The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Outlaws

Performances

Mainpiece Title: The Rivals

Afterpiece Title: No Song No Supper

Event Comment: [Archer's 1st appearance at this theatre was on 13 Dec. 1797.] Receipts: #156 14s. (107.10.6; 48.14.0; 0.9.6)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Duke of Venice-Packer; Anthonio-Archer (2nd appearance on this stage); Bassanio-Barrymore; Salanio-Trueman; Salarino-Holland; Gratiano-R. Palmer; Lorenzo-Dignum; Shylock-Kemble; Tubal-Maddocks; Launcelot-Suett; Gobbo-Hollingsworth; Leonardo-Evans; Portia-Mrs Siddons; Nerissa-Miss DeCamp; Jessica-Mrs Bland.

Afterpiece Title: The Children in the Wood

Event Comment: Mainpiece: Never [previously] performed at this Theatre; By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #115 17s. 6d. (65.2.0; 47.17.0; 2.18.6)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: Blue-Beard

Performance Comment: Abomelique (Blue-Beard)-Barrymore; Ibrahim-Suett; Selim-Dignum; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Spahis-Sedgwick, Caulfield, Trueman, Maddocks, Evans; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot. [And see17981006] .And see17981006] .
Event Comment: [Miss Molini is identified by MS annotation on Kemble playbill. She had 1st appeared at this theatre on 17 Feb. 1798.] Receipts: #194 7s. 6d. (133.4.6; 58.6.0; 2.17.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Spoil'd Child

Performance Comment: Little Pickle-A Young Lady (2nd appearance on this stage [Miss Molini]); Old Pickle-Suett; Tagg-R. Palmer; Servants-Hollingsworth, Evans; Miss Pickle-Mrs Walcot; Maria-Miss Heard; Margery-Mrs Maddocks; Susan-Miss Tidswell.

Music: As17980915

Dance: As17980915

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Son-in-Law

Ballet: End: The Scotch Ghost. As17981206

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Blue-Beard

Song: In III: song-Dignum

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Humourist

Event Comment: [In mainpiece Lucianus is not listed in the playbill, but "Wewitzer never came to act Lucianus, so the Prompter's Call-boy [identified as Chatterley by Kemble's list, in his Memoranda, of this season's servants] acted it" (Kemble Mem.).] Receipts: #266 14s. (213.3.0; 53.3.6; 0.7.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Mr Oakly-Powell; Major Oakly-Dowton; Charles Oakly-Mansel (from cg, by permission of the Proprietor); Russet-Aickin; Sir Harry Beagle-R. Palmer; Lord Trinket-Russel; Captain O'Cutter-Caulfield; Paris-Maddocks; Mrs Oakly-Miss Edmead (from the Theatre Royal Norwich; 1st appearance on this stage); Lady Freelove-Mrs Walcot; Harriet-Miss Stuart; Toilette-Miss Tidswell; Chambermaid-Mrs Coates.

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Inconstant

Performance Comment: Old Mirable-Aickin; Young Mirable-Talbot (from the Theatre Royal Dublin; 1st appearance on this stage); Captain Duretete-Bannister Jun.; Dugard-Trueman; Petit-R. Palmer; Bravoes-Maddocks, Wentworth, Webb, Sparks; Oriana-Miss Biggs; Bizarre-Mrs Jordan; Lamorce-Miss Tidswell.

Afterpiece Title: The Deserter

Entertainment: Vaudeville. In II afterpiece: Military Manoeuvres, as17990425; The Dead March, as17990425; Shooting a Deserter, as17990425

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Shipwreck

Afterpiece Title: The First Act of Robinson Crusoe; or, Harlequin Friday

Dance: In 3rd piece: the original Savage Dance-

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The First Floor

Song: As17990529

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Irish Widow

Song: As17990529

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Fortune's Frolick

Dance: In III: Hornpipe in character-a Young Gentleman (1st appearance on any stage [unidentified])

Event Comment: According to A Calendar of the Middle Temple Records, ed. Hopwood (p. 168) the charges came to #11 and the receipt was signed by Will Burgon. The Diary and Will of Elias Ashmole: This day was kept solemnly at the Middle Temple and after the auncient manner. The Lord Chancellor, Judges and Sergeants that were of the Society dined in the Hall, after dinner they had a play, viz. Witt without Money [ed. R. T. Gunter, 1927, p. 76]. Ashmole lists the performance for 1 Nov. 1660, but the records of the Middle Temple point to 2 Nov. 1660 as the proper date

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: The King's Company. This is the first known performance of the comedy, but it may not be the premiere. Evelyn, Diary: At night saw acted the Committe, a ridiculous play of Sir R. Howards where that Mimic Lacy acted the Irish-footeman to admiration: a very Satyrus or Roscius. Downes, Roscius Anglicanus, p. 16: @For his Just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling; The Court gave him the Bays.

Performances

Mainpiece Title: The Committee