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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "second Champness"/1) | (@(roleclean,performerclean) "second Champness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1184 results for: Keyword - second Champness
We found 829 matches on Event Comments, 264 matches on Performance Comments, 147 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

926
29 March 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Hurlothrumbo; Or, News From Terra Australis Incognita: With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.

927
19 May 1729 @ Lincoln's Inn Fields

Event Comment: Benefit Mines, Maine, and Keene's Widow. Second Piece: Written by the late Sir John Vanbrugh. Receipts: money #20 14s.; tickets #120 12s

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: The Country House

Afterpiece Title: Flora

Dance: HHighlander and Mistress-Salle, Mrs Legar; Fingalian-Newhouse, Mrs Ogden; Dutch Skipper-Moreau, Mrs Bullock; Comic Dance-Young Tench, Lilliputian Filch

928
20 June 1729 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. First Piece. [By Henry Carey.] Not play'd these Fourteen Years. Second Piece: Not play'd these Six Years

Performances

Mainpiece Title: The Contrivances; Or, More Ways Than One

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Afterpiece Title: Phebe; or, The Beggar's Wedding

Dance: HHarlequin-Master Lally, Miss Brett; Sultana-Miss Robinson Jr

929
06 August 1729 @ Haymarket Theatre

Event Comment: The Thirty-Second Day. At the Request of the Author, just arrived from Ireland

Performances

Mainpiece Title: The Beggar's Wedding

Song: Between the Acts: With a new Song-the Author , in Compliment to the Ladies, to be introduced

930
08 September 1729 @ Southwark Fair

Event Comment: At Reynolds' Booth. Second Piece: [By Charles Coffey.] The Beggar's Wedding acted until 8 p.m. Southwark Fair acted from 8 p.m. to 11 p.m. The Humours of Harlequin added to each. [On Thursday 18 the performance was a benefit for Mrs Nokes.

Performances

Mainpiece Title: The Beggar's Wedding

Afterpiece Title: Southwark Fair; or, The Sheep Shearing

Afterpiece Title: The Humours of Harlequin

Song: [On this day only?] A Song by Seedo-Mrs Nokes [in Boy's Cloaths, when the Lord Mayor passes by to proclaim the Fair

931
01 November 1729 @ Goodman's Fields

Event Comment: DDaily Journal, 3 Nov.: On Saturday last The Recruiting Officer was acted a second Time,...and notwithstanding it had not (thro' Mistake) been advertised in the Papers, yet there was a good House....There are Constables attending Nightly, at the Master's Expence, to prevent Disorders

Performances

Mainpiece Title: The Recruiting Officer

932
28 January 1730 @ Goodman's Fields

Event Comment: Benefit the Author. With an Additional New Song in the Second Act

Performances

Mainpiece Title: The Temple Beau

933
29 January 1730 @ Goodman's Fields

Event Comment: With an Additional New Song in the Second Act

Performances

Mainpiece Title: The Temple Beau

934
14 May 1730 @ Haymarket Theatre

Event Comment: By His Royal Highness's Command. [The Prince present (his second at the main piece).

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

935
24 August 1730 @ Bartholomew Fair

Event Comment: At Lee-Harper Booth. First piece: From 10 a.m. to 7 p.m. Second piece: At 8 p.m. Third piece: After Robin Hood

Performances

Mainpiece Title: The Siege Of Bethulia

Afterpiece Title: Robin Hood and Little John

Afterpiece Title: The Stratagems of Harlequin; or, The Peasant Trick'd

936
12 May 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Second Piece: Taken from Moliere

Performances

Mainpiece Title: The Tragedy Of Tragedies

Afterpiece Title: The Comical Revenge; or, A Doctor in Spight of his Teeth

Afterpiece Title: Cephalus and Procris

937
12 May 1732 @ Haymarket Theatre

Event Comment: Benefit Mrs Stevens. Second Piece: a New Pantonimical Something. Third Piece: The Practice of a new Serious Scene to be Introduc'd. Shewing the various and hazardous Adventures he met with to get his Wife Joan; particularly, his last memorable Battle and Victory over a great and monstrous Pig, by which she was to be devour'd chain'd to a Rock. 7 p.m

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Monstrum Horrendum; or, The Practice of a Modern Comic Entertainment

Afterpiece Title: Punchanello's Encounter with the Pig

Dance: DDutch Skipper-Davenport, Miss Price

938
03 November 1733 @ King's Theatre

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

939
10 January 1734 @ Covent Garden

Event Comment: Preface to edition of 1734: The Second Night the particular Things objected to, being taken out, the Play was acted from Beginning to End, without one single Mark of Displeasure in the Audience

Performances

Mainpiece Title: The Lady's Revenge

Dance: By Malter and Mlle Salle

940
12 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Ladies of Quality. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne. The Scenes, Machines and Habits all new

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

941
31 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: As 17 Dec. 1733. Second Piece: As 19 Jan

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

942
01 February 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Second Piece: As 19 Jan

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

943
07 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece and Second Piece: As 31 Jan

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

944
08 February 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Second Piece: As 19 Jan

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

945
11 February 1734 @ Haymarket Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Second Piece: As 19 Jan

Performances

Mainpiece Title: The Albion Queens

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

946
16 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

947
04 November 1734 @ Great Room at the Ship Tavern

Event Comment: By a Company of Comedians from the Theatres in London. At the Great Room at the Ship Tavern. Stage 2s. 6d. Pit 2s. First Gallery 1s. Second 6d. 6 P.M

Performances

Mainpiece Title: Tamerlane

Dance:

948
09 November 1734 @ Covent Garden

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

949
02 December 1734 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. Written by the late Sir John Vanbrugh. Daily Journal, 2 Dec.: We hear that the Tragedy of Junius Brutus is not to be acted a second Time for the benefit of the Author, till after the Meeting of Parliament

Performances

Mainpiece Title: The Provok'd Wife

Dance: La Coquette & Les Jaloux (new) by Denoyer, Poitier, and Mlle Roland. With New Habits

950
18 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance: