SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Fete

Performance Comment: As17800410, but in Scene III Venus-Mrs Morton; added are: Scenes V, VI, VII. The May-Day Garland; or, Harlequin's Trip to Lisson-Green. Harlequin (with the jump through the tub)-W. Bates; Scene VIII originally Scene VI; Scene IX originally Scene VII. Scene VIII originally Scene VI; Scene IX originally Scene VII.

Afterpiece Title: The Elders

Song: In: To thee O gentle sleep-Leoni

Event Comment: Benefit for Whitfield and Mrs Morton. Morning Chronicle, 2 May: Tickets to be had of Whitfield at his house, Crown-Court, Bow-street; of Mrs Morton, No. 15, Crown-Court, Covent Garden. Tickets sold at the Doors will not be admitted. Receipts: #186 7s. 6d. (87.3.6; tickets: 99.4.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Fete

Performance Comment: As17800501, but in Scene IX Attendant Genius-Miss Langrish; added to The May-Day Garland: Colombine-Miss Cranfield; from Scene I: Give round the word dismount-_.

Afterpiece Title: The Elders

Event Comment: Afterpiece [1st time; CO 2, by Miles Peter Andrews]: The Overture from the celebrated Fire and Water Music of Handel. The new Airs and Chorusses by Dr Arnold. With new scenes by Rooker. Books of the Songs may be had at the Theatre. Public Advertiser, 8 July 1780: This Day is published the Songs in Fire And Water! (6d.). Ibid, 22 July 1780: This Day is published Fire And Water! (price not listed)

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Fire and Water

Event Comment: It not being customary to perform on the Day following Christmas Day, there will be no Opera till Saturday

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Caldron

Dance: End of Act II of mainpiece a new Comic Dance, The Market [on 28 Oct., and thereafter, entitled The Market-Day], by Hamoir and Mrs Sutton; In afterpiece, as17851018

Performance Comment: , and thereafter, entitled The Market-Day], by Hamoir and Mrs Sutton; In afterpiece, as17851018., by Hamoir and Mrs Sutton; In afterpiece, as17851018.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Bon Ton

Dance: III: a Hornpipe-Johnston

Song: End I: Primroses deck the Banks' green side (composed by Linley? Sen)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum

Performance Comment: Sen=)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Double Disguise

Song: End III: song-Miss Barnes; End IV: O! Nanny wilt thou go with me (composed by Carter)-Dignum; End: Bright Phoebus has mounted the Chariot of Day-Miss Barnes

Performance Comment: Nanny wilt thou go with me (composed by Carter)-Dignum; End: Bright Phoebus has mounted the Chariot of Day-Miss Barnes.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Goodwin. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Yesterday the 28th will be admitted. [The Satiric print, The Prince's Bow, had 1st appeared on 17 Mar. 1788; it was not by Bunbury, but by Frederick George Byron (Catalogue of Political and Personal Satires...in the British Museum, 1938, VI, 557).

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-L'Estrange; Lord Trinket-Cooper; Capt. O'Cutter-Griffiths; Tom-Goodwin; Major Oakly-Follett; Lady Freelove-Mrs Day; Mrs Oakly-Mrs Hunter.

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini

Performances

Mainpiece Title: The Committee

Performance Comment: As17880207, but Mrs Day-Mrs Pitt (of cg).
Cast
Role: Mrs Day Actor: Mrs Pitt
Role: Mr Day Actor: Baddeley

Afterpiece Title: The Humourist

Dance: As17880313

Song: End IV: O Say bonny Lass, as17880506

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Farrer. Mainpiece: Not acted these 3 years. Afterpiece: Never acted here. The Doors to be opened at 5:15. To begin at 6:15. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Tickets delivered for Wednesday, Dec. 18, will be admitted

Performances

Mainpiece Title: Tamerlane The Great; Or, The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: Who's the Dupe

Performance Comment: Doiley-Follett? Sen.; Granger-Chambers; Sandford-Brooke; Gradus-Simpson; Miss Doiley-Mrs Day; Charlotte-Mrs Hemley.

Song: IV: To Thee O Gentle Sleep-a Young Lady (1st appearance in public [unidentified])

Entertainment: Monologue End: Hippisley's Drunken Man-Jackson

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Performance Comment: New Overture-(Haydn); Praise the Lord-Double Chorus (Solomon, Handel); See her awful domes-Kelly (Julius Caesar, Handel); No more shall Edom-Miss Hagley (Dr Arnold); On our paternal-Reinhold, Dignum, Miss Hagley, Mrs Crouch, Chorus (Corelli); He bids the circling season-Miss Lockhart; Give glory to his awful name-Chorus (Handel); Cease ah cease-Mrs Crouch [i.e. Ombra Cara (Radamisto, Handel)]; Remember us O Lord-Quartetto, Chorus (Purcell); O thou almighty pow'r-Mrs Ambrose [i.e. Affani del pensier (Ottone, Handel)]; When storms the proud-Reinhold (Athalia, Handel); O Judah boast-Chorus (Handel); Rise O God-Chorus (Funeral Anthem, Handel).

Afterpiece Title: Triumph of Truth 2

Performance Comment: Tis Mighty Wine-Reinhold (Ottone, Handel); 'Tis Generous Wine-Kelly, Chorus (Dr Arnold); Like the raging Ocean-Mrs Crouch (Dr Arne); Shake the Dome-Double Chorus (Solomon, Handel); Prophetic visions-Kelly (Occasional Oratorio, Handel); The Glorious Day is won-Chorus of Soldiers (Handel); The Soldier tir'd-Mrs Ambrose ([Artaxerxes] Dr Arne); From the censer-Double Chorus (Solomon, Handel); Around the Fair attending-Miss Lockhart (Handel); On the charmer-Miss Hagley (Dr Arnold); Strong is the Heart-Chorus (Handel).

Afterpiece Title: Triumph of Truth 3

Music: As17890311

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned-Pearson, Chorus; He was Eyes unto the Blind-Miss Cantelo; Second Hautboy +Concerto-; So shall the Lute and Harp-Miss Mahon (Judas Maccabaeus); Gird on thy Sword-Chorus; Thanks to my Brethren, How vain is Man-Harrison (Judas Maccabaeus); Then round about the starry Throne-Chorus (Samson); Every Day will I give Thanks-Sga Storace (Chandos? Anthems); Fix'd in his everlasting Seat-Chorus (Samson).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Tamerlane) and Dead March-(Saul); Honour and Arms-Griffiths (Samson); Fallen is the Foe-Chorus (Judas Maccabaeus); Ye Men of Gaza-Miss Cantelo (Samson); When his loud Voice-Chorus (Jephtha); O come let us worship-Harrison; The Lord shall reign-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Chorus (Israel in Egypt); God save Great George our King-.

Music: As17890306

Event Comment: [As afterpiece the playbill announces The Follies of a Day, but "In consequence of an accident to Miss Farren The Follies of a Day was unavoidably postponed, in lieu was represented The Liar [which is also listed in the Account-Book]. Mrs Kemble being indisposed, Miss Collins personated Miss Grantham in a manner which greatly added to Miss Collins's reputation" (Diary, 11 Oct.). And see 10 May 1791.] Receipts: #289 7s. 6d. (239.15.0; 48.7.6; 1.5.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Liar

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes, Dresses, and Decorations. The Music (with a few exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. [Williamson was formely a chorus singer at this theatre; Mme Pieltain had sung at the king's in the season of 1788-89. Afterpiece in place of The Deaf Lover, advertised on playbill of 25 Feb.] "The author is very little responsible for his part of the entertainment, which he acknowledges was composed chiefly for the purpose of [the music, which] in the taste of the present day is almost the only essential part of such an entertainment" (Gazetteer, 28 Feb.). Oracle, 7 May 1791: Thas Day is published The Woodman (1s. 6d.). Receipts: #243 2s. (239.17.6; 3.4.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Two Strings to Your Bow

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Performance Comment: Part II. But O! sad virgin-Miss Poole; Populous cities please us then-Sale, Chorus; There let Hymen oft appear-Harrison; Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Incledon; And ever against eating cares-Miss Poole; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Incledon, Chorus.

Afterpiece Title: PART III

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Afterpiece Title: L'Alegro ed il Pensieroso 1

Afterpiece Title: L'Allegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Esther); Tears such as tender fathers shed-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); How blest the maid-Mrs Second (Hercules); Hail mighty Joshua-Chorus (Joshua); Softly rise O southern breeze-Harrison; Ye southern breeze-Chorus (Solomon, by Boyce); Holy holy Lord-Mrs Billington (Rodelinda); Gird on thy sword-Chorus (Saul).
Cast
Role: When his loud voice Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Hautboy Concerto-; O sing unto the Lord-Mrs Second; Declare his honour-Chorus; He was eyes unto the blind-Mrs Billington; For the Lord is great-Chorus; The waves of the sea-Page; O worship the Lord-Mrs Billington, Harrison; Let the whole earth stand in awe-Chorus; Every day will I give thanks-Harrison (Chandos Anthems); I feel the Deity within, Arm arm ye brave-Bartleman; We come in bright array-Chorus (Judas Maccabaeus); Let the bright Seraphim-Mrs Billington; accompanied on the trumpet-Sarjant (Samson); Kings shall be thy nursing fathers-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; O had I Jubal's-Miss Hagley (Joshua); His mighty arm-Kelly (Jephtha); Che vi par-Morelli, Kelly, Mrs Crouch (Sarti); Would you gain-Master Welsh (Acis and Galatea); Wake sons-Sedgwick (R. J. Stevens); Mary's dream-Miss Barclay (Relfe); For unto us a child-Chorus (The Messiah).
Cast
Role: His mighty arm Actor: Kelly

Afterpiece Title: Grand Selection 2

Performance Comment: Hautboy concerto (Handel)-; Blooming virgins-Incledon (Athalia); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Fair Rosale-Master Welsh (Linley); Let's imitate-Dignum, Miss Hagley (Alexander's Feast); What though I trace-Mrs Crouch (Solomon); Zadock the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: Eternal God-Reinhold (Isaac, Giordani); The Prince unable-Mrs Bland (Alexander's Feast); Non piu andrai-Morelli (Paisiello [recte Le Nozze di Figaro, Mozart]); Softly rise-Dignum, Chorus (Solomon, Boyce); Sweet bird-Mrs Crouch (L'Allegro); Every day will I give thanks-Incledon (Chandos Anthems); I know that my Redeemer liveth-Master Welsh; Hallelujah for the Lord God-Chorus (The Messiah).

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Performances

Mainpiece Title: Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Hautboy Concerto-; The Maid of the Rock-Master Welsh; Mad Bess-Miss Poole; Italian Air-Morelli; O'er hill and valley-Mrs Harrison (Harrison); Every day will I give thanks-Harrison [Chandos Anthems]; Then undaunted Briton-Dignum.

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Performance Comment: As17930215, but Principal Vocal Parts-Mrs Clendining, in place of Mme _Mara , "who is still indisposed, and cannot perform this Evening.".

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).