SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the King"/1) | (@(roleclean,performerclean) "the King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10005 matches on Roles/Actors, 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, and 23 matches on Author.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Mayden Queene. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. See the headnote to the 1674-75 season for an Epilogue to this play

Performances

Mainpiece Title: A Shoemaker A Gent

Performance Comment: A Prologue to this play is in New Songs and Poems a la Mode Both at Court and Theatres, 1677.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this is the first performance, but a performance of Part II on 18 Jan. 1676@7 and a reference to both parts in a letter dated 19 Jan. 1676@7 suggest that the premiere must have occurred early in January

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part I

Performance Comment: Edition of 1677: The Prologue to the First Part-; the Epilogue to Part II states that Mrs Marshal acted Queen Berenice. The Epilogue to the First Part-; Downes (Roscius Anglicanus, p. 13): Titus Vespasian-Kynaston; Phraartes-Hart; Matthias High Priest-Major Mohun; John-Cartwright; Clarona D. to Matthias-Mrs Boutell; Queen Berenice-Mrs Marshall.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no indication that this performance is the premiere, but see 12 Jan. 1676@7 and 19 Jan. 1676@7

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

Performance Comment: See16770112, but Edition of 1677: The Prologue-; The Play ended, Epilogue-Mrs Marshal (in the Character of Queen Berenice).
Cast
Role: The Prologue Actor:
Event Comment: An unnamed play was acted by the King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 114

Performances

Event Comment: The King's Company. There is no indication of the date of the first performance, but a licensing date of 6 April 1677 and the large number of minor actors in the cast suggest a Lenten performance. Preface to edition of 1677: I think (without Ostentation) never was House more throng'd;...The first, second, and other times it was Acted, I think lost me no Credit, but...Fortune...Jaded me, robbing me of the Honour of my Plays continuance for that time; by a Mischance which hapned to one, whose Part was too considerable to be quickly studied

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. This play was not published. It might be John Fletcher's The Captain

Performances

Mainpiece Title: The Captain; Or, Town Miss

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Scaramucha & Harlakyn. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but the entry of the play in the Term Catalogues for July 1677 makes probable a first performance in May 1677

Performances

Mainpiece Title: Scaramouch A Philosopher; Harlequin A School-boy, Bravo, Merchant And Magician

Event Comment: The King's Company suffered from internal disagreements during this portion of the summer. For details, see L. C. 5@142, p. 98, in Nicoll, Restoration Drama, p. 326, and Thaler, Shakspere to Sheridan, p. 291

Performances

Event Comment: The King's Company apparently acted an unnamed play on this day. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 126

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120: The King at ye Tempest. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. The play was not printed. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. Andrew Marvell to Sir Edw. Harley, 17 Nov. 1677: To-day is acted the first time Sir Popular Wisdom or the Politician, where my Lord Shaftesbury and all his gang are sufficiently personated. I conceive the King will be there (HMC, 14th Report, Appendix, Part II, 1894, Portland MSS., Volume III, p. 357)

Performances

Mainpiece Title: Sir Popular Wisdom; Or, The Politician

Event Comment: The King's Company. The date of the first production is not known, but as the play was entered in the Stationers' Register, 16 Jan. 1677@8, it was probably first acted not later than December 1677

Performances

Mainpiece Title: The English Lawyer

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Event Comment: The King's Company. The date of the first production is not known, but the licensing date of 13 March 1677@8 suggests a late February premiere. In addition, the many names of minor performers point to a Lenten performance. The Prologue also speaks of it as a 'Lenten Play.

Performances

Mainpiece Title: The Rambling Justice; Or, The Jealous Husbands; With The Humours Of Sir John Twiford

Event Comment: The King's Company apparently acted an unnamed play on this occasion. See A Calendar of the Inner Temple Records, III, 127

Performances

Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 13 April 1678 suggests a production in March. This play is entered ahead of Trick for Trick primarily because the latter has a slightly later licensing date

Performances

Mainpiece Title: The Man Of Newmarket

Performance Comment: Edition of 1678: The Induction. Enter Prologue at one Door; and just as he addresses to speak, enter Shatteril and Haines at t'other. The Prologue-Mr Clarke; Passal-Wiltshire; Maldrin-Birt; Sir Ral. Nonsuch-Powel; Whiffler-Haines; Swiftspur-Clark; Trainsted-Goodman; Bowser-Griffin; Plodwell-Perin; Breakbond-Moon [Mohun]; Pricknote-Cash [Coysh]; Clevly-Mrs Corbit; Jocalin-Mrs Baker; Quickthridt-Mrs Corey; Luce-Mrs Farle; The Epilogue-Mrs Baker.
Cast
Role: The Prologue Actor: Mr Clarke
Role: The Epilogue Actor: Mrs Baker.
Event Comment: The King's Company. The date of the first production is not known. As the licensing date for this play was 30 April 1678, it probably was acted before Easter, but it may have had its first production immediately after Easter, Sunday 31 March 1678

Performances

Mainpiece Title: Trick For Trick; Or, The Debauch'd Hypocrite

Event Comment: The Memoirs of Sir John Reresby, ed. Browning: I was with the King at the French play that night (p. 136)

Performances

Event Comment: The Memoirs of Sir John Reresby, ed. Browning (p. 137): This day in the afternoon I had a quarrell in the King's playhous upon this occasion. As I sate in the pit a gentleman, whose name I afterwards heard to be Mr Symons came and placed himself next to me, and not content to rest ther, after a while desired me to give him my seat, or to exchange with him, (pretending he was to speake to one of his acquaintances on the other side). I had noe mind to quitt my seat, which was better to see than his; besides, he haveing been drinking, his manner of askeing was not altogather soe gratefull, insomuch as I denyed it. Here upon he said I was uncivil, and I tould him he was a rascall; upon which words we were both prepared to strike one another, had not a gentleman that sate near us (one Sir Jonathan Trelany) put his hand between us to prevent it

Performances

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: The King's Company. The date of the premiere is not known. As the play was licensed for printing, 10 March 1678@9, March 1679 is the latest likely date for the premiere

Performances

Mainpiece Title: The Tragedy Of Sertorius

Event Comment: The King's Company. The date of the premiere is not known. As the play was entered in the Term Catalogues, June 1679, it probably was acted first sometime in the preceding two or three months. Gildon's revision of Langbaine, English Dramatick Poets: This Play met not with the Applause the Author and his Friends expected (p. 28)

Performances

Mainpiece Title: The Ambitious Statesman; Or, The Loyal Favourite

Performance Comment: Edition of 1679: The Prologue-; La Marre-Mr Haines; The Epilogue-Mr Haines.
Cast
Role: The Prologue Actor:
Role: The Epilogue Actor: Mr Haines.