SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Ghost

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Devil to Pay

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Afterpiece Title: St

Performance Comment: David's Day. As18000414, but added Young Shenkin was born in Montgomeryshire-Townsend.

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Performance Comment: David's Day. As18000414.

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

Event Comment: Benefit for Mrs Gibbs. 1st piece: Never acted here. 2nd piece [1st time; M. INT 1. In it the playbill lists Dicky Gossip by Suett, but "Fawcett came forward with an apology, stating that Suett had been suddenly taken ill, and was unable to attend the theatre. The galleries...insisted on Fawcett's singing the song in Suett's stead. Fawcett pleaded his incapacity, and at length, by dint of a little buffoonery and grimace (talents essentially necessary on such occasions) succeeded in a appeasing the tumult" (Dramatic Censor, III, 127)]

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Afterpiece Title: Obi

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Birth Day

Afterpiece Title: The Review

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Daily Advertiser: This evening their Royal Highnesses...will go to the theatre...to see the Comedy of the Committee, or the Faithful Irishman, and Dancing by Signior Brunoro, &c, being the first time of his appearing at that theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Day-Arthur; Obediah-Morgan; Mrs Day-Mrs Cross; Teague-Macklin; Careless-Mills; Abel-Neale; Ruth-Mrs Woffington; Story-Havard; Arabella-Mrs Mills; Blunt-Berry; Bookseller-Leigh; Committeeman-Turbutt; Bailiff-Blakes; Mrs Chat-Mrs Horsington.
Cast
Role: Day Actor: Arthur
Role: Mrs Day Actor: Mrs Cross

Dance: II: a New Comic Dance La Mascarada-Brunoro, Borromeo, Mlle Bonneval, Sga Costanza; V: New Comic Dance Les Matelotes-Brunoro, Borromeo, Mlle Bonneval, Sga Constanza

Song: III: Song-Beard

Music: IV: Concerto-Veracini

Event Comment: Benefit for Simpson, Powel, Rees & Mrs Henley. 3rd piece [1st time; P 1]: Selected from The Rape of Proserpine, Lord Mayor's Day, Harlequin's Museum, Harlequin Skeleton, Harlequin Sorcerer, Aladin, &c. In the course of the Compilation will be introduced: The Birth and Emancipation of Harlequin from the Egg-shell-the Dying Scene-the Skeleton-His Renovation-the celebrated Gladiator Scene, &c. In particular, among many surprising Escapes, the Jump through the Tea-chest; Flight from one Balcony to the other; a Leap over twelve Soldiers with fixed Bayonets; the Flight back and Jump through a Tamborine-and (for that night only) Simpson will run perpendicular up the Wall of a House, 30 Feet High. To conclude with a View of the Grotto of Magic. There are some imitations which almost identify the originals, but [Rees's as Dromio] was a vile caricature, which would never have been recognized but for the specification in the play bills" (Monthly Mirror, June 1798, p. 371). Receipts: #269 19s. 6d. (48.19.0; 20.17.6; tickets: 200.3.0, of which Simpson took #72 5s. 6d., Powel #27 10s. 6d., Rees #36 11s., Mrs Henley #61 16s., leaving #2 to be accounted for)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Waterman

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Performance Comment: Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Kiddy Wigsby-Simmons; Crop (his servant)-Master Rees; Witches-Thompson, Street, Dyke; Principal Witch-Mrs Martyr; Mother-Mrs Lloyd; Colombine-Mlle St.Amand.

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Event Comment: At the Large Commodious Room at the lower end of the Swan Inn Yard, West Smithfield, during the short time of Bartholemew Fair, which begins this day. The Characters dressed in the Italian manner. Scenes, Cloaths, Machinery, and other Decorations entirely New. To began each day at 12:00 noon. A very extraordinary band of musick is provided, and the Room decorated in an elegant Manner, for the better reception of the Nobility and Gentry. There is a back door to Hosier Lane for the conveniency of those who don't chose to be crowded...The passages will be elegantly illuminated

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert Of Vocal And Instrumental Musick

Afterpiece Title: Gli Amanti Gelosi; or, The Birth of Harlequin

Afterpiece Title: The Triumph of Love in the Temple of Apollo

Event Comment: [MMrs Midnight will entertain the Town with her Grand Carnival Concert. After the Concert, gratis, will be given...at Bence's Booth, upper end of Bowling Green. The Afterpiece: a Pantomime Burletta by the Company of Lilliputians. To begin at 12 Noon each day. To prevent mistaking the Booth, Mrs Midnight has thought proper to hoist English Colours. [Bill repeated each day.

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: [The Birth of Harlequin; or, The Old Woman's Whim

Dance: To conclude with A Dance in the Ancient British Taste-Choice Spirits from Comus's Court

Music: [NNew Concerto for the Tambour de Basque-

Event Comment: At Petty's Old Playhouse, the End of Tottenham Court, leading up to Hampstead Road. With a Representation of Merlin's Cave, and the Hermitage, as in the Royal Gardens at Richmond. Likewise several other Scenes performed by Merlin's Art. 10 A.m. to 9 P.M. [To play from 4 Aug. to 20 Aug.]

Performances

Mainpiece Title: The Birth Of Merlin, The British Enchanter; Or, The Child Has Found His Father

Event Comment: At Lee's Playhouse. 10 a.m. to 9 P.M. [Advertised 7, 10, 13, 14 Sept. Daily Advertiser, 6 Sept., reported that SF would be limited to three days, but Lee advertised that he would perform until 20 Sept. On 13 Sept., Daily Advertiser stated that the booths had been pulled down on 11 Sept., but on 14 Sept. stated that this report was in error.]

Performances

Mainpiece Title: The Birth Of Merlin

Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Event Comment: [Extra night] Benefit for The General Lying-In-Hospital, Bayswater. Under the Patronage of Her Majesty. N.B. 51765 Women have been Delivered since the first Institution of this Charity in 1752, & the humane Purposes are now extended to the Infant Poor, the two first Years after Birth, & to the Distressed Wives of Sailors & Soldiers in their Country's cause. "The house exhibited a deplorable appearance of empty seats" (Dramatic Censor, II, 281). Mainpiece: Not acted these 4 years [acted 21 Apr. 1798]. Afterpiece: Taken from Solyman the Magnificent of Marmontel. [Mrs Baster is identified in Thespian Dictionary, 1805. This was the second successive evening on which Mrs Jordan appeared at both dl and cg.] Receipts: none listed

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).

Afterpiece Title: The Sultan

Performance Comment: Solyman-Barrymore; Osman-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Ismene-Miss Wheatley; (with a) song-Miss Wheatley; accompanied on the Harp-Weippert; Elmira-Mrs Follett; Roxalana (with The Blue Bell of Scotland)-Mrs Jordan [of dl].of dl].

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Event Comment: [In Daily Courant, 8 Dec., The Royal Amazon was advertised for this day with a cast consisting principally of singers who performed this day in Camilla at dl. See also dl, 18 Dec.

Performances

Mainpiece Title: The Royal Amazon

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: The Duke's Company. This play is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. A song in this play, Thus all our Lives, with music by John Banister, is in Choice Songs and Ayres, 1673. Downes (Roscius Anglicanus, p. 31): [Concerning several plays] All which Expir'd the third Day, save the Royal Shepherdess, which liv'd Six. Pepys, Diary: To the Duke of York's house, and there before one, but the house infinite full, where, by and by, the King and Court come, it being a new play, or an old one new vamped, by Shadwell, called The Royal Shepherdesse!; but the silliest for words and design, and evepything, that ever I saw in my whole life, there being nothing in the world pleasing in it, but a good martial dance of pikemen, where Harris and another do handle their pikes in a dance to admiration; but never less satisfied with a play in my life

Performances

Mainpiece Title: The Royal Shepherdess

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him

Event Comment: The Duke's Company. If Downes is correct that this play was given six days successively, it was probably acted through Thursday 4 March 1668@9

Performances

Mainpiece Title: The Royal Shepherdess

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 4-6 June 1696, suggests that it was acted not later than May 1696, possibly that it was given in late April. In III is a song, Unguarded lies the wishing maid, set by John Eccles and sung by Leveridge. In IV is a song, The secrets of peace, set by Finger and sung by Mrs Hudson. A Comparison Between the Two Stages (1702), p. 20: This is Mrs Manley's; it made a shift to live a half a dozen Days, and then expir'd

Performances

Mainpiece Title: The Royal Mischief

Event Comment: Benefit Newman. [In Daily Courant, 29 June, The Committee had been advertised for this day.

Performances

Mainpiece Title: The Royal Merchant

Song: Frost Music from King Arthur (Act III), with the proper Scenes and Habits belonging to it-

Dance: The best Performers