SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Lord Chamberlain"/1) | (@(roleclean,performerclean) "the Lord Chamberlain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1683 matches on Performance Comments, 580 matches on Event Comments, 145 matches on Roles/Actors, 108 matches on Performance Title, and 101 matches on Author.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Grand Dettingen te Deum-, in which; Holy holy Lord-Mme Mara; He was Eyes unto the Blind-Miss Parke [Redemption].Redemption].

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; How willing my paternal love-; Then round about-; My faith and truth (Samson)-; What tho' I trace (Solomon)-; Fallen is the foe (Judas Maccabaeus)-; Total eclipse-; O first created beam-; Let the bright Seraphim-Mme Mara; Fix'd in his everlasting seat (Samson)-.
Cast
Role: Then round about Actor:
Role: Fallen is the foe Actor:
Role: Let the bright Seraphim Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Tyrants would (Athalia)-; Lord to thee (Theodora)-; The smiling dawn (Samson [recte Jephtha])-; When his loud voice (Athalia [recte Jephtha])-; Pleasure my former ways (Time and Truth)-; No more to Ammon's God-; Ye sacred Priests-Mme Mara; Farewell ye limpid springs (Jephtha)-; He gave them hailstones (Israel in Egypt)-.
Cast
Role: Lord to thee Actor:
Role: The smiling dawn Actor:
Role: He gave them hailstones Actor: .

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performance Comment: Ashley; End Part II: concerto on the harp-Mme Delaval.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Come ever smiling-Miss Leak (Judas Maccabaeus); It must be so-Sale; Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha); Now heaven-Miss Parke; Lord what is man-Miss Parke (Semele); Every day will I give-Kelly (Chandos? Anthems); Then round about-Chorus (Samson); O worse than death-Mme Mara; Angels ever bright-Mme Mara (Theodora); The Mighty power-Chorus [Athalia].Athalia].

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Gentle airs-Nield (Athalia); Ye men of Gaza-Miss Leak (Samson); The trumpet's loud-Kelly, Chorus [Dryden's Ode]; Sweet bird-Miss Parke; accompanied on the violin-G. Ashley (L'Allegro); Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); Lord remember David-Mme Mara (Redemption); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).

Music: As17960219

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Cast
Role: Holy holy Lord Actor: Mme Mara
Role: He was Eyes unto the Blind Actor: Miss Parke
Role: Then round about Actor:
Role: Fallen is the foe Actor:
Role: Let the bright Seraphim Actor: Mme Mara
Role: Lord to thee Actor:
Role: The smiling dawn Actor:
Role: He gave them hailstones Actor: .

Afterpiece Title: Grand Selection 2

Performance Comment: As17960224, but added: Thou shalt bring them in (Israel in Egypt)-; Then round about-_; Let the bright Seraphim-_.

Afterpiece Title: Grand Selection 3

Performance Comment: As17960224, but Lord to thee-_; When his loud voice-_; Pleasure my former ways-_; No more to Ammon's God-_.
Cast
Role: Holy holy Lord Actor: Mme Mara
Role: He was Eyes unto the Blind Actor: Miss Parke
Role: Then round about Actor:
Role: Fallen is the foe Actor:
Role: Let the bright Seraphim Actor: Mme Mara
Role: Lord to thee Actor:
Role: The smiling dawn Actor:
Role: He gave them hailstones Actor: .

Music: End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17960302but Principal Vocal Performers-another Miss Fletcher (from +Birmingham).

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Honor and Arms-Bartleman [Samson]; Wise men flattering-Miss Leak [Judas Maccabaeus]; Lord of Eternity-Chorus; O Baal-Chorus (Deborah); Hush ye pretty warbling-Miss Parke [Acis and Galatea]; Disdainful of danger-; Pious orgies-Mme Mara (Judas Maccabaeus); From the censer-Chorus (Solomon).
Cast
Role: Lord of Eternity Actor: Chorus
Role: From the censer Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Sound an alarm-Kelly (Judas Maccabaeus); How willing-Bartleman (Samson); See the conqu'ring hero-Chorus; March (Judas Maccabaeus)-; What tho' I trace-Miss Parke [Solomon]; O God who in thy heavenly hand-Chorus [Joseph]; Happy Iphis-Master Elliot [Jephtha]; Mad Bess-Mme Mara (Purcell); Kings shall be thy nursing fathers-Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March (Saul)-; Joys in gentle strains-the Miss Fletchers [Athalia]; Awful pleasing being-Miss Leak [Joshua]; From harmony-Chorus [Dryden's Ode]; Let the bright Seraphim-Miss Parke [Samson]; O liberty-Kelly; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); The Soldier tir'd-Mme Mara [Dr Arne]; Gloria Patri-Grand Chorus [Jubilate].Jubilate].

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Cast
Role: Who is in her Seventy Actor:

Afterpiece Title: A Grand Selection of Sacred Music 1

Performance Comment: Overture (Esther)-; The Dettingen Te Deum-; with Holy Holy Lord-.
Cast
Role: The Dettingen Te Deum Actor:
Role: with Holy Holy Lord Actor: .

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Overture (Berenice)-; What Passion cannot Music raise?-Miss Poole; From Harmony-Chorus [Dryden's Ode]; Return O God of Hosts-Sga Galli [Samson]; What's sweeter than-[Joseph]; Pour forth no more-Bartleman; No more to Ammon's God-Chorus [Jephtha]; Every day will I give thanks-Braham [Chandos Anthems]; Lord remember David-Mme Mara [Sosarme]; From the censer-Chorus [Solomon].Solomon].
Cast
Role: Lord remember David Actor: Mme Mara
Role: From the censer Actor: Chorus

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Overture (Samson)-; Agitata-Mme Mara; Total eclipse-Braham; O first created beam-Chorus [Samson]; He was eyes unto the blind-Miss Poole [Siroe]; But bright Cecilia-; and The Dead shall live-Chorus [Dryden's Ode].Dryden's Ode].

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Cast
Role: Who is in her Seventy Actor:

Afterpiece Title: A Grand Selection of Sacred Music 1

Performance Comment: Part I. Overture and March- (Ptolemy); Tear such as tender father-Bartleman [Deborah]; When his loud voice-Chorus [Jephtha]; From mighty Kings-Miss Poole [Judas Maccabaeus]; His mighty arm-Braham [Jephtha]; See the conquering hero comes, [with the March-Chorus; Pious orgies-Mme Mara [Judas Maccabaeus]; The Trumpet's loud clangour-Chorus [Dryden's Ode].Dryden's Ode].

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Part II. Fourth concerto of Avison-; Father of heaven-Sga Galli; Sion now her head shall raise-Miss Poole, Master Elliot [Judas Maccabaeus]; Tune your harps-Chorus [Esther]; Tho' pleasure swells-Braham [Mahmoud (Storace)]; Lord of eternity-Chorus; Behold the nations-; O Baal-Chorus [Deborah]; What though I trace-Mme Mara [Solomon]; Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Father of heaven Actor: Sga Galli
Role: Lord of eternity Actor: Chorus
Role: Behold the nations Actor:

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Part III. [Select Parts of the Water Music-; Wave from wave-Bartleman [Israel in Egypt]; Tyrants would-Miss Poole; Tyrants ye in vain conspire-Chorus [Athalia]; O Liberty-Braham; [accompanied on the violoncello-C. Ashley; Come ever smiling Liberty-Master Elliot; Disdainful of danger- [Judas Maccabaeus]; Mad Bess-Mme Mara (Purcell); Rule Britannia-Chorus.

Music: As17970315

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).
Cast
Role: Alithea Actor: Miss Chapman
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performance Comment: Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years).recte 7] years).
Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: Oratorio: The Words by Milton, and Music by Handel

Performances

Mainpiece Title: L'allegro [ed] Il Pensieroso 0; Messiah

Performance Comment: As17980223, but In which Sweet Bird-Mme Mara; accompanied on the violin-G. Ashley; Mirth admit me-Reinhold; accompanied-Leander; But O sad virgin-Miss Poole; accompanied-C. Ashley.

Afterpiece Title: L'Allegro Il Pensieroso 3

Performance Comment: [i.e. oratorio in 2 parts]. Fourth Oboe Concerto-; Oh had I Jubal's Lyre-Miss Poole (Joshua); The Thanksgiving Anthem-I will give thanks unto thee (London Chronicle, 20 Dec. 1797)][, performed by Command of His Majesty, at St. Paul's, on the 19th of December [1797], in Honour of the Victory obtained by Lord Duncan [at Camperdown, 11 Oct. 1797] over the Dutch Fleet; Bravura Agitata-Mme Mara; Genius of England-; Come if you dare-; To arms-; Britons strike home-; Chorus-(Purcell).

Performances

Mainpiece Title: Acis And Galatea 0

Performance Comment: Acis-Incledon; Polyhemus-Reinhold; Galatea-Mme Mara; [Other] Principal Vocal Performers-Master Elliot, Sale, Miss Poole, Miss Dufour; Leader of the Band-G. Ashley.

Afterpiece Title: Acis and Galatea 3 [i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performance Comment: Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek.
Event Comment: In compliance with the request of several Ladies and Gentlemen, lovers of Handel's music, who find it inconvenient to attend at the beginning of the evening, Mr Ashley informs them that Half Price will be taken at the end of the Second Part

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Esther); The Dettingen Te Deum, Holy holy Lord-Mme Mara.
Cast
Role: Holy holy Lord Actor: Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Come all noble souls who skill'd in music's art- (composed by Dr Rogers, 1673); The smiling dawn-Miss Dufour (Jephtha); Honour and arms-Reinhold (Samson); O Magnify the Lord-Miss Poole (Chandos? Anthems); O Baal-Chorus (Deborah); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); My faith and truth-Miss Poole, Master Elliot (Samson); Ye sacred priests, Farewell ye limpid-Mme Mara (Jephtha); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Ye men of Gaza-Miss Poole (Samson); Softly rise-Incledon; accompanied on the bassoon-Parkinson (Boyce's Solomon); Mad Bess, Let them come if they dare, Genius of England from thy pleasant bower of bliss arise-Mme Mara, Chorus (Purcell); To arms Britons strike home-Incledon, Reinhold, Full Chorus.

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Event Comment: Benefit for Simpson, Powel, Rees & Mrs Henley. 3rd piece [1st time; P 1]: Selected from The Rape of Proserpine, Lord Mayor's Day, Harlequin's Museum, Harlequin Skeleton, Harlequin Sorcerer, Aladin, &c. In the course of the Compilation will be introduced: The Birth and Emancipation of Harlequin from the Egg-shell-the Dying Scene-the Skeleton-His Renovation-the celebrated Gladiator Scene, &c. In particular, among many surprising Escapes, the Jump through the Tea-chest; Flight from one Balcony to the other; a Leap over twelve Soldiers with fixed Bayonets; the Flight back and Jump through a Tamborine-and (for that night only) Simpson will run perpendicular up the Wall of a House, 30 Feet High. To conclude with a View of the Grotto of Magic. There are some imitations which almost identify the originals, but [Rees's as Dromio] was a vile caricature, which would never have been recognized but for the specification in the play bills" (Monthly Mirror, June 1798, p. 371). Receipts: #269 19s. 6d. (48.19.0; 20.17.6; tickets: 200.3.0, of which Simpson took #72 5s. 6d., Powel #27 10s. 6d., Rees #36 11s., Mrs Henley #61 16s., leaving #2 to be accounted for)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Waterman

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Performance Comment: Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Kiddy Wigsby-Simmons; Crop (his servant)-Master Rees; Witches-Thompson, Street, Dyke; Principal Witch-Mrs Martyr; Mother-Mrs Lloyd; Colombine-Mlle St.Amand.
Cast
Role: Mother Actor: Mrs Lloyd

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; The Dettingen Te Deum-; Holy Holy Lord-Mme Mara.
Cast
Role: The Dettingen Te Deum Actor:
Role: Holy Holy Lord Actor: Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Select Parts of the Funeral Anthem-; Lord what is man?-Miss Capper (Semele); Tears such as tender-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); What though I trace-Mrs Atkins (Solomon); Angels ever bright and fair-Mme Mara (Theodora); March, The trumpet's loud clangour-Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Farewell you limpid springs-; Deeper and deeper still-; Waft her angels-Mme Mara (Jephtha); From harmony-Chorus (Dryden's Ode); Softly sweet in Lydian measure-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He layeth-Bartleman [Ezio]; O God who in-Chorus [Joseph]; O magnify the Lord-Mrs Atkins (Chandos Anthems); The Horse and his rider-Chorus (Israel in Egypt).

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: For all these mercies Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); He was eyes unto the blind-Master Elliot (Redemption); How willing my paternal love-Bartleman (Samson); Fallen is the foe-Chorus; Tune your harps-Mrs Atkins, Master Elliot (Judas Maccabaeus); Agitata-Mme Mara; Zadock the Priest-Chorus (Coronation Anthems); God save the King-.

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Grand Selection 0 Of Scared Music, From The Works Of handel

Afterpiece Title: Grand Selection 2

Performance Comment: As17990208, but added: Where e'er you walk-Miss Capper (Semele); He measureth the waters, He layeth the beams-Bartleman (Ezio); Lord what is man?-_; Tears such as tender-_; What though I trace-_.

Afterpiece Title: Grand Selection 3

Performance Comment: As17990208, but Softly sweet in Lydian measure-Incledon; added: Where is this stupendous stranger?-Miss Waters (Alcina); He layeth-_; O God who in-_; O magnify the Lord-_.

Music: End II: the favourite Military Concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Suett; Dick Dowlas-H. Johnston (1st appearance in that character); Doctor Pangloss-Fawcett; Henry Moreland-Trueman; Stedfast-Aickin; Zekiel Homespun-Wathen; Kenrick-Johnstone; John-Abbot; Waiters-Ledger, Chippendale; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer-Miss Heard; Cicely Homespun-Mrs Gibbs; Original Epilogue-the Characters. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Waddy; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Mansel; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Apothecary Actor: Simmons

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Performance Comment: )-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years).

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performance Comment: The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr.
Event Comment: "The part of Lord Albert seems to be a kind of give and take between Messrs Pope and Claremont. After being resumed for a night or two by the original representative [27, 31 Jan., 1 Feb.], it again devolved upon the latter gentleman [28 Jan., 5 Feb.]" (Dramatic Censor, I, 203). Receipts: #183 12s. (177.12.6; 5.19.6)

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Turnpike Gate

Song: As18000124

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Pour forth no more-Sale; No more to Ammon's God- Chorus (Jephtha); Wise men flattering-Miss Capper (Judas Maccabaeus); Total Eclipse-Incledon; O first crexted beam-Chorus (Samson); He was eyes unto the blind-Mrs Second (Redemption); Immortal Lord-Chorus (Deborah).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March-; In sweetest harmony-Mrs Second; O fatal day-Chorus (Saul); Disdainful of danger-Incledon, Dignum, Denman, Chorus (Judas Maccabaeus); Sweet bird-Mrs Second; accompanied on the violin-G. Ashley (L'Allegro); Where'er you walk-Mrs Dussek (Semele); The trumpet's loud-Incledon, Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe concerto-; Awful pleasing being-Miss Tennant (Joshua); Gentle airs-Incledon; accompanied on the violoncello-Charles Ashley (Athalia); Jehovah crowned-Miss Crosby; He comes-Chorus (Esther); Lord remember David-Mrs Dussek (Redemption); God save the King-Chorus (Coronation Anthems).

Music: End II: concerto on the grand piano@forte-Master Neate

Event Comment: Benefit for Fawcett. 1st piece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. 2nd piece [1st time; M. INT 1]. 3rd piece: Never acted here; by Permission of the Proprietor of the Theatre Royal, Hay-Market. With appropriate Scenes, Dresses & Decorations. The Music composed & selected by Attwood. Morning Chronicle, 15 Apr.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple. Receipts: #535 6s. (233.2; 7.3; tickets: 295.1)

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Emery; Dick Dowlas-Knight; Doctor Pangloss-Fawcett; Zekiel Homespun-Munden; Henry Morland-H. Johnston; Stedfast-Murray; Kenrick-Johnstone; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer (1st time)-Miss Murray; Cicely Homespun-Mrs Gibbs (1st appearance this season); With the original Epilogue-the Dramatis Personae.
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Social Songsters

Performance Comment: Naval History (1st time)-Fawcett; My Dolly was the fairest Thing-Incledon; A Bundle of Proverbs-Munden; The Red Cross Knight-Incledon, Linton, Denman; This Life is like a Country Dance-Fawcett; The Death of Admiral Benbow-Incledon; Sing Old Rose and burn the Bellows-Incledon, Fawcett, Hill, Linton.

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger
Event Comment: Benefit for Bannister Jun. 2nd piece [1st time; MF 2, by Prince Hoare, Larpent MS 1289; not published; synopsis of plot in Morning Herald, 29 Apr, Author of Prologue unknown]: The new Musick composed by Kelly. Morning Chronicle, 16 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #360 8s. 6d. (272.17.6; 80.9.6; 7.1.6; tickets: none listed) (charge: #213 3s. 7d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: Don Manuel (1st time)-Wewitzer; Don Philip-Barrymore; Octavio-Holland; Trappanti-Bannister Jun.; Soto-Wathen; Don Lewis-Surmont; Diego-Hollingsworth; Hippolita-Mrs Jordan; Rosara-Miss Heard; Flora-Miss DeCamp; Viletta-Miss Pope.
Cast
Role: Soto Actor: Wathen

Afterpiece Title: The Children; or, Give Them their Way

Performance Comment: Principal Characters-Suett, Bannister Jun., Palmer, Wewitzer, Mrs Jordan, Miss DeCamp. Cast from Songs (no pub., 1800): Sir Gabriel Willwou'd-Suett; Henry Willwou'd-Bannister Jun.; Robert-Palmer; Sod-Wewitzer; Plough-Maddocks; Till-Sparks; Villagers and Servants-Webb, Chippendale; Emily-Mrs Jordan; Rose-Miss DeCamp; Prologue-; introductory of a new Song, The Origin of Old Bachelors-Bannister Jun.

Afterpiece Title: Sylvester Daggerwood

Performance Comment: Fustian-Suett; Sylvester Daggerwood, (with a new Song,) The Lord Mayor's Show; or, Four-and-Twenty Aldermen all on a Row-Bannister Jun.
Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger
Event Comment: Benefit for Palmer and Caulfield. [In 3rd piece the playbill retains Miss DeCamp as Fanny, but "Miss DeCamp being reported ill during the representation of [1st piece], the part of Fanny, in the Entertainment, was undertaken, at a moment's notice, by Miss Heard, [who]...studying the character, scene by scene, acted the part to general satisfaction, which was announced merely to be read" (Dramatic Censor, II, 232).] Morning Chronicle, 19 May: Tickets to be had of Caulfield, No. 6, Southampton-place, Tottenham-court-road [Palmer not listed]. Receipts: #194 1s. 6d. (120.10.0; 66.10.6; 7.1.0; tickets: none listed) (charge: #212 4s. 7d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Miss Mellon

Afterpiece Title: Sylvester Daggerwood

Performance Comment: As18000428, but added: Apewell (with some favorite Imitations)-Caulfield; The Lord Mayor's Show-_.
Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: The Shipwreck

Cast
Role: Dick Actor: Master Heather

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Event Comment: [Emery was from cg. Mainpiece: Epilogue by the younger George Colman.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. Printed by T. Woodfall, No. 1, Cross Court, Russel Court, Drury Lane

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Waddy; Dick Dowlas-H. Johnston; Doctor Pangloss-Fawcett; Henry Moreland-C. Kemble; Stedfast-Davenport; Zekiel Homespun-Emery (1st appearance on this stage); Kenrick-Johnstone; John-Abbot; Waiters-Ledger, Chippendale; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer-Miss Chapman; Cicely Homespun-Mrs Gibbs; The original Epilogue-the Characters. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Jew and the Doctor