SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "his Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Prince of Wales (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Harlequin Skeleton

Cast
Role: Chasseur Royale Actor: Lowe

Dance: LLes Savoyards, as17531210; Les Taileurs, as17531210

Event Comment: By Command of Prince of Wales. Tickets deliver'd out by Wood, which were to have been admitted this night, will be taken Saturday next, to the play of the Rehearsal. Receipts; #180 (Cross)

Performances

Mainpiece Title: Rule A Wife

Dance: DDance of the Millers-

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

Performance Comment: Into which will be introduc'd the Entry of Capt. Gulliver into Mildendo, the Metropolis of Lilliputv, upon his being creaded Nardoc of that Kingdom. Gulliver-Bransby; Lord Flimnap-Master Cautherly; Bolgolam-Master Simpson; Fripperel-Master Largeau; Lalcon-Miss Pope; Lady Flimnap-Miss Simpson; Toadel-Miss Matthews; Lilliputians-Mt Pope, Mt Hurst, Mt Martin. (Edition of 1756.)
Cast
Role: Lord Flimnap Actor: Master Cautherly
Role: Toadel Actor: Miss Matthews
Event Comment: For ye Author. Prince of Wales & 5 of ye Fam. Mrs Cibber taken ill in the Play, but made shift to finish-Mrs Yates did ye Part on Monday-(Well). Receipts: #220 (Cross)

Performances

Mainpiece Title: Agis

Cast
Role: Euanthe Actor: Mrs Cibber
Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Cast
Role: Euanthe Actor: Mrs Yates
Event Comment: Mainpiece, Dance, and Afterpiece: By Command of the Prince of Wales. [No receipts in Cross.

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Upholsterer

Dance: TThe Market, as17571126

Event Comment: Benefit of the Author. By command of Prince of Wales

Performances

Mainpiece Title: Cleone

Dance: As17581016

Event Comment: By Command of the Prince of Wales

Performances

Afterpiece Title: Catherine and Petruchio

Cast
Role: Catherine Actor: Mrs Green

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: By Command of the Prince of Wales. Last time of performing till after the Easter Holidays

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Demetrius-Smith, 1st time; King-Ridout; Seleucus-Anderson; Ptolomy-Wignel; Lysimachus-Gibbs; Timon-Stoppelaer; Lieutenant-Shuter; Cerinthus-Bencraft; 1st Ambassador-R. Smith; 2d-Holtom; Physician-Redman; 1st Gentlemen-Bennet; 2d Gentlemen-Perry; Host-Marten; Leontius-Sparks; Gentleman Ushers-Collins, Dunstall; Magician-Baker; with the Incantation Song-Baker; Singing Spirits-Mrs Lampe, Miss Young; Leucippe-Mrs Pitt; Caelia-Miss Nossiter, 1st time; Old Woman-Miss Ferguson; Phoebe-Miss Allen.

Afterpiece Title: Florizel and Perdita

Dance: [Unspecified in the bill]

Event Comment: By command of the Prince of Wales

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne
Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: King Lear

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: The Desert Island

Afterpiece Title: The Way to Keep Him

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: The Orphan Of China

Event Comment: By Command of the Prince of Wales. The Siege of Aquileia published at 1s. 6d

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: The Rehearsal

Cast
Role: others Actor: Mrs Bennet, Mrs _Abington.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: II: The Cow Keepers, as17600313 End: a new Comic Dance-Sg Giorgi, Sga Giorgi

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Hamlet

Dance: End: The Millers-Grimaldi, Mrs Vernon

Event Comment: By Command of their Majesties, both pieces. Present their Majesties, the Prince of Wales Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guards #2 2s. Paid Miss Valois the balance of her salary last season #27 16s. 8d., and in full for this season to 24 Oct. 1766, #3 16s. 8d. (Account Book). Receipts: #241 3s

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv, Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: The last Time of performing this Season. [This was Mrs Hartley's last appearance on the tstage.] Account-Book, 29 May: Paid Foulis for writing Music #101 17s.; 31 May: Received of Their Majesties for this Season #60, of Prince of Wales #30; 16 June: Paid Pattinson, tallow chandler, #332 8s. Paid Cooper, printer, #335 11s. Paid Harris, manager, #500. Paid Enderby, oil merchant, #1,061 17s. Paid Hull, salary as Acting Manager #150. Paid Mrs Hartley in lieu of a Benefit #105; 6 July: Received Stage Forfeits this season #42 3s. 6d. Receipts: #63 8s. (61.14.6; 1.13.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Siege of Gibraltar

Dance: As17800417

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Cast
Role: Serjeant Eitherside Actor: Booth

Afterpiece Title: Harlequin Free-Mason

Performances

Mainpiece Title: I Rivali Delusi

Performance Comment: As17840106, but added: An entirely new Suartetto by Franchi, Tasca, Schinotti, Sga Dorta; the music by Sarti .

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .
Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood (1st time)-Farren; Saville-Aickin; Flutter-Macready (1st appearance on this stage); Villers-Hull; Courtall-Davies; French Valet-Wewitzer; Porter-Fearon; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood (1st time)-Mrs Wells; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.

Afterpiece Title: Love in a Camp; or, Patrick in Prussia