-Miss Brunton.
Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

Performance Comment: After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King.

5420
01 May 1790 @ Drury Lane Theatre

Event Comment: Benefit for the General Lying-in Hospital, St. George's Row, near Tyburn Turnpike. Receipts: #212 12s. (79.11; 23.2; 3.16; tickets: 106.3) (charge: #116 10s. 1d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: As17900210

5421
04 June 1790 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Cameron, Percey, George, Woollams. Receipts: #272 12s. (13.4.0; 7.11.6; 2.6.6; tickets: 249.10.0) (charge: #105 19s. 10d.)

Performances

Mainpiece Title: The Hypocrite

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: The Apprentice

Dance: As17900308

5422
18 September 1790 @ no theater listed

Event Comment: Gazetteer, 20 Sept.: [On Saturday morning] official notice was given from the Lord Chamberlain's Office to shut the Theatres [because of the death of the Duke of Cumberland, brother of George III]

Performances

Mainpiece Title: None

5423
24 March 1791 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. End I afterpiece: A Grand Representation of Mount Vesuvius, at the Time of an Eruption. Oracle, 28 Feb: Tickets to be had of Palmer, No. 3, London Road, St. George's Fields. Receipts: #340 5s. 6d. (144.1.0; 22.0.0; 4.4.6; tickets: 170.0.0) (charge: #126 4s. 11d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Deserter of Naples

Performance Comment: The Deserter-Palmer; Russet-Williames; Simkin-Suett; Skirmish-Bannister Jun.; Flint-Burton; Louisa (1st time)-Mrs Crouch; Jenny-Miss DeCamp; Margaret-Mrs Booth.
Cast
Role: The Deserter Actor: Palmer

Entertainment: Monologue. A Lecture on Oratory: The Pulpit the Senate the Bar and the Stage with a Specimen of Scotch Elocution, written by the late Samuel Foote, Esq.-Palmer

Performance Comment: A Lecture on Oratory: The Pulpit the Senate the Bar and the Stage with a Specimen of Scotch Elocution, written by the late Samuel Foote, Esq.-Palmer.

5424
28 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Percey, Cameron, Wilson, George, Woollams. Kemble Mem.: Benefit for the Boxkeepers. A New Edition of the [mainpiece] to be had at the Theatre. "Went to play. Mrs Jordan in 'Rosalind.' I am still of opinion, there is more in her person and natural manners than in her acting. Her merit lies out of her part. The words set down by the author she does not repeat with great propriety of tone, emphasis, or gesture, than others. But she has of these, certain peculiarities, which indicate dispositions, such as take strong hold of the affections, at least of the male part of her audience; and therefore, when the part is of a sort to admit a large portion of these, she produces a great effect. The true acting of the part may, in many instances, not require what she throws into it, but it may admit it; and if the expression so thrown in is of the sort described, the effect of the whole will be improved, though the part is thereby neither better nor worse acted" (Windham Diary, 28 May 1791, 227). Receipts: #363 4s. 6d. (33.5.0; 9.5.6; 2.13.0; tickets: 318.1.0) (charge: #117 1s. 7d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: All the World's a Stage

Song: As17901027

5425
24 October 1791 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Performance Comment: Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentleman (from the Theatre Royal, Richmond [unidentified]); Novice-Scott; Lord Dupe-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; Lady Pentweazel-Mr Berry (2nd appearance on any stage).

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)