SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "second Champness"/1) | (@(roleclean,performerclean) "second Champness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 829 matches on Event Comments, 264 matches on Performance Comments, 147 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Miss Kemble; Lady Russel-Miss Woollery. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Charles the Second Actor: Aickin

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Charles the Second Actor: Aickin

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Charles the Second Actor: Aickin

Afterpiece Title: The Widow's Vow

Dance: End of mainpiece How sweet's the Love that meets Return by Byrn, Mrs Goodwin, the two Miss Simonets

Performances

Mainpiece Title: A Grand Selection 0 [of Sacred Music From The Works Of handel, Chiefly Performed At westminster-abbey At The handel Commemoration, 26 May 1784]; Messiah

Afterpiece Title: The Coronation Anthem, God save the King

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned=-Pearson, Chorus (Esther); He was Eyes unto the Blind-Miss Cantelo (Siroe); Second Hautboy Concerto-; Praise the Lord-Miss Mahon (Esther); Gird on thy Sword-Chorus (Saul); O come let us worship-Harrison (Coronation? Anthems); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harrison; The Horse and his Rider-Sga Storace, Chorus (Israel in Egypt).
Cast
Role: Second Hautboy Concerto Actor:

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Harley (1st appearance in that character); Don Frederick-Marshall; Duke-Davies; Petruchio-Macready; Peter-Blanchard; Anthony-Cubitt; Surgeon-Powel; Antonio's Man-Rock; Antonio-Quick; First Constantia-Miss Chapman; Mother-Mrs Webb; Landlady-Mrs Pitt; Niece-Mrs Platt; Second Constantia-Mrs Pope.
Cast
Role: Second Constantia Actor: Mrs Pope.

Afterpiece Title: Love in a Camp

Dance: As17901204

Song: End I: The Group of Lovers-Munden; End II: a favourite Sea Song-Incledon

Event Comment: Mainpiece: Not acted these 3 years. With new Dresses and Decorations. The Characters dressed in the Habits of the Times. [Palmer Jun. was from the hay.] "It is necessary to remind both Macbeth and his Lady that there is a measured declamation, of which the natural utterance of passion knows nothing, and that words and syllables may be divided and subdivided till the fatigue of the ear overcome every other feeling...Between the first and second acts Ca ira was loudly called for from the pit and gallery. The clamour, after preventing the first part of the second act from being heard, subsided as unaccountably as it rose. The performers, in compliance with an admonition from the pit, began the act again, and proceeded without further interruption" (Morning Chronicle, 20 Feb.). "In Macbeth there was too much that was not Shakespeare, too much bad taste and shabbiness in the costumes of the witches, and all in all too much claptrap. He found it insufferable that Banquo should take the part of his own ghost and felt that the audience should behold the specter only in Macbeth's terror, as was the case with the banquet guests. 'Mr Kemble has desired on several occasions to suppress the ghost,' Meister says, 'but has never had the courage to do so.'" (J. H. Meister quoted in J. A. Kelly, 134). For Kemble's eventual courage in this matter see dl, 21 Apr. 1794.] Receipts: #425 6s. (383.2; 40.4; 2.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Performances

Mainpiece Title: The First Grand Selection 0 Of Sacred Music From The Works Of handel; L'allegro Ed Il Pensieroso 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Loathsome urns-Bartleman (Time and Truth); Great Jehovah's awful word-Mrs Second (Israel in Egypt); Lord of eternity-Chorus; Behold the nations-Bartleman; O Baal-Chorus (Deborah); Total eclipse-Harrison; O first created beam-Chorus (Samson); From mighty Kings-Mrs Billington (Judas Maccabaeus); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; In sweetest harmony-Mrs Billington; O fatal day-Chorus (Saul); The smiling dawn-Mrs Second (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Gentle airs-Harrison (Athalia); Then round about the starry throne-Chorus (Samson); O worse than death, Angels ever bright and fair-Mrs Billington (Theodora); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: The smiling dawn Actor: Mrs Second

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Afterpiece Title: L'Allegro ed il Pensieroso 1

Performance Comment: As17920224, but Come and trip it as you go-Mrs _Addison, Mrs Second.

Afterpiece Title: L'Allegro ed il Pensieroso 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture and March (Scipio, Handel)-; The mansion of peace-Harrison (Webbe); Nightingale Chorus (Solomon, Handel)-; Not unto us-Mrs Second; accompanied on the clarionet-Mahon (Arne); Together let us range the fields-Mrs Billington, Harrison (Boyce); I rage I melt I burn, O ruddier than the cherry-Bartleman; Wretched lovers-Chorus (Acis and Galatea, Handel); The soldier tir'd-Mrs Billington (Arne); God save the King-Chorus.
Cast
Role: Not unto us Actor: Mrs Second

Performances

Mainpiece Title: A Grand Selection 0 Principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Cast
Role: Second Oboe Concerto Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: As17920314but Fourth Oboe Concerto-; Second Oboe Concerto-_.
Cast
Role: Second Oboe Concerto Actor:

Afterpiece Title: Grand Selection 3

Cast
Role: Second Oboe Concerto Actor:

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0; Grand Selection 0

Afterpiece Title: L'Allegro ed il Pensieroso 1

Performance Comment: As17920224, but Come and trip it as you go-Mrs _Addison, Mrs Second, Chorus.

Afterpiece Title: L'Allegro ed il Pensieroso 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture (Ariadne)-; The mansion of peace-Harrison (Webbe); Jehovah crown'd-Hindle; He comes-Chorus (Esther, Handel); O had I Jubal's Lyre-Mrs Second (Joshua, Handel); Together let us range the fields-Mrs Billington, Harrison (Boyce); I rage I melt I burn, O ruddier than the cherry-Bartleman; Wretched lovers-Chorus (Acis and Galatea, Handel); The soldier tir'd-Mrs Billington (Arne); Let their celestial concerts-Chorus (Samson, Handel).

Performances

Mainpiece Title: At King's The Chances

Performance Comment: Duke of Ferrara-Whitfield; Petruchio-Benson; Don John-Palmer; Don Frederick-Barrymore; Antonio-Waldron; Gent. to the Duke-Phillimore, Cooke, Maddocks; Gent. to Petruchio-Caulfield, Bland, Welsh; Peter-Burton; Antony-Wewitzer; Surgeon-Fawcett; Francisco-Hollingsworth; Servants-Webb, Alfred; First Constantia-Mrs Powell; Mother@in@Law to Constantia-Mrs Hopkins; Second Constantia-Miss Farren; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Mrs Edwin.

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Lewis (1st appearance in that character); Frederick-Farren; The Duke-Middleton; Petruchio-Macready; Peter-Blanchard; Anthony-Cubitt; Surgeon-Powel; Antonio-Quick//[First] Constantia-Miss Chapman; Mother-in-Law-Mrs Chambers; Landlady-Mrs Leicester; Second Constantia-Mrs Pope .
Cast
Role: Second Constantia Actor: Mrs Pope

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Frederick-Barrymore; Duke-Whitfield; Petruchio-Benson; Antonio-Waldron; Peter-Burton; Anthony-Trueman; Surgeon-Jones//First Constantia-Miss Collins; Mother-Mrs Hopkins; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Miss Tidswell; Second Constantia-Miss Farren .

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Frederick-Barrymore; Duke-Whitfield; Petrunchio-C. Kemble; Antonio-Waldron; Peter-Benson; First Constantia-Miss Collins; Mother@in@Law to Constantia-Mrs Hopkins; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Mrs Maddocks; Second Constantia-Mrs Powell.

Afterpiece Title: No Song No Supper

Song: End: When 'tis night and the Mid Watch is come-Master Welsh

Dance: a Hornpipe-Butler

Event Comment: [There are two BM playbills (Harris, Vol. V) for this night. The first announces First Love, in place of The Iron Chest, advertised on playbill of 15 Mar. The second carries the notice: The Publick are most respectfully informed that, on account of the Indisposition of a principal Performer, First Love cannot be performed. This evening will be presented [as above]. "The second performance of The Iron Chest was to have taken place on Thursady; but not being quite raady, the intended substitute was First Love. The absence, however, of some performers occasioned another change, and the substitute was A Trip to Scarborough. The return being non est inventus with respect to Barrymore, the character of Colonel Townly was wholly omitted, but not missed" (True Briton, 19 Mar).] Receipts: #249 18s. (232.6.6; 16.19.6; tickets not come in: 0.12.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Harlequin Captive

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Rosina

Performance Comment: As17961005, but Captain Belville-Haymes; Old Towler-_; Rustic-Powel; Rosina (1st time; with Sweet Bird)-Mrs Second.
Cast
Role: Rosina Actor: Mrs Second.

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Frederick-Barrymore; Duke-Whitfield; Petruchio-C. Kemble; Antonio-Suett; Gentlemen-Caulfield, Cooke, Fisher, Trueman; Peter-Russell; Anthony-Wewitzer; Surgeon-Maddocks; Francisco-Hollingsworth; First Constantia-Mrs Powell; Mother@in@Law to Constantia-Miss Tidswell; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Mrs Maddocks; Second Constantia-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Event Comment: True Briton, 20 Feb.: On Saturday Mme Banti "received that day an account of the death of her mother." She sang throughout Act I, but "was unable to appear in the second, and the audience concurred in the suppression, for the evening, of the Second Act.

Performances

Mainpiece Title: Evelina

Dance: As17970211

Performances

Mainpiece Title: The Chances

Performance Comment: As17970117, but 4th Gentleman-Phillimore; Anthony-Trueman; Kinswoman-Miss Stuart; Nurse-Miss Hale; Second Constantia-Mrs Goodall.

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Ghost

Afterpiece Title: The Mouth of the Nile

Performance Comment: As17981025, but Old Peasant-Simmons; Characters in the Ballet-_ synopsis of Ballet and of Second Part.

Performances

Mainpiece Title: Alexander's Feast 0; The Messiah; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: Part III. A Grand Miscellaneous Act. The Water Music-; O beauteous Queen-Dignum; My faith and truth-Miss Tennant, Master Elliot (Samson); Welcome welcome mighty King-Chorus (Saul); Pleasure my former ways-Incledon (Time and Truth); God preserve the Emperor-Chorus (Haydn); Mad Bess-Mrs Second (Purcell); Fixed in his everlasting seat-Grand Chorus (Samson).
Cast
Role: Mad Bess Actor: Mrs Second

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.
Cast
Role: The Soldier tir'd Actor: Mrs Second

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances