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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2395 results for: Keyword - his R. Highnesses
We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

151
07 October 1769 @ Covent Garden

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

152
24 February 1770 @ Covent Garden

Performances

Mainpiece Title: Timanthes

Performance Comment: Parts-Smith, Bensley, Clarke, Wroughton, Gardner, Davis, R. Smith, Mrs Bulkley, Mrs Yates. Prologue and Epilogue in Act III a Procession. The Vocal parts-Reinhold, Mrs Baker, Mrs DuBellamy, Baker, Fox. Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Davis; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; playbill matched with 1770 Edn. The 1770 Edn. includes Olinthus-;,a child but specifies no actor. Playbill includes R. Smith; but assigns no part. In Act III, a Procession-; the Vocal Parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox; Prologue-Bensley; Epilogue-Mrs Bulkley.
Cast
Role: Cephisa Actor: Mrs Bulkley

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

153
01 May 1773 @ Covent Garden

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

154
15 May 1773 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Apprentice

Dance: End: The Old Ground Young, as17720928

155
12 June 1776 @ Haymarket Theatre

Event Comment: By Command of their Majesties. Afterpiece: A Comedy of two Acts never performed. Dr Thomas Francklin. [According to the Biographia Dramatica, "This is a poor performance, founded on Destouches' L'Amour Use, and met with no success; being nearly condemned, nothwithstanding the King and Royal family were present. Foote told his friends, that, when he lighted the King, to his chair, his Majesty asked who the piece was written by: 'It was written (says the wicked Wit) by one of your Majesty's Chaplains; but it is dull enough to have been written by a Bishop.)'"]

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Contract

Dance: A Tambourine Dance-

156
19 August 1776 @ Haymarket Theatre

Event Comment: A new comedy (by Samuel Foote. This is A Trip to Calais reworked. See 4 and 18 Aug. 1775, Comment.

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Mock Doctor

Dance: The Venetian Regatta-

157
21 September 1776 @ Drury Lane Theatre

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

158
20 March 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Milesian

159
08 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Mayor of Garratt

160
06 June 1777 @ Haymarket Theatre

Event Comment: Morning Chronicle, 7 June: Foote caught cold on Wednesday last...Unwilling to disappoint the public [last night] he determined to play his part in The Devil upon Two Sticks, but, after he had ended the second act, was so much worse that he was obliged to retire...An apology was made to the audience, and Palmer undertook to read the remainder of Foote's part

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Lilliput

161
09 August 1777 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Afterpiece Title: The Citizen

162
30 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]

163
18 December 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Daphne and Amintor

164
18 May 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

165
21 May 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors; A Tragedy for Warm Weather

Dance: As17780518

166
11 June 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

167
02 July 1778 @ Haymarket Theatre

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Performance Comment: Principal Characters by Parsons, Blissett, Massey, R. Palmer, Lamash, Egan, Davis, Kenny, Bannister, Miss Hale, Mrs Hitchcock. [Cast from text (T. Cadell, 1780): Tony Lumpkin-Parsons; Pulville-Blissett; Diggory-Massey; Doctor Minim-R. Palmer; Mr Jonquil-Lamash; Frank-Egan; Painter-Davis; Shoemaker-Kenny; Tim Tickle-Bannister; Taylor-Peirce; Footman-Painter; Lavender-Miss Hale; Mrs Jonquil-Mrs Hitchcock; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 28 Aug.]This was spoken, as here assigned, at all subsequent performances, except on 28 Aug.]

Dance: As17780623

168
11 July 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Miss in her Teens

169
30 July 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Usher, Gardner, Lamash, R. Palmer, Parsons, Massey, Davis, Griffin, Egan, Stevens, Kenny, Painter, Master Edwin, Palmer, Miss Sherry, Mrs Greville, Mrs Massey. [Cast from text (T. Cadell, 1778): Caratach-Digges; Penius-Aickin; Nennius-Usher; Suetonius-Gardner; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Macer-Massey; Decius-Davis; Drusius-Griffin; Curius-Egan; Soldiers-Stevens, Kenny, Painter; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; Daughters-Mrs Greville, Mrs Massey; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Portrait

170
27 August 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Apprentice

Dance: As17780615

171
31 May 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Bensley, Lamash, R. Palmer, Parsons, Usher, Massey, Webb, Davis, Egan, Master Edwin, Palmer, Miss Sherry, Mrs Cuyler, Mrs Massey; [Cast adjusted from text (T. Cadell, 1778) and from playbill of 10 July 1780: Caratach-Digges; Penius-Aickin; Suetonius-Bensley; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Nennius-Usher; Macer-Massey; Regulus-Webb; Decius-Davis; Curius-Egan; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; 2nd Daughter-Mrs Cuyler; Eldest Daughter-Mrs Massey; [The original Prologue[, written by the late David Garrick,-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

172
02 June 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531

173
10 June 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Parts by Palmer, Aickin, Edwin, R. Palmer, Webb, Lamash, Gardner, Baddeley, Blissett, Massey, Egan, Davis, Stevens, Bannister, Mrs Webb, Miss Hale, Miss Farren. [Cast from London Chronicle, 11 July 1778: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Squib-R. Palmer; Bounce-Webb; Robin-Lamash; Cathartic-Gardner; Catchpenny-Baddeley; Dr Truby-Blissett; Juggins-Massey; Waiters-Egan, Davis, Stevens; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy-Miss Farren; Original Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Dance: End: The Country Wake, as17790609

174
17 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Performance Comment: Principal Characters by Bannister, Blissett, Egan, Usher, Jackson, Kenny, Painter, R. Palmer, Edwin, Mrs Kennedy, Mrs Love, Miss Wood, Mrs Poussin, Mrs W. Palmer, Mrs Montague. [Cast from text (N. Conant, 1780, and Public Advertiser, 20 July: Macfable-Bannister; Dr Alfred-Blissett; Capt. O'Kite-Egan; Spurious-Usher; Coachman-Jackson; Jemmy Daisey-R. Palmer; Splash-Edwin; Boy-Master Hitchcock; Lucy-Mrs Kennedy; Peg Pennyworth-Mrs Love; Betty-Miss Wood; Mrs Splash-Mrs Poussin; Pin-Mrs W. Palmer; Mrs Sharp-Mrs Montague; Kenny, Painter; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Midas

Dance: As17790610

175
31 July 1779 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue by the author (Morning Chronicle, 9 Aug.)]: New Scenes painted by Rooker. Public Advertiser, 30 Aug. 1779: This Day is published Albina, Countess Raimond (price not listed)

Performances

Mainpiece Title: Albina, Countess Raimond

Performance Comment: Principal Characters by Digges, Dimond, Usher, Gardner, Egan, R. Palmer, Kenny, Painter, Aickin, Palmer, Mrs Montague, Mrs Poussin, Mrs Lefevre, Mrs Massey. [Cast from text (T. Spilsbury, 1779) and London Chronicle, 2 Aug.: Westmoreland-Digges; Edward-Dimond; King Henry-Usher; Steward-Gardner; Officer-Egan; Oswald-R. Palmer; Egbert-Aickin; Gondibert-Palmer; Editha-Mrs Montague [in text: Miss Sherry (see17790809)]; Adela-Mrs Poussin; Ina-Mrs Lefevre; Albina-Mrs Massey; Kenny, Painter; Prologue-Mrs Massey. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Piety in Pattens