SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Two Princes"/1) | (@(roleclean,performerclean) "the Two Princes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1792 matches on Event Comments, 1367 matches on Performance Title, 972 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For the Small Pox Hospital; Pit and Boxes 1!2 Guinea; a Treble Ticket at 26s., which admits a Gentleman and two Ladies to the Pit and Boxes, and the Gentleman to Dinner at Merchant Taylors Hall. First Gallery 5s. Upper Gallery 3s. 6d. No more Tickets will be disposed of than will conveniently fill the House, nor will any Money be taken at the Doors, or Collection at the Theatre. This being a Morning's Entertainment it is not expected that the Ladies come full-dressed. The most convenient way to the upper gallery at the Theatre, is through the King's Yard. To begin at 12 noon

Performances

Mainpiece Title: Alexander's Feast

Music: CConcerto-Stanley who is to conduct the performance

Event Comment: Benefit for Signora Bugiani. Two rows of the Pit will be rail'd into the boxes

Performances

Mainpiece Title: Theodosius

Cast
Role: Theodosius Actor: Smith.
Role: Aranthes Actor: Usher
Role: Athenais Actor: Mrs Cibber.
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: The What D'ye Call It

Dance: I: Il Pastore, as17521219; III: A New Dance after the Hungarian manner-Maranesi, Sga Bugiani; V: A Mock Minuet-Maranesi, Sga Bugiani

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Miss in Her Teens

Dance: IV: Country Amusements-Devisse, Mlle Auretti; End: A Hornpipe-Mathews, the Little Swiss

Event Comment: Benefit for Scrase, Mozeen and Hayes. Mainpiece: Acted but twice these two years, and for last time this season. [Hayes was Pit-Office-Keeper]. Receipts: #160 (Cross)

Performances

Mainpiece Title: Comus

Performance Comment: As17521128, but Younger Brother-Mozeen; First Spirit-Scrase; Second Spirit-Mas. Cross; The Dances-Mrs _Preston, Miss _Rayner.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: A Duke and no Duke

Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Lottery

Event Comment: Afterpiece: An Arabian Night's Entertainment in Two Parts With Proper Decorations. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: The Genii

Performance Comment: Harlequin-Woodward; Others-Clough, Blakes, Leviez, The Little Swiss, Mas. Simson; Miss Minors, Mlle Mariet; The Dances-Devisse, Mlle Auguste, Granier.
Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Foote; Sir Sampson Legend-Berry; Mrs Frail-Mrs Clive; Miss Prue-Miss Macklin (being their first appearance in those characters); Valentine-Havard; Scandal-Palmer; Foresight-Taswell; Jeremy-Blakes; Tattle-Woodward; Trapland-W. Vaughan; Nurse-Mrs James; Mrs Foresight-Mrs Bennet; Angelica-Miss Haughton.

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Cast
Role: the Bastard Actor: Garrick, 1st time

Music: As17540123

Dance: Devisse, Mlle Auguste

Event Comment: Afterpiece: By Particular Desire and for the last time this season (Public Advertiser). For Miss Macklin's benefit. Ye farce of ye two Knights was to have done, but Mr Yates not being perfect it was chang'd (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17531009, but Brazen-Foote; Sylvia-Miss Macklin, being their first appearance in those characters; Bullock-Philips; Appletree-W. Vaughan; Pearmain-Vaughan.

Afterpiece Title: The Englishman in Paris

Cast
Role: Other characters Actor: Lacey.

Dance: HHornpipe-the Little Swiss

Event Comment: A farce of Mr Foote s, formerly play'd at ye Haymarket by ye Name of the two Knights from ye Land's End. farce hiss'd--all hum (Cross). Mainpiece: By desire. Afterpiece: Never perform'd there. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Thomas Attwood
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Event Comment: Benefit for Barry. [Afterpiece a Comedy in two Acts by MacNamara Morgan from Shakespeare.] Shuter did fine in the farce (Cross). Music composed by Arne. Part of Pit will be laid into the boxes, where and upon stage servants will be allowed to keep Places

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Dance: II: Les Jardiniers, as17540307 IV: Les Taileurs, as17531210

Event Comment: Benefit for Miss Bellamy. Afterpiece: A farce in two acts never acted there, and being the last time of performing it this season. [N.B. Its run this season had been at Drury Lane, and both Foote and Costollo were with the Drury Lane company this season.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Thomas Attwood
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: LLes Taileurs, as17531210; Les Charboniers, as17540307

Event Comment: Benefit for Dunstall and Mrs Dunstall. Mainpiece: Not acted these two years. [See 25 Jan. 1751.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Double Disappointment

Dance: IItalian Peasants, as17531120; Les Taileurs, as17531210

Event Comment: Benefit for the Tambour de Basque. The dresses and Decorations entirely new. Afterpiece a burlesque entertainment of music and dancing

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Event Comment: Afterpiece: An Arabian Night's Entertainment in two parts. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Genii

Performance Comment: Harlequin-Woodward; Others-Leviez, Blakes, Clough, Miss Minors, Mas. Simson, the Little Swiss, Mad Mariet; The Dances-Campioni, Mlle Auretti.
Event Comment: Care has been taken to make the House warmer, by the addition of two more Stoves, one being fixed under the Centre of the Pit, and the other near his Majesty's Box

Performances

Mainpiece Title: Siroe

Event Comment: Tickets may be had of Arne in Chelsea St., Covent Garden, and of Varney at the Stage Door where Places may be taken. N.B. Those nightly Tickets which did not come in at the two performances of Abel, will be received at this performance

Performances

Mainpiece Title: Alfred

Performance Comment: Solemn Dirge- in honour of the Heroes who dye in Service of their country.

Music: I: Concerto on the Violin, as17550314 II: An Organ Concerto by Arne, as17550314

Event Comment: Acted there but once. By Authority. Tickets deliver'd out by Miss Barton which could not get in on Thursday last, will be admitted this Night. [An Epistle from Mr Theophilus Cibber, to David Garrick, Esq. London: 1755, dated Nov. 20, 1755: When Th. Cibber returned from Guilford last July, he found a discharge from Covent Garden (p.5) He got a license from the Duke of Grafton to open Little Haymarket (p. 6). He began and acted ten nights in three weeks, with some success, but when Drury Lane opened, Th. Cibber was ordered to stop (p. 7). He then petitioned the Duke of Grafton to have The Haymarket for two or three times weekly for the rest of the season. He hoped that the Little Haymarket might be a nursery for young performers, as well as for new pieces (p. 24). See dl 24 Nov.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Smith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physician-Blakey; Thunder-Pinner; Lightening-Miss Carey; Armarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.
Cast
Role: Parthenope Actor: Mrs Chetwood
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Event Comment: Paid Charlotte Lane for making two Fustian Banjans & Breeches, and materials at 8s. each, 16s. For the Painters (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lottery

Event Comment: Great applause (Cross). Mainpiece: Acted but once these two years. Eumenes by Holland, being the second time of his appearing in that Character. Receipts: #170 (Cross)

Performances

Afterpiece Title: The Englishman in Paris

Dance: I: A New Dance call'd the Lilliputian Sailors-

Event Comment: Afterpiece By Particular Desire. [In this year was published a twenty-two-page pamphlet, An Address to the Ladies on the Indecency of appearing at Immodest Plays. A plea for boycotting.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Event Comment: Benefit for Cibber. To begin at 6:30 p.m. Pursuant to Act of Parliament. At the Desire of several Persons of Quality for the Benefit of Mr Cibber At the New Theatre in the Haymarket, on Wednesday next, the 14th instant, will be perform'd a Concert of Musick, the Particulars whereof will be express'd in the Bills of the Day. After which (by partiuclar Desire) will be given a Dissertation in two Parts on Patentees, on Theatres, on Acting, Publick Diversions, and address'd to the Town, by Mr Cibber (Daily Advertiser, 8 & 10 Jan.)

Performances

Mainpiece Title: A Dissertation

Event Comment: Wrote by Mr Pope. Mr Barbauld's First Subscription Oratioro,...and set to Musick by Mr Charles Barbault, in Two Parts. One ticket for all three oratorios--one Guinea; for one performance half a guinea; gallery 3s. 7 p.m

Performances

Mainpiece Title: The Universal Prayer

Event Comment: At the New Wells, Goodman's Fields. Mr Cibber will deliver two Dissertations on Theatrical Subjects: with a Prefatory Address to the Anti-Gallicans, for the Benefit of Mr Hallam. None to be admitted but by Tickets at 1s. 6d. each, which entitles each Person to a pint of Wine. Places in the boxes may be had of Mr Hallam at 2s. each, Wine, etc. To begin at 6:30 p.m. N.B. As I have been lame for some Time, I hope my friends will excuse my not waiting on them. W. Hallam

Performances

Mainpiece Title: Lecture