Event Comment: To the Public: An Impartial Account of Cibber's Impromptu, by a Spectator: @In a frolicsome humour I went t'other day@To see the Diversions collected by THE',@When seen -from Amazement I could not refrain@That such an odd Oglio should come in his brain;@That from Chaos, Confusion and Visible night@He could bring such a queer group of figures to light:@I went-with a critical spleen that disdained@This project -but found myself well entertained.@For the English there's ships; for the Scots a good song;@[what] He sought to provide for Hibernia was Wrong@When this I observ'd to aworthy dear Honey -@He reply'd -"Blurr and Houns? there's enough for your money.@But to state the affair without laughter or fun@All agreed -my shift was superior to none;@With new Scenes, new Machines, Music, Dancing and all,@To risk our Diversions THE' ventured a fall@And if his last trump should unluckily fail,@[Brain?] must lay a scheme to keep out of a jail.@A few trivial errors we ought to forgive@Pay to Merit reward and let Industry live,@For your Candor alone must determine his fate@For the sake of Old Coll', let Theophilus eat.@ His Benefit tomorrow, Wednesday, the 14th Instant, at the Theatre in The Haymarket

Event Comment: BBarry play'd at C. Garden some little Noise, on Account of his being ye occasion of ye late Riot, & demanding more Money than usual-but his speech declaring his Innocence; King Lear went on in quiet (Cross). It is hoped that the Ladies and Gentlemen who took places for the Fatal Marriage this evening will excuse its not being acted 'till tomorrow, as it is impossible for Mrs Cibber to perform the character of Isabella without proper respit. The Old Comedy alter'd from Shirley [The Gamesters] will be reviv'd next week (Public Advertiser). Receipts: #160 (Cross)

Event Comment: Benefit for Hull. Books of the afterpiece to be had at the Theatre. Afterpiece: Founded on the plan of the old Ballad of that name. The songs adapted to old English, Irish and Scotch tunes. [Shuter's Prologue is Larpent MS 218, wherein he enters in character of a Ballad singer, interrupting the music as the overture comes to a close. He sings snatches from some ten old ballads, stopping in the midst of each to comment on the superiority of modern circumstances which parallel those referred to in the old ballads. As the bell rings he introduces the afterpiece.