SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Tars of Old England; or, Humours of Greenwich Fair

Performance Comment: Black Ey'd Susan-Incledon; The Snug Little Island-Townsend; A Hornpipe-Master Betterton (1st appearance); Rule Britannia-, as17990503.

Afterpiece Title: The Adopted Child

Dance: End 1st piece: The Highland Lovers, as17990423; Del Caro's Hornpipe-Miss Brugier

Song: 1st piece: Vocal Parts, as17981215, but Miss Waters, Mrs +Atkins, _Gray, Miss _Leserve, Miss _Gray; In 3rd piece: +The Tower Song-Mrs Atkins

Entertainment: Monologue. After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton

Performance Comment: After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton.
Event Comment: Benefit for the Widow and Four Children of the late Mr Follett. [John Follett had died in Jan. 1799. Address by John Cartwright Cross (Monthly Mirror, June 1799, p. 367).] Receipts: #416 7s. 9d. (120.4.3; 4.1.0; tickets: 292.2.6)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Performance Comment: Boxing the Compass-Fawcett; A Touch at Old Times-Munden; The Irish Haymaker-Johnstone; Young William-Incledon; The Tight Little Island-Townsend; Rule Britannia-Incledon, Johnstone, Townsend, Linton, Street.

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Blister-Emery; Coupee-Betterton; Quaver-Clarke; Goodwill-Thompson; Thomas-Claremont; Lucy-Mrs Jordan (from the Theatre Royal, Drury-Lane, who has with the greatest kindness consented to perform).

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Event Comment: Benefit for Sloper and Mrs Watts. 2nd piece: The Machinery of the Peacock by Sloper. 3rd piece: The following are a part of the Scenes: The Ancient Temple dedicated to Bel, the God of Fire, with the Flactaga, or sacred Fire burning; The Dargle, where the Irish Druids consulted their Oracle; A View near Wicklow; The Salmon Leap; Entrance of a Subterraneous Pass; Maon's Cavern; Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. The Overture and Music principally new, with a Selection of some novel Irish Airs, by Reeve. The Harp by Weippert. The machinery by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Receipts: #319 16s. 6d. (70.19.0; 8.13.0; tickets: 240.4.6)

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: As17990503, but Tipstaff-_; here called Little Dicky-Simmons; Miss Hartley-Mrs Atkins; Obligato Song-_; violin-_.

Afterpiece Title: An Egeirophadron

Performance Comment: As17990513, but added: Young William was a sailor true composed and sung-Incledon; The Irish Haymaker-Johnstone; Sally in our Alley-_; A New Planxty-_.

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Cobthach (Usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun.; Kildare-King; Danish Soldier-Dyke; Maon-Farley (1st appearance in that character); Child-Miss Webb; Moriat (1st time)-Mrs Watts; Principal Vocal Characters-Townsend, Linton, Street, Miss Sims, Mrs Martyr.

Song: In: Together let us range-Incledon, Mrs Atkins

Event Comment: Benefit for Hill, Rees and Miss Sims. Morning Chronicle, 6 June: Tickets to be had of Hill, No. 24, Bow-street, opposite the Pit Door. [Others not listed.] 2nd piece [1st time: M. INT 1]. Receipts: #287 7s. (50.17.6; 4.0.6; tickets: 232.9.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Performance Comment: Imitations-Rees; When the seaman quits the shore-Hill; The Tight Little Islands-Townsend; Flow thou regal purple stream-Burrows (1st appearance); A new Hunting Song-Hill; a Debating Catch-Simmons, Linton, Street.

Afterpiece Title: Comus

Performance Comment: Comus-Holman; Principal Bacchanal-Hill; Bacchanals-Townsend, Linton, Street, Thomas, Oddwell; 1st Spirit-Thompson; Brothers-Farley, Claremont; 2nd Spirit (with a song)-Miss Sims; The Lady-Miss Chapman; Principal Bacchant-Mrs Chapman; Bacchants-Ms Wheatley, Ms Follett, Ms Castelle, Ms Leserve, Ms Norton; Sabrina=-Mrs Atkins; Pastoral Nymph-Mrs Atkins; Sweet Echo-Mrs Atkins; accompanied on the oboe-W. Parke; Euphrosyne-Mrs Martyr.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Event Comment: Mainpiece: The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker

Performances

Mainpiece Title: The Italian Monk

Performance Comment: Schedoni-Barrymore; Vivaldi-C. Kemble; Ansaldo-Aickin; Spalatro-R. Palmer; Paullo-Suett; Familiars-Trueman, Abbot; Stiletto-Caulfield; Corvino-Chippendale; Priest-Usher; Guards-Ledger, Lyons; Marchioness-Mrs Harlowe; Olivia-Miss Chapman (1st appearance in that character); Ellena de Rosalba-Miss DeCamp; Abbess-Mrs Hale; Gradisca-Mrs Davenport; Margaritone-Mrs Edward; Fioresca-Mrs Bland; General Chorus [of Assassins and Nuns]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Menage, Ms Butler, Ms Benson, Ms Masters, Ms Norton, Ms Gawdry, Ms Leserve.

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: Sighs

Afterpiece Title: Tars at Torbay; or, Sailors on Saturday Night

Performance Comment: Tack and Half Tack (1st time)-Fawcett; Nongtongpaw-Johnstone; Around the Old Oak right Jolly and Gay-Suett, Bannister, Wathen; Ben and Mary-Trueman; Midst of the Sea-Fawcett; Ye Gentlemen of England-Johnstone, Linton, Suett; Rule Britannia-Fawcett, Johnstone, Suett, Bannister, Wathen, Trueman, Davies, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick.

Afterpiece Title: The Castle of Sorrento

Cast
Role: Sir Matthew Medley Actor: Davenport
Role: James Actor: Wathen
Role: Quirk Actor: Wathen
Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger

Song: End 1st piece: Crazy Jane (composed by Miss Abrahams [recte Abrams])-Mrs Bland

Performances

Mainpiece Title: Sighs

Afterpiece Title: Tars at Torbay

Performance Comment: As17990902, but Rule Britannia-_Caulfield Jun., _Aylmer, _Dibble, _Willoughby, _Little, _Kenrick.

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger

Song: End 1st piece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: Drooply-Lewis; Leonard Vizorly-Pope; Oakworth-Munden; Sharpset-Fawcett; Henry Melville-H. Johnston; Mr Cleveland-Murray; Old Vizorly-Emery; Master of the Hotel-Thompson; Keeper-Abbot; Servant-Curties; Waiter-Wilde; Simpson-Blurton; Julia-Mrs Pope; Gangica-Mrs H. Johnston; Mrs Cleveland-Miss Chapman; Lady Jemima-Mrs Davenport; Caroline-Miss Betterton.
Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Mansel; Bowman-Street; Fitzherbert-Davenport; Scarlet-Klanert; Edwin-Incledon; Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Mrs Atkins.
Cast
Role: Little John Actor: Munden
Event Comment: [Mrs Higginson, who is identified in European Magazine, Nov. 1799, p. 328, had, as Mrs Cussans, acted previously at Richmond and elsewhere.] 2nd piece: In one act [and in place of The Flitch of Bacon, advertised on playbill of 9 Nov.]. 3rd piece: Representation of the Battle, as 9 Nov. Receipts: #293 17s. 6d. (286.17.6; 7.0.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: Hillario-Lewis; Fractioso-Emery; Montauban-Hill; Carlos-Pope; Valoury-Munden; Cloddy-Fawcett; Count Montoni-Betterton; Bernardo-Whitfield; Chorus of Soldiers and Sailors-Linton, Street, Abbot, Blurton, Lee, Little; Chorus of Country Girls-Ms Wheatley, Ms Sims, Ms Follett, Ms Watts, Ms Leserve, Ms Castelle, Ms Norton, Ms Gilbert, Ms Masters; Annette-Mrs Mattocks; Constantia-Mrs Chapman; Julia-A Young Lady (1st appearance on any stage [recte in London; Mrs Higginson]).recte in London; Mrs Higginson]).

Afterpiece Title: Cross Purposes

Afterpiece Title: The Mouth of the Nile

Event Comment: Afterpiece: Taken from Ossian (composed by Byrn). View of the Sea and Rockv from which Oscar escapes, by leaping from a Precipice into arms of his Soldiers--a View of a Bridgev, with the Camp of Carrol--the Death of Carrol by the Hand of +Malvina, with his Fall into the Sea, and the Burning of the Camp of Carrol. [This was included in all subsequent performances.] The Overture by Reeve, with an accompaniment on the Harp by Weippert. "[The afterpiece] is a showy spectacle, but by no means equal in merit to the heroic ballet of Raymond and Agnes. It were greatly to be wished that some safer expedient could be adopted for breaking the violence of Oscar's fall, in the scene where he leaps from the rocky precipice into the arms of his soldiers. A serious disaster happened in this part last season, and had nearly occurred again this evening" (Dramatic Censor, I, 311). Receipts: #317 3s. 6d. (311.1.6; 6.2.0)

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingalv Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domestics-Blurton, Platt, Wilde, Powers, L. Bologna, T. Cranfield, Lewiss; Female Domestics-Ms Watts, Ms Follett, Mrs? Bologna, Ms Burnett, Ms Cox, Miss? Bologna, Ms Dibdin; Malvina (Daughter to Toscar)-Mrs Parker; View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond Carrol (, the Irish Chieftain) (1st time)-Farley; Morven (his Lieutenant) (1st time)-King; Draco (his Captain)-Klanert; Standard Bearers-Lee, Abbot; Principal Vocal Characters-Hill, Denman, Street, Thomas, Little, Miss Waters.

Song: In afterpiece: I am a jolly gay Pedlar-Townsend; Come every jovial fellow-Miss Sims, Mrs Castelle, Miss Wheatley; O ever in my bosom live-Mrs Chapman, Mrs Atkins

Event Comment: Benefit for Incledon. 1st piece: Not acted these 4 years [acted 20 May 1797]. Receipts: #579 13s. (303.7.6; 3.6.0; tickets: 272.19.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Munden (1st appearance in that character); Captain O'Donnel-Johnstone; Fairlop-Townsend; Medley-Hill; Bob-Emery (Their 1st appearance in those characters); Ralph-Linton; Wilford-Incledon; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Davenport; Polly (1st time)-Miss Sims; Bridget-Mrs Watts; Emily-Mrs Atkins (1st appearance in that character).

Afterpiece Title: The Rendezvous

Performance Comment: Jack at the Windlass-Fawcett; The Death of Admiral Benbow-Incledon; Fat Dolly the Cook Maid-Munden; song-Johnstone; The Tight Little Island-Townsend; Our Laws, Constitution and King (composed by Shield)-Incledon, Linton; Great Britain still her Charter boasts (composed by Shield)- Incledon.

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Performance Comment: A. Stevens=)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon].Incledon].

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Saturday Night at Sea

Performance Comment: Pull away my Hearties-Fawcett; Black Ey'd Susan-Incledon; United Englishmen; or, every Man a Volunteer-Munden; Song-Johnstone; The Tight Little Island-Townsend; Our Laws Constitution and King-Incledon, Linton; Great Britain still her Charter boasts-Incledon.

Afterpiece Title: Lock and Key

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Cheveril-Lewis; Mr Mordent-Pope; Donald-Munden; Clement-Claremont; Grime-Davenport; Item-Emery (1st appearance in that character); Lenox (1st time)-Murray; Joanna (the Deserted Daughter)-A Young Lady (1st appearance on any stage [unidentified]); Lady Ann Mordent-the Late Miss Betterton [i.e. now Mrs Glover] (1st appearance in that character); Mrs Enfield-Mrs Whitmore; Betty-Miss Leserve; Mrs Sarsnet-Mrs Mattocks; Oraginal Epilogue-[the Young Lady, the Late Miss Betterton, Mrs Mattocks.the Young Lady, the Late Miss Betterton, Mrs Mattocks.

Afterpiece Title: The Social Songsters

Performance Comment: As18000426, but added: The Tight Little Island-Townsend; When Arthur first at Court began-Incledon, Linton, Denman; Old Towler-Incledon; Naval History-_; My Dolly was the fairest Thing-_; The Red Cross Knight-_; This Life is like a Country Dance-_.

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performance Comment: End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks.

Performances

Mainpiece Title: The Heir At Law

Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Reviv'd Anacreontics [i

Performance Comment: e. The Sons of Anacreon]. President (with the Anacreontic Song)-Incledon; The Tight Little Island-Townsend; From Night till Morn I take my Glass-Johnstone, Incledon; A Favorite Comic Song-Fawcett; The Red Cross Knight-Incledon, Linton, Denman; The Awkward Recruit (never performed)-Munden; Beviamo-Incledon, Johnstone, Townsend, Linton.

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger

Song: End II 1st piece: The Witches, as18000415, but added: Denman, +Street

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Review

Performance Comment: See18000901, but Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Aylmer, Thomas, Willoughby, Dibble .
Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): George Colman, the younger

Afterpiece Title: The Deaf Lover

Afterpiece Title: Obi

Event Comment: [Librettist unknown. Premiere. For the identification of this opera, see Loewenberg, pp. 58-59. Downes (p. 48) says that the opera lasted five days; Cibber (I, 325) states that it was given only three days, and those not crowded. This day marked the opening of the Queen's Theater in the Haymarket, the first new theatrical construction of the century. For a discussion of it, see Cibber, I, 319-22.

Performances

Mainpiece Title: The Loves Of Ergasto

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Performance Comment: Rum Duke-Mullart; Queer Duke-Rosco; other parts-Jones, Stoppelaer, Dove, Mrs Mullart, Mrs Forrester, Mrs Britton, others from the Haymarket.

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Performance Comment: ..a very elegant and learned Dispute between Punch and another great Orator: Punch's Family Lectures; or, Joan's Chimes on her Tongue to some Tune. Punch-Reynolds; Joan-Mrs Egleton; from lif; Orator-Jones; Opera-Stoppelaer; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.

Dance: St.Luce

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

Event Comment: London Evening Post, 17 Nov.: Yesterday the Court of King's Bench granted a Habeas Corpus, directing the Keeper of Tothill-Fields Bridewell, to bring up the Body of John Harper, one of the Haymarket Comedians; and he is accordingly to be brought up on Monday next . . . that he may be admitted to Bail

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Opera of Operas

Dance: As17331115

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Performances

Mainpiece Title:

Entertainment: The strong Man from Islington (not in Defiance to Mynheer Cajanus) as was Yesterday improperly advertis'd, but out of good Will to the Author, and to oblige the Audience, for that Night only, will perform several surprizing proofs of Manly Strength, unequall'd yet by any

Related Works
Related Work: A Midsummer Night's Dream Author(s): George Colman, the elder
Related Work: The Fairy Tale Author(s): George Colman, the elder
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Taken from the French of Moliere. [The first appearance of the Haymarket actors at DL.]

Performances

Mainpiece Title: The Mother-in-law

Music: Select Pieces between the Acts

Dance: Pierrots by Poitier and Nivelon. Drunken Peasant by Le Brun. Revellers by Essex, Miss Latour, Janno, Holt, Miss Mann, Miss Brett. Polish Dance (new) by Essex, Miss Robinson, S. Lally, Davenport, Holt, Mrs Walter, Miss Mann, Mrs Davenport

Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Performances

Mainpiece Title:

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

Event Comment: Benefit Topham, Gardiner, Miss Jones. Afterpiece: Which was originally acted at the Haymarket. With Alterations, Additions, and Amendments. Written by Mr Carey

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Young Mirabel-a Gentleman of the Temple; Old Mirabel-Topham; Duretete-Jones; Dugard-Blastock; Petit-Boothby; Bissare-Miss Jones; Oriana-Miss Jones Jr; Lamorce-Miss Atherton .

Afterpiece Title: The Honest Yorkshireman

Dance: Pierrot by Baudvin