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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: For the Entertainment of His Highness Prince Eugene of Savoy, His Highness having promis'd his Presence there. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Performances

Mainpiece Title: Hydaspes

Performance Comment: See17111205, but Darius-Benedetti Baldissari, Servant to his Highness the Elector Balatine, newly arriv'd.
Event Comment: Benefit Giorgio Giacomo Beswilleball, Servant to his Serene Highness the Margrave of Brandenburgh Anspach, Brother to Her Royal Highness the Princess of Wales. At the particular Desire of several Persons of Quality. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters of the Opera

Event Comment: By Their Royal Highnesses' Command. At Penkethman's Theatre. Mainpiece: Written by Shakespear. Afterpiece: a diverting Droll. Box Tickets at Penkethman's House in Richmond. Daily Post, 5 Sept.: Mr Penkethman...had the Honour to divert their Royal Highnesses the Prince and Princess of Wales, with Entertainments of Acting and Tumbling perform'd to Admiration; Likewise with his Picture of the Royal Family, down from the King of Bohemia to the young Princesses, in which is seen the Nine Muses playing on their several Instruments, in Honour of that August Family. There were present Nobility, Gentry and Ladies upwards of 200

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

Event Comment: At Reynolds' Booth. The Beggar's Wedding acted until 8 p.m.; Damon and Phillida, 8 p.m. to 11 p.m.; The Humours of Harlequin added to each one. Daily Post, 25 Aug.: This Day his Royal Highness the Duke and their Royal Highnesses the Princesses Mary and Louisa intend to honour Mr Reynolds with their Presence at his Great Theatrical Booth

Performances

Mainpiece Title: The Beggar's Wedding

Afterpiece Title: Damon and Phillida

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: The Princess Royal's Marriage, being deferr'd, the Opera will be perform'd that Day as usual. Daily Courant, 14 Nov.: Last Night their Majesties, his Royal Highness the Prince of Wales, and the three eldest Princesses . . . saw . . . Otho; but his Highness the Prince of Orange was not there

Performances

Mainpiece Title: Otho

Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv, Part Ii

Song:

Dance:

Event Comment: By Command of his Royal Highness the Duke, their Highnesses the Princess Amelia, the Princess Caroline, the Princess Louisa, and the Princess Maria. Mainpiece: Written by Mr Voltaire

Performances

Mainpiece Title: Zaire

Afterpiece Title: Harlequin Always Harlequin

Dance:

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Tartuffe

Afterpiece Title: Attendez Moy Sous l'Orme

Dance:

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

Event Comment: By Command of his Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa. Mainpiece: Written by the late Mr Congreve. [The Duke, Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Dance: II: A new Grand Serious Ballet by Denoyer and others. IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Event Comment: By Command of his Royal Highness the Duke, and her Royal Highness the Princess Caroline

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Colombine Courtezan

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer. III: Revellers by Essex, Mrs Walter, &c. IV: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Event Comment: By Command of His Royal Highness the Duke, and Their Highnesses the Princesses. Mainpiece: Written by Beaumont and Fletcher. [Duke and three Princesses present.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Dance: I: Revellers by Essex, Mrs Walter, &c. III: Tambourine by Mlle Roland. V: Venetian Gondolier and Courtezan by Denoyer, Mlle Anne Roland, &c

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Dance: ]

Event Comment: By Command of his Royal Highness the Duke, and their Royal Highnesses the Princesses Caroline, Mary, and Louisa [who were present]

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: II: New Serious Dance by Denoyer, Mlle Anne Roland, &c. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Pit and Boxes put together. London Daily Post and General Advertiser, 6 May: There was an exceeding great Audience, and great Numbers of Quality both in the Boxes and Pit. Their Highnesses' Box was handsomely ornamented with white Damask, adorn'd with Silver Laces and Fringes; over the Canopy was the Figure of Hymen, with a Label on which was this Motto: Concordia Cordium. Daily Journal, 6 May: The House was so full about Five o'Clock, that several Gentlemen and Ladies, unable to go to their Seats, was obliged to depart

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Fall of Phaeton

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Pit and Boxes put together at half a guinea each. First Gallery 5s. Upper Gallery 2s. 6d. London Daily Post and General Advertiser, 8 Nov.: The Box in which their Royal Highnesses sat, was of white Sattin, beautifully Ornamented With Festons of flowers, in their proper Colours, and in Front was a flaming Heart, between two Hymeneal Torches, whose different Flames terminated in one Point, and were surmounted with a Label, on which were wrote, in Letters of Gold, these Words, Mutuus Ardor

Performances

Mainpiece Title: Alcina

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. An Ode, written by Mr Dryden. The Pit will be floored over, and laid into the Boxes. London Daily Post and General Advertiser, 17 March: The Prince and Princess of Wales seem'd to be highly entertain'd, insomuch that his Royal Highness commanded Mr Handel's Concerto on the Organ to be repeated

Performances

Mainpiece Title: Alexander's Feast

Event Comment: By Command of His Royal Highness The Duke and Their Royal Highnesses the Princesses Caroline, Mary, and Louisa

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Shepard, the first time of his appearing on the stage these two years; Valentine-Milward; Ben-Macklin; Foresight-Johnson; Scandal-Mills; Tattle-Cross; Trapland-Griffin; Jeremy-Woodward; Angelica-Mrs Mills; Mrs Foresight-Mrs Pritchard; Mrs Frail-Mrs Butler; Prue-Mrs Clive; Nurse-Mrs Marshall.

Afterpiece Title: Robin Goodfellow