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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Duke of Buckingham"/1) | (@(roleclean,performerclean) "the Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2885 results for: Keyword - the Duke of Buckingham
We found 1265 matches on Performance Comments, 1053 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 69 matches on Roles/Actors.

2451
November 1675 @ Dorset Garden Theatre

Event Comment: The date of this performance is not certain, but Nell Gwyn attended this play given by the Duke's Company sometime in (probably) November 1675. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Henry Viii

2452
December 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The day is not known, but the performance apparently occured in December 1675

Performances

Mainpiece Title: The Valiant Cid

2453
January 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The date of the performance is uncertain, but it appears to have been in Jan. 1675@6

Performances

Mainpiece Title: Psyche

2454
10 January 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty that this is the premiere of this play; in fact, there is uncertainty concerning the first production, for Nell Gwyn saw a play on 19 March 1673@4, The Country Knight, about which nothing otherwise is known and which might be this play. Nevertheless, the fact that the play was not entered in the Term Catalogues until May 1676 makes it unlikely that the play was first acted two years before its publication, especially since it became a moderately popular play

Performances

Mainpiece Title: The Country Wit

2455
February 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attened a performance of this play, probably in February 1676, See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: She Would If She Could

2456
March 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the premiere is not known, but the date of licensing, 4 May 1676, suggests a production not later than March or April 1676. The Dedication indicates that the play was also acted privately at the residence of the Duchess of Albemarle, New-Hall

Performances

Mainpiece Title: Ibrahim The Illustrious Bassa

2457
11 March 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

2458
18 April 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode and Box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

2459
30 April 1676 @ Dorset Garden Theatre

Event Comment: See a note from the Marquis Cattaneo to the Duke of Modena (in Campana de Cavelli, Les derniers Stuarts [Paris and London, 1871], I, 171), in which he states that the entire court went three or four times to see The Man of Mode

Performances

2460
25 May 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Cast
Role: Bruce Actor: Smythe

2461
02 June 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

2462
08 June 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. Nell Gwyn's attendance again on Friday 9 June suggests that she attended the premiere. On that assumption, this Calendar lists the probable ten performances which Downes (Roscius Anglicanus, p. 36) alludes to: And all the Parts being admirably Acted, it lasted successively 10 Days; it got more Money than any preceding Modern Tragedy

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performance Comment: Edition of 1676: The Prologue-; Phillip the Second-Batterton; Don Carlos-Smith; Don John-Harris; Marquis of Posa-Crosby; Rui Gomez-Medbourn; Queen of Spain-Mrs Mary Lee; Duchess of Eboli-Mrs Shadwell; Henrietta-Mrs Gibbs; Garcia-Mrs Gillow; Officer of the Guards-Norris; The Epilogue-a Girle [Anne Bracegirdle?].Anne Bracegirdle?].
Cast
Role: The Prologue Actor:
Role: Phillip the Second Actor: Batterton
Role: Officer of the Guards Actor: Norris
Role: The Epilogue Actor: a Girle

2463
09 June 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

2464
03 July 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. It is not known when the premiere occurred, but this is the earliest known performance. The Prologue, missing in the 1677 edition, is in the 1693 edition. A song, Make haste, my shepherd, come away, with music by Francis Forcer, is in Choice Ayres and Songs, Second Book, 1679

Performances

Mainpiece Title: Abdelazer; Or, The Moor's Revenge

2465
25 July 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. There is no certainty that this is the premiere, but the reference in the Prologue to the long vacation and the licensing date of 25 Sept. 1676 point to a summer production

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

2466
August 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

2467
August 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the premiere is not known, but the large proportion of minor actors and the licensing for printing on 4 Nov. 1676 suggest a production in the late summer or early autumn

Performances

Mainpiece Title: Tom Essence; Or, The Modish Wife

Performance Comment: Edition of 1677: Prologue-; Old Monylove-Percival; Courtly-Crosby; Loveall-Norris; Stanly-Gillow; Tom Essence-Lee; Laurence-Richards; Mrs Monylove-Mrs Hughes; Theodocia-Mrs Barry; Luce-Mrs Osburn; Mrs Essence-Mrs Gibbs; Betty-Mrs Napper; Epilogue-Mrs Gibbs.
Cast
Role: Theodocia Actor: Mrs Barry

2468
September 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but the licensing date of 20 Sept. 1676 establishes this month as the latest date for its premiere

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

2469
12 September 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Guardian

2470
21 September 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Country Wit

2471
23 September 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. An edition appeared in 1676

Performances

Mainpiece Title: Epsom Wells

2472
25 September 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Tempest

2473
02 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Macbeth

2474
05 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Libertine

2475
11 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Herod And Mariamne